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Bampton Classical Opera presents Gluck’s The Crown

Saturday 22 May @ 7.30pm

Bampton Classical Opera presents Gluck’s The Crown
Bampton Classical Opera presents Gluck’s The Crown
Rubens's depiction of Meleagro killing the Calydonian boar, the central point of the opera. Meleagro's beloved, the huntress Atalanta, stands behind him, bow in hand.

About Bampton Classical Opera presents Gluck’s The Crown

Bampton Classical Opera presents Christoph Willibald Gluck ‘THE CROWN’ (‘La corona’) composed 1765, azione teatrale, in one act, sung in Italian with linking English narration.

The performances will be on 18 May at London’s St John’s Smith Square and 22 May at the University Church in Oxford - a new venue for the company. Both performances were rescheduled from November 2020, when they were cancelled due to the COVID-19 lockdown.

The concert performances of Gluck’s one-act opera The Crown will be the first in the UK since 1987.

Artistic Directors: Jeremy Gray, Gilly French

Libretto: Pietro Metastasio
Conductor: Robert Howarth
CHROMA Ensemble

Composed in 1765, The Crown (La corona) glories in the sensuous beauty and virtuosity of the soprano voice. It was written for four Viennese Archduchesses, daughters of the Holy Roman Emperor Francis I and the formidable Empress Maria Theresa, young singers for whom Gluck had already composed his delectable Il parnaso confuso, performed by Bampton in 2014.

Both works set words by Pietro Metastasio and were destined for imperial family celebrations at the Hapsburg court theatre, although La corona was abandoned due to the Emperor’s sudden death.

In Bampton’s performance, the florid arias will be sung in Italian, linked by a narration in English. Early music specialist Robert Howarth conducts, making his Bampton debut, and an outstanding cast includes Lucy Anderson, first prize-winner of the 2019 Bampton Young Singers’ Competition.

The performance adds to Bampton’s noteworthy exploration of rarely-performed operas by Gluck, and the company will further this rediscovery with staged performances of Paris and Helen in summer 2021 (further details coming soon.)

The Crown - synopsis

In his almost countless libretti, which made him the most popular of operatic poets in the first half of the 18th century, Metastasio plundered the classical myths for stories of valour and love. The Crown, like many others, derives from a story in Ovid’s Metamorphoses.

Meleagro, Prince of Calydonia, gathers a troupe of brave heroes to hunt and slaughter the ferocious wild boar that has been sent by the goddess Diana to devastate his realm. The opera, however, is concerned not with masculine prowess and bravery but with the role and ambitions of women.

Atalanta, Climene and Asteria debate whether to join the chase, angry that only men can have the honour of gaining the crown of victory. When they consult Meleagro, he says the task is men’s work and warns that they will endanger themselves.

Nevertheless, the girls cannot hold back. Atalanta wounds the boar, and Meleagro is able to kill it. Each is reticent to accept the crown, and in the end, they offer it to Emperor Francis, in whose honour the opera was commissioned.

The Crown - casting

Meleagro - Harriet Eyley
Atalanta - Samantha Louis-Jean
Climene - Lisa Howarth
Asteria - Lucy Anderson

Narrator - Rosa French
Orchestra - CHROMA
Conductor - Robert Howarth

The Crown – music

The Crown opens with a three-movement Overture, followed by six arias of varied colour and character, a duet and a concluding ‘chorus’.

Although Gluck often reused material from his earlier works, all the music for La corona was composed afresh. The dynamic Allegro, which concludes the overture, reappeared in a new guise five years later in the overture for Paris and Helen and as part of the final radiant duet for those love-struck and ill-fated characters.

Booking information

The performance is approximately 70 minutes with no interval.

A limited number of tickets are at £25 (£10 for under 18s and students) and are available by telephone (01993 851142) or online.

Good to know

The performance on 18 May at St John’s Smith Square will be filmed and available to watch on-demand on the Bampton website from 23 May.

Both performances are subject to developing government COVID-19 announcements, including social distancing.

About Bampton Classical Opera

Bampton Classical Opera enjoys a national reputation for its passionate and enlightened discoveries of rare late 18th-century operas, sung in lively new translations. Amongst these have been UK premières of Bertoni Orfeo, Isouard Cendrillon, Marcos Portugal The Marriage of Figaro, Paer Leonora, Benda Romeo and Juliet, Gluck Il Parnaso confuso, Bauci e Philemon and Salieri Falstaff.

The company works with some of the finest emerging young professional singers and stages productions in rural venues in Oxfordshire and Gloucestershire and regularly in London, at St John’s Smith Square. Other significant venues and festivals have included Wigmore Hall and Purcell Room, Buxton Festival, Cheltenham Festival and Theatre Royal Bath.

Bampton Classical Opera encourages a relaxed and welcoming atmosphere, and with ticket prices being excellent value, their performances provide an ideal introduction to anyone unaccustomed to opera.

The 2019 production of Stephen Storace ‘Bride and Gloom’ (‘Gli sposi malcontenti’) has been shortlisted for an International Opera Award/Rediscovered Work Category in an award ceremony that will take place on 10 May 2021.

Details

Date:
Saturday 22 May
Time:
7.30pm
Event Category:

Venue

University Church of St Mary the Virgin, Oxford
The High Street
Oxford, OX1 4BJ
+ Google Map
Phone:
01865 279 111
Website:
https://www.universitychurch.ox.ac.uk/