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SUMMARY:Kabuki Legends: Part Two
DESCRIPTION:Kabuki Legends: Part Two. Image: Dancing Cranes by Takahashi Hiromitsu\, 2017 © Hiromitsu Takahashi / The Tolman Collection\n\n\n\n\n\n\n\n\nAbout Kabuki Legends: Part Two\n\n\n\nStencil Prints by Takahashi Hiromitsu \n\n\n\nJapanese artist Takahashi Hiromitsu creates dynamic\, colourful prints showing exciting moments in kabuki\, a traditional form of dance-drama. This is the second show in a two-part exhibition of his works in Gallery 29. \n\n\n\nHiromitsu’s striking designs are not portraits of actual actors\, but visualisations of famous kabuki roles. \n\n\n\nIn kabuki\, performers wearing elaborate costumes and make-up use stylised movement and song to enact melodramatic stories about love\, loyalty and the clash between duty and emotion. \n\n\n\nThe works recall Japan’s traditional ukiyo-e woodblock actor prints\, but are made using a different technique – kappazuri\, or stencil printing\, originally used for dyeing kimono. This process is complex and labour-intensive\, and Hiromitsu is one of very few artists working in this way today. \n\n\n\nThis exhibition showcases a second selection of these unusual prints from the Ashmolean’s own extensive collection of Hiromitsu’s work\, generously presented by Philip Harris. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Admission is FREE \n\n\n\nDate and times:From 16 February 2024 to 23 February 2025 \n\n\n\nThe museum is open every day from 10.00am to 5.00pm \n\n\n\nLocation:Gallery 29 \n\n\n\nWatch the Kabuki Legends: Part One video
URL:https://theoxfordmagazine.com/event/kabuki-legends-part-two/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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SUMMARY:Breaking Ground
DESCRIPTION:Breaking Ground Exhibition at Oxford University Museum of Natural History. Image: Watercolour by Mary Buckland (nee Morland)\, possibly painted in 1817\n\n\n\n\n\n\n\n\nAbout Breaking Ground\n\n\n\nFrom the first-ever scientific description of a dinosaur to the revelation that Earth is much older than the Biblical 6\,000 years\, the 19th century saw a network of naturalists forge new ways of thinking about the history of life and our planet. \n\n\n\nBreaking Ground is a new exhibition at the Oxford University Museum of Natural History that charts these significant developments in palaeontology and geology through a cast of characters – both the celebrated and the unsung – who helped to establish new scientific methods and ideas. \n\n\n\nCentred on an Oxford couple – William Buckland\, geologist and palaeontologist\, and Mary Buckland (née Morland)\, a scientific illustrator\, it explores some of the most historically important dinosaur discoveries ever made. \n\n\n\nMarking the 200th anniversary of the first description of a dinosaur\, Breaking Ground presents fossil material from the first three dinosaurs to be scientifically named – Megalosaurus\, Iguanodon\, and Hylaeosaurus\, including the iconic jaw that started it all. \n\n\n\nAlongside these historic specimens are more than 100 other objects\, including fossils\, skeletons\, casts\, and models. There is also archival material such as lithograph prints and watercolour paintings beautifully documenting the fieldwork\, landscapes\, and discoveries made during this fertile period of early palaeontology. \n\n\n\nWhile celebrating these important scientific developments\, Breaking Ground also investigates some inequalities of the period. William and Mary Buckland were married in 1825 and worked together to lay the foundations of modern palaeontology\, though history tends to remember their contributions differently. \n\n\n\nFamiliar names from 19th-century palaeontology are typically those of powerful people associated with certain institutions and publications; lost to history are workers in other\, often colonised\, countries who dug for specimens\, lower-status miners and quarriers around the UK\, and most women\, regardless of class or wealth. \n\n\n\nThese include Mary Anning\, who\, though more recently celebrated\, faced financial struggles for most of her life and\, as a woman\, was unable to join the Geological Society of London or present her own ideas. This is despite making some of the most important fossil discoveries of the century\, several of which will be on display in the exhibition. \n\n\n\nBreaking Ground will also offer the first showcase of items from the newly acquired Buckland archive. The drawings\, prints and paintings made by Mary Buckland include those used in the description of Megalosaurus by William Buckland in 1824. \n\n\n\nAs these illustrations helped to spread understanding of extinct groups of animals and plants among the 19th-century scientific community\, they challenged any literal interpretations of the Bible. A much older planet was revealed\, one that had undergone periods of glaciation – a controversial idea at the time – and in which hyaenas once populated the caves of Britain. \n\n\n\nComplementing the exhibition is a sculptural installation by British artist Angela Palmer. Torus of Time is a visual and tactile symbol of the deep time that was being uncovered by these pioneering 19th-century palaeontologists. An elegant ring of 16 quarry stones drawn from across the United Kingdom\, the piece represents three billion years of geological time. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Entry to the Museum is FREE and not ticketed. No booking required.Booking is required for organisations/groups of more than ten people visiting on the same day. \n\n\n\nOpening hours:Monday to Sunday from 10.00am to 5.00pmLast entry at 4.45pmClosed on 24\, 25\, & 26 DecemberAccessibility:Please contact the friendly team at the museum by telephone (01865 272 950) or email (foh@oum.ox.ac.uk) \n\n\n\n\n\n\n\n\n\n\nGallery\n\n\n\nClick images to expand with captions \n\n\n\n\nCave Hyaena Jaw. This hyaena jaw was found by William Buckland in Kirkdale cave in North Yorkshire in the 1820s. He initially thought the fossil showed evidence of the Great Flood having transported the animal to England. However\, further analysis showed the cave to have been a hyaena den from the Late Pleistocene\, 120\,000 years ago\, when Yorkshire would have been a lot warmer.\n\n\n\nHippopotamus. This watercolour by Mary Buckland (nee Morland)\, possibly painted in 1817\, is marked ‘MM’ – one of the few drawings signed with Mary’s maiden name. Morland was a gifted scientific illustrator whose drawings were used in scientific publications for William Buckland and others including Georges Cuvier.\n\n\n\nIchthyosaur with stomach contents. Exceptionally preserved\, this is one of Mary Anning’s finds of an ichthyosaur. Fish bones and scales\, visible inside the stomach area of the animal\, reveal the last meal of this marine reptile.\n\n\n\nMegalosaurus Jaw. This is the iconic fossilised jaw of Megalosaurus\, found in Stonesfield\, Oxfordshire\, and was used by William Buckland in the first ever scientific description of a dinosaur\, in 1824.\n\n\n\nProfessor and Mrs. Buckland and Frank. This silhouette of the Bucklands\, created by Auguste Edouart in 1829\, celebrates how the whole family was involved in the study of palaeontology.\n\n\n\nSynoptic view of the leading phenomena of Geology. The first plate in William Buckland’s Bridgewater Treatise VI: Geology and mineralogy considered with reference to natural theology. The Bridgewater Treatises was a series of eight volumes highlighting how science and faith could coexist. Buckland’s contribution argued that geology and palaeontology were consistent with the Bible and natural theology.
URL:https://theoxfordmagazine.com/event/breaking-ground/
LOCATION:Oxford University Museum of Natural History\, Parks Road\, Oxford\, Oxfordshire
CATEGORIES:Exhibitions
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SUMMARY:Ashmolean NOW: Bettina von Zwehl
DESCRIPTION:Ashmolean NOW: Bettina von Zwehl\n\n\n\n\n\n\n\n\nAbout Ashmolean NOW: Bettina von Zwehl\n\n\n\nAshmolean NOW: Bettina von Zwehl is the third in the Ashmolean NOW exhibition series\, where contemporary artists are invited to create new work inspired by the Ashmolean’s historical collections. \n\n\n\nThis exhibition features photographs by London-based artist Bettina von Zwehl (b. 1971)\, whose aim is to rekindle wonder and curiosity as critical tools for exploring new ideas and practices. \n\n\n\nDuring a residency in Oxford from 2022 to 2023\, von Zwehl spent time researching the Ashmolean’s founding collections – the wonderfully diverse objects and works of art which were displayed when the museum first opened in the 17th century. \n\n\n\nThe artist’s time at the Ashmolean served as inspiration for a unique photographic ‘Wunderkammer’ installation that moves between portraiture\, silhouetted fragments\, still-life\, monumental and miniature elements\, as well as non-art objects and specimens from natural history collections. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Admission is FREE \n\n\n\nDate and times:From 18 October 2024 to 11 May 2025The museum is open every day from 10.00am to 5.00pm \n\n\n\nLocation:Gallery 8 \n\n\n\n\n\n\n\nBehind-the-scenes with the artist
URL:https://theoxfordmagazine.com/event/ashmolean-now-bettina-von-zwehl/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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SUMMARY:Cheung Yee and his 1960s Hong Kong contemporaries
DESCRIPTION:Cheung Yee and his 1960s Hong Kong Contemporaries. Images (left to right): Everlasting 2/50\, Cheung Yee\, 1977\, red relief on cast paper. Family\, Cheung Yee\, 1960-1969. Chan Painting\, Lui Shou-Kwan\, 1969.\n\n\n\n\n\n\n\n\nAbout Cheung Yee and his 1960s Hong Kong Contemporaries\n\n\n\nThis exhibition showcases newly-acquired works for the Ashmolean by the Hong Kong artist Cheung Yee (1936–2019). It will be the first substantial display of his work outside Hong Kong\, including sculpture and works on paper. \n\n\n\nCheung Yee was a leading figure of innovation in the Hong Kong art scene\, especially during the 1960s\, when the city established its own identity as an artistic centre. \n\n\n\nHis work will be shown alongside those by Lui Shou-Kwan (1919–75)\, Wucius Wong (b.1936)\, Liu Kuo-sung (b.1932) and others from the avant-garde Circle Art Group. \n\n\n\nDisplayed with his peers\, the works highlight Cheung Yee’s connection with a generation of modern art pioneers from Hong Kong and Taiwan in the latter 20th century. \n\n\n\nAlthough Cheung Yee is mainly known as a sculptor\, the Ashmolean exhibition will include some outstanding examples of his experiments with works on paper. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Admission is FREE \n\n\n\nDate and times:From 30 November 2024 to 09 November 2025 \n\n\n\nThe museum is open every day from 10.00am to 5.00pm \n\n\n\nLocation:Gallery 11\, ground floor
URL:https://theoxfordmagazine.com/event/cheung-yee-and-his-1960s-hong-kong-contemporaries/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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SUMMARY:Oracles\, Omens and Answers
DESCRIPTION:Oracles\, Omens and Answers Exhibition. Image: The Original Fortune Teller\, or\, Chinese Wheel of Fortune by A. Park. Courtesy of the Bodleian Libraries\n\n\n\n\n\n\n\n\nAbout Oracles\, Omens and Answers\n\n\n\nOracles\, Omens and Answers is a new exhibition by the Bodleian Libraries’ looking at how people have sought answers in the face of the unknown across time and cultures. \n\n\n\nDiscover how people have sought answers to life’s big questions throughout history. \n\n\n\nDrawing on material from across time and cultures – from oracle bones from Shang Dynasty China (ca. 1250-1050 B.C.E.) to an autobiography of Ronald Reagan’s White House astrologer – Oracles\, Omens and Answers will explore the different techniques humans have used to unveil the past\, understand the present and predict the future. \n\n\n\nFrom palm reading and astrology to weather and public health forecasting\, see how societies have turned to divination to ask questions that resonate with us today – health\, relationships\, money and politics. \n\n\n\nStep into the world of divination and uncover how humanity has tried to confront the unknown and uncertain. \n\n\n\nThe exhibition is curated by Dr Michelle Aroney\, historian of science and religion at Magdalen College\, Oxford\, and Professor David Zeitlyn\, Professor of Social Anthropology at the University of Oxford and an initiated Mambila gam dù spider diviner. \n\n\n\n\n\n\n\nRead more: New exhibition at the Weston Library explores divination across times and cultures \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrice:Free admission\, no ticket required. \n\n\n\nLocation:ST Lee Gallery\, Weston Library. \n\n\n\n\n\n\n\n\n\n\nGallery\n\n\n\nClick images to enlarge with captions \n\n\n\n\n\n\n\n\n\nExhibition book\n\n\n\n\n\n\n\n\n\n\n\nDivination\, Oracles & Omens\n\n\n\nEdited by Michelle Aroney and David ZeitlynPublished on 05 December 2024 \n\n\n\nAccompanying the exhibition\, a spellbinding collection of twenty-four divinatory techniques from around the world exploring our need to appeal to powers beyond our realm for prediction and clarification. \n\n\n\nBuy now
URL:https://theoxfordmagazine.com/event/oracles-omens-and-answers/
LOCATION:Weston Library\, Oxford\, Broad Street\, Oxford\, Oxfordshire\, OX1 3BG
CATEGORIES:Exhibitions
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SUMMARY:Summer 1954 - Table Number 7 & The Browning Version
DESCRIPTION:Summer 1954 – Table Number 7 & The Browning Version\n\n\n\n\n\n\n\n\nAbout Summer 1954 – Table Number 7 & The Browning Version\n\n\n\nWritten by Terence Rattigan \n\n\n\nDirected by James Dacre \n\n\n\nStarring Nathaniel Parker and Dame Siân Phillips \n\n\n\nSummer\, 1954. \n\n\n\nThe atmosphere at The Beauregard Private Hotel\, Bournemouth\, is marked by a blend of repressed emotions and post-war gentility. Each of the staff and guests has their own reason for seeking the solace of quiet anonymity but trying to hide from the social and cultural change sweeping over the country is proving impossible. \n\n\n\nMeanwhile\, in the heart of the Midlands\, the end of the school term brings to a climax the intrigues\, deceptions\, and lies in the lives of its teachers. The ensuing implosion of classicist Andrew Crocker Harris’s career triggers the collapse of his marriage. \n\n\n\nBritain is changing. Nothing will ever be the same again. \n\n\n\nTerence Rattigan’s one-act masterpieces Table Number Seven (from Separate Tables) and The Browning Version are paired for the first time\, capturing one quietly momentous evening seventy years ago. Together\, they confirm Rattigan as one of the great 20th-century chroniclers of the paradoxes of the human heart. \n\n\n\nDirected by Olivier and UK Theatre Award winner James Dacre(Four Quartets\, The Two Popes and Blue/Orange)\, an ensemble cast will perform both plays\, led by Olivier Award winner Nathaniel Parker and BAFTA winner Dame Siân Phillips. \n\n\n\n\n\n\n\nReviews\n\n\n\n\n“A fine production… a handsome double-bill. Immaculately paced by James Dacre”. ★★★★★ \n\n\n\nThe Guardian \n\n\n\n\n\n“Excellent performances from a strong cast”. ★★★★ \n\n\n\nStage Talk Magazine \n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n£14.00 \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices:From £14.00 \n\n\n\nDates & times:Tuesday 11 February at 7.30pmWednesday 12 February at 7.30pmThursday 13 February at 2.30pm & 7.30pm (Captioned)Friday 14 February at 8.00pmSaturday 15 February at 2.30pm (Audio Described\, Touch Tour) & 7.30pm \n\n\n\nInterval:This show includes an interval \n\n\n\nAge Guidance:12+ \n\n\n\n\n\n\n\n\n\nAbout Oxford Playhouse\n\n\n\n\n			\n				\n			\n		\n\n\n\nOxford Playhouse and its Burton Taylor Studio present and produce several live performances and feature a rich array of British and international dramas\, family entertainment\, contemporary dance and music\, student and amateur shows\, comedy\, lectures and poetry. \n\n\n\nThe Playhouse not only produces and tours its own theatrical productions\, but it also fosters creativity through its Artists in Residence program and the Playhouse Plays Out series\, which brings unique events to various locations across the county. \n\n\n\nThe theatre’s Participation Team engages over 15\,000 individuals annually\, offering an extensive range of activities\, including post-show discussions\, workshops\, work experience opportunities\, holiday programs\, a youth theatre\, and a company for young performers. \n\n\n\nOxford Playhouse stands dedicated to its mission of being a Playhouse for all\, striving to ignite inspiration and bring about transformative experiences through its commitment to creativity on its stages\, within its community and online. \n\n\n\nDiscover more about Oxford Playhouse\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/summer-1954-table-number-7-the-browning-version/
LOCATION:Oxford Playhouse\, Beaumont Street\, Oxford\, Oxfordshire\, OX1 2LW\, United Kingdom
CATEGORIES:Plays
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DTEND;TZID=Europe/London:20250215T235959
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SUMMARY:Birdsong
DESCRIPTION:Birdsong\n\n\n\n\n\n\n\n\nAbout Birdsong\n\n\n\nSebastian Faulks’s epic story of love and loss returns to the stage marking the 30th anniversary of the international best-selling novel. \n\n\n\nThe critically acclaimed show returns in a brand-new production. Telling the story of one man’s journey through an all-consuming love affair and into the horror of the First World War. \n\n\n\nThere is nothing more than to love and be loved. How far would you go for love? \n\n\n\nBirdsong\n\n\n\nStarring award-winning actor Max Bowden\, best known for the role of Ben Mitchell in EastEnders\, James Esler (Litvinenko)\, and Charlie Russell (The Goes Wrong Show\, And Then There Were None (BBC)). \n\n\n\nIn pre-war France\, a young Englishman\, Stephen Wraysford\, embarks on a passionate and dangerous affair with the beautiful Isabelle Azaire that turns their world upside down. As the war breaks out over the idyll of his former life\, Stephen must lead his men through the carnage of the Battle of the Somme and the sprawling tunnels that lie deep underground.  \n\n\n\nFaced with the unprecedented horror of the war Stephen clings to the memory of Isabelle as his world explodes around him. \n\n\n\nA mesmerising story of love and courage. Once seen never forgotten. \n\n\n\nIn support of the Royal British Legion \n\n\n\nOriginal Theatre and JAS Theatricals in association with Joshua Beaumont & Huw Allen\, Tiny Giant Entertainment\, Birdsong Productions\, and Wiltshire Creative. \n\n\n\n\n\n\n\nWatch the trailer\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhat the critics say\n\n\n\n\n“Riveting” ★★★★★ \n\n\n\nTelegraph \n\n\n\n\n\n“A staggering achievement.” ★★★★ \n\n\n\nDaily Mail \n\n\n\n\n\n“Uniformly excellent.” ★★★★ \n\n\n\nThe Times \n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets prices: \n\n\n\nFrom £15.00 \n\n\n\nTickets are subject to a transaction fee of £3.95 \n\n\n\nDates & times: \n\n\n\nTuesday 11 to Saturday 15 February 2025 \n\n\n\nTuesday to Saturday at 7.30pm\, Thursday and Saturday at 2.00pm \n\n\n\nRunning time: \n\n\n\n2 hours 55 minutes\, including two intervals \n\n\n\nLocation: \n\n\n\nMain auditorium \n\n\n\nAge guidance:  \n\n\n\n15+ \n\n\n\nContent guidance: \n\n\n\nThis production contains nudity and simulated sexual content\, strong language\, sexual references\, themes of war\, death\, violence\, and references to abuse. \n\n\n\nWarnings: \n\n\n\nThis show contains Haze\, Smoke\, Loud Noises\, Violence\, Suicide\, War\, Mentions of Domestic Abuse\, Use of Weapons\, Mutilation of Animals (None harmed in the making of the show)\, Smoking\, Consumption of Alcohol\, Bad Language\, Sexually explicit scenes\, depictions of both oral and penetrative sex: Topless Female Nudity\, Full Male Nudity. \n\n\n\n\n\n\n\n\n\nAbout Aylesbury Waterside Theatre\n\n\n\n\n			\n				\n			\n		\n\n\n\nAylesbury Waterside Theatre is a stunning modern venue at the heart of Buckinghamshire’s cultural scene.  \n\n\n\nOpened in 2010\, its striking wooden interior takes inspiration from the rolling Chiltern Hills\, creating a warm and inviting atmosphere. The theatre regularly hosts top touring productions\, offering audiences the chance to enjoy big-name shows and world-class entertainment without heading to London. \n\n\n\nDesigned for comfort and accessibility\, the venue features step-free access\, wheelchair spaces\, and hearing loop systems. Whether you’re after a hit musical\, stand-up comedy\, or a magical Christmas pantomime\, Waterside Theatre has something for everyone. \n\n\n\nSee important information about Getting there and Access here \n\n\n\nSee other shows at this venue
URL:https://theoxfordmagazine.com/event/birdsong/
LOCATION:Aylesbury Waterside Theatre\, Exchange Street\, Aylesbury\, Buckinghamshire\, HP20 1UG
CATEGORIES:Plays
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SUMMARY:Cinema Bambino: We Live in Time
DESCRIPTION:Cinema Bambino: We Live in Time\n\n\n\n\n\n\n\n\nAbout Cinema Bambino: We Live in Time\n\n\n\nAlmut (Florence Pugh) and Tobias (Andrew Garfield) are brought together in a surprise encounter that changes their lives. Through snapshots of their life together – falling for each other\, building a home\, becoming a family – a difficult truth is revealed that rocks its foundation.  \n\n\n\nAs they embark on a path challenged by the limits of time\, they learn to cherish each moment of the unconventional route their love story has taken\, in filmmaker John Crowley’s decade-spanning\, deeply moving romance. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n£5.00 \n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets prices:£5.00\, Bambino free \n\n\n\nDates & times:Thursday 13 February 2025 at 10.30am \n\n\n\nAge guidance:Adults and babies up to 18 months \n\n\n\nFilm rating:15 \n\n\n\n\n\n\n\n\n\nAbout The Theatre Chipping Norton\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe Theatre Chipping Norton\, sometimes called The Theatre\, Chipping Norton or Chipping Norton Theatre\, is a theatre\, an arthouse cinema\, a gallery and a concert hall in Chipping Norton. \n\n\n\nThe theatre has has 217 seats\, including stalls and a balcony. It is a resource for the community\, and it is also a professional venue\, welcoming over 55\,000 customer visits every year. \n\n\n\nIt is something unique\, but it is also different things to different people. It is the cause and subject of many arguments and debates; and a fair amount of acclaim and affection. It is complicated and a little eccentric. \n\n\n\nIt is not a little theatre. It likes to make a big noise. \n\n\n\nDiscover more about The Theatre Chipping Norton\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/cinema-bambino-we-live-in-time/
LOCATION:The Theatre Chipping Norton\, 2 Spring Street\, Chipping Norton\, Oxfordshire\, OX7 5NL
CATEGORIES:Film & Screen
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SUMMARY:Discover the Romans in Oxford: Workshop Launch for Teachers
DESCRIPTION:Discover the Romans in Oxford: Workshop Launch for Teachers\n\n\n\n\n\n\n\n\nAbout Discover the Romans in Oxford: Workshop Launch for Teachers\n\n\n\nCalling all teachers and school staff!  \n\n\n\nJoin us on 13th February 2025 from 5.30–7.00 pm for the grand launch of our exciting new workshop: Romans in Oxford! \n\n\n\nExplore how local history can transform your teaching with this brand-new\, curriculum-linked workshop designed to inspire pupils and enrich their learning. \n\n\n\n✨ What to Expect: \n\n\n\n\n🏺 Hands-on access to Roman artifacts and resources.\n\n\n\n📚 Valuable CPD on integrating local heritage into the classroom.\n\n\n\n🕰️ Insights into the impact of Roman Oxford on history and trade.\n\n\n\n☕ Refreshments\, networking\, and after-hours Museum access.\n\n\n\n\nDon’t miss this chance to discover how the Museum of Oxford can bring local history to life for your students. Spaces are limited—secure your place now! \n\n\n\nBring Oxford’s history alive for your students—book your spot today! \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets prices: \n\n\n\nFree event \n\n\n\nDates & times: \n\n\n\nThursday 13 February 2025 at 5.30pm \n\n\n\nRunning time: \n\n\n\n1 hour 30 minutes \n\n\n\n\n\n\n\n\n\nAbout Museum of Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe Museum of Oxford is the only museum dedicated to telling the story of Oxford and its people. Located inside the Oxford Town Hall\, it explores the city’s rich history beyond the university\, focusing on the lives\, industries\, and communities that have shaped Oxford over time. \n\n\n\nThe museum features interactive exhibits\, local artefacts\, and personal stories\, covering topics such as Oxford’s medieval origins\, its diverse communities\, and key moments in its development. It also hosts temporary exhibitions\, events\, and activities for all ages. \n\n\n\nDiscover more about the Museum of Oxford.
URL:https://theoxfordmagazine.com/event/discover-the-romans-in-oxford-workshop-launch-for-teachers/
LOCATION:Museum of Oxford\, Oxford Town Hall\, St Aldate's\, Oxford\, Oxfordshire\, OX1 1BX
CATEGORIES:Workshops
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SUMMARY:It’s the Economy\, Stupid!
DESCRIPTION:It’s the Economy\, Stupid!\n\n\n\n\n\n\n\n\nAbout It’s the Economy\, Stupid!\n\n\n\nIt’s the Economy\, Stupid! \n\n\n\nBased on a true story of a family caught up in the 90s recession\, It’s the Economy\, Stupid! reveals the humanity behind economics. Armed with bags\, boxes and an old board game\, Joe Sellman-Leava and Dylan Howells embark on a quest to uncover how the economy wins elections\, and why the force that dominates our lives is so bloody complicated! \n\n\n\nDeveloped with and directed by internationally acclaimed Katharina Reinthaller\, and produced by Worklight Theatre\, It’s the Economy\, Stupid! is a bold new play from the Fringe First winning creators of Labels and Fanboy\, touring the UK after its sold-out\, critically acclaimed run at Edinburgh Fringe! \n\n\n\n\n\n\n\nWatch the trailer\n\n\n\n\n\n\n\n\n\n\n\n\n\nReviews\n\n\n\n\n“Smart\, sharp writing…deftly blends the personal with the political.” ★★★★ \n\n\n\nNatasha Tripney\, Stage \n\n\n\n\n\n“This show achieves the impossible.” ★★★★ \n\n\n\nPlaybill \n\n\n\n\n\n“Promises to leave you both entertained and enlightened.” ★★★★  \n\n\n\nTheatre Weekly \n\n\n\n\n\n“Informative\, poignant\, very funny\, expertly and charmingly delivered. Catch it while you can.” ★★★★ \n\n\n\nBroadway Baby \n\n\n\n\n\n“Insightful\, informative and impactful.” ★★★★ \n\n\n\nEdfringe Review \n\n\n\n\n\n“To say I’d recommend it is an understatement!” ★★★★ \n\n\n\nDarkChat \n\n\n\n\n\n“Intelligent\, moving and compelling.” ★★★★ \n\n\n\n½ Arts Hub \n\n\n\n\n\n“Highly recommended Show.” \n\n\n\nFringeReview \n\n\n\n\n\n★★★★ \n\n\n\nBritish Theatre Guide \n\n\n\n\n\n★★★★  \n\n\n\nList \n\n\n\n\n\n★★★★ \n\n\n\nTerri Paddock \n\n\n\n\n\n★★★★★ \n\n\n\nThe Real Chrisparkle \n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets:Standard tickets – £16.50Those on job seekers allowance – £8.00 \n\n\n\nDates & times:Thursday 13 February 2025 at 7.30pm \n\n\n\nAge guidance12+ \n\n\n\n\n\n\n\n\n\nAbout The Mill Arts Centre\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe Mill Arts Centre is the cultural hub for Banbury and the surrounding area. \n\n\n\nAs the only dedicated arts provision in the area\, it aims to inspire creativity and enrich the lives of the communities by providing a high-quality\, varied artistic\, educational and participatory programme. \n\n\n\nIt plays a significant role in the town’s cultural\, social and economic development by offering the community the chance to engage with and be entertained by several art forms. \n\n\n\nThe Mill Arts Centre offers an exciting live events programme\, including theatre\, dance\, music\, comedy\, film\, workshops and classes. Alongside this\, it runs several community projects and initiatives with partner organisations. \n\n\n\nYou can visit our Café Bar for delicious hot and cold drinks and light refreshments – and while you’re there\, the Gallery is home to a fantastic programme of exhibitions from local artists. \n\n\n\nAlternatively\, if you’re looking for meeting rooms or spaces for hire in Banbury\, our wide range of spaces – including our theatre\, art studio\, dance studio and meeting rooms – are available for hire. \n\n\n\nDiscover more about The Mill Arts Centre\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/its-the-economy-stupid/
LOCATION:The Mill Arts Centre\, Banbury\, Spiceball Park\, Banbury\, Oxfordshire\, OX16 5QE
CATEGORIES:Plays
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SUMMARY:James Rowland - Learning to Fly
DESCRIPTION:James Rowland – Learning to Fly\n\n\n\n\n\n\n\n\nAbout James Rowland – Learning to Fly\n\n\n\nIn Learning to Fly\, acclaimed writer\, storyteller and performer James Rowland tells the story of a remarkable friendship he made when he was a lonely\, unhappy teenager with the scary old lady who lived in the spooky house on his street. \n\n\n\nIt’s about connection\, no matter what the obstacles; about love’s eternal struggle with time; about music and its ability to heal. \n\n\n\nIt’s also about her last wish: to get high once before she died. \n\n\n\nPick A Price \n\n\n\nWe at The Theatre Chipping Norton believe passionately that art is for everyone. Therefore\, we are proud to be continuing our programme of Pick A Price events. \n\n\n\nTickets for our Pick A Price events start at £5\, and we have recommended pricing to help you to choose a price that works for you. \n\n\n\nPick A Price\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n£5.00 – £25.00 \n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets prices:£5.00 – £25.00 through the Pick A Price scheme \n\n\n\nAll prices include any booking fees \n\n\n\nDates & times:Thursday 13 February 2025 at 7.30pm \n\n\n\nAge guidance:14+ \n\n\n\n\n\n\n\n\n\nAbout The Theatre Chipping Norton\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe Theatre Chipping Norton\, sometimes called The Theatre\, Chipping Norton or Chipping Norton Theatre\, is a theatre\, an arthouse cinema\, a gallery and a concert hall in Chipping Norton. \n\n\n\nThe theatre has has 217 seats\, including stalls and a balcony. It is a resource for the community\, and it is also a professional venue\, welcoming over 55\,000 customer visits every year. \n\n\n\nIt is something unique\, but it is also different things to different people. It is the cause and subject of many arguments and debates; and a fair amount of acclaim and affection. It is complicated and a little eccentric. \n\n\n\nIt is not a little theatre. It likes to make a big noise. \n\n\n\nDiscover more about The Theatre Chipping Norton\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/james-rowland-learning-to-fly/
LOCATION:The Theatre Chipping Norton\, 2 Spring Street\, Chipping Norton\, Oxfordshire\, OX7 5NL
CATEGORIES:Plays
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SUMMARY:Second Best Bed
DESCRIPTION:Second Best Bed\n\n\n\n\n\n\n\n\nAbout Second Best Bed\n\n\n\n‘The Second Best Bed’ by Avril Rowlands\, starring Liz Grand\, directed by Chris Jaeger \n\n\n\nDid you see Liz Grand in ‘Where is Mrs Christie’? Don’t miss out on the chance to see her give another amazing performance\, this time as Shakespeare’s wife! \n\n\n\nWhen Shakespeare died\, he famously left his wife Anne only one thing – the second-best bed. This superb one-woman play\, full of both humour and pathos\, has received great critical acclaim since its premier at the Swan Theatre Worcester in 2012. \n\n\n\nLiz Grand stars as Anne Hathaway on the night of Shakespeare’s funeral. The wake has finished\, and the mourners have all gone home\, leaving Anne to remember her life with the most talented playwright the world has ever seen. Or was he? Did he write the plays? His widow would know if anybody did. Wouldn’t she? \n\n\n\n\n\n\n\nReviews\n\n\n\n\n“Lifts the lid on a Tudor can of worms……..a showcase for the towering acting skills of Liz Grand.” \n\n\n\nWorcester News \n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets prices:£20.00 \n\n\n\nTicket prices include a £1 Restoration Levy\, a £1.50 Booking Fee\, and a 25p Community Fund Levy. \n\n\n\nDates & times:Thursday 13 February 2025 at 7.30pm \n\n\n\nRunning time:1 hour 40 minutes \n\n\n\n\n\n\n\n\n\nAbout Kenton Theatre\n\n\n\n\n			\n				\n			\n		\n\n\n\nSituated in the centre of Henley-on-Thames\, the Kenton Theatre is the fourth-oldest working theatre in the UK and a registered charity. Seating 240\, the theatre today offers a varied programme of comedy\, drama\, music\, talks and more – as well as being available for hire. \n\n\n\nThe theatre is home to annual performances from Henley Amateur Operatic and Drama Society (HAODS)\, Henley Children’s Theatre\, Henley Drama Festival\, Henley Literary Festival\, Henley Players\, Henley Youth Festival\, Mike Hurst\, the National Youth Jazz Orchestra (NYJO)\, Woodley Light Operatic Society\, amongst others. High-profile performers at the Kenton in recent years include Michael McIntyre\, Georgie Fame\, Haley Mills\, Chris Barber\, Dara O’Briain\, Diana Rigg\, Russell Brand\, PP Arnold and Marti Webb. \n\n\n\nThe theatre’s first production\, the farce The School of Reform took place on 07 November 1805. Celebrated performers who have graced the Kenton stage over the last five decades include Celia Johnson\, John Mortimer\, Anthony Newley\, Kate Winslet\, Tom Baker\, Joe Brown\, Diana Dors\, David Essex\, Roy Hudd and Jeremy Irons. \n\n\n\nDiscover more about the Kenton Theatre\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/second-best-bed/
LOCATION:Kenton Theatre\, Henley-on-Thames\, 19 New Street\, Henley-on-Thames\, Oxfordshire\, RG9 2BP
CATEGORIES:Plays
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SUMMARY:Ray O'Leary
DESCRIPTION:Ray O’Leary\n\n\n\n\n\n\n\n\nAbout Ray O’Leary\n\n\n\nThe deadpan Ray O’Leary (Taskmaster NZ) is a big brain in an ill-fitting suit. Every time he does stand up and people laugh\, he gets stronger. Soon he will be the most powerful man in the universe. When the show ends\, he can be able to lift a car above his head. \n\n\n\nFresh from a sold-out Edinburgh Fringe Festival run\, the Best Show Nomination at the Melbourne International Comedy Festival and 3x nominee for Best Male Comedian by the NZ Comedy Guild. Ray is a staple on Australasian television including Have You Been Paying Attention?\, Thank God You’re Here\, and 7 Days. \n\n\n\nRay O’Leary\n\n\n\n\n\n\n\nWhat the critics say\n\n\n\n\n“A very strong comic indeed.” ★★★★ \n\n\n\nChortle \n\n\n\n\n\n“In awe of the talented performer’s ability to captivate his audience.” ★★★★ \n\n\n\nEdinburgh Festival Magazine \n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets prices: \n\n\n\nFrom  £20.08 \n\n\n\nNo transaction fees \n\n\n\nDates & times: \n\n\n\nThursday 13 February 2025 at 8.00pm \n\n\n\nLocation: \n\n\n\nNorman Bragg Studio \n\n\n\nAge guidance:  \n\n\n\n12+ \n\n\n\n\n\n\n\n\n\nAbout Aylesbury Waterside Theatre\n\n\n\n\n			\n				\n			\n		\n\n\n\nAylesbury Waterside Theatre is a stunning modern venue at the heart of Buckinghamshire’s cultural scene.  \n\n\n\nOpened in 2010\, its striking wooden interior takes inspiration from the rolling Chiltern Hills\, creating a warm and inviting atmosphere. The theatre regularly hosts top touring productions\, offering audiences the chance to enjoy big-name shows and world-class entertainment without heading to London. \n\n\n\nDesigned for comfort and accessibility\, the venue features step-free access\, wheelchair spaces\, and hearing loop systems. Whether you’re after a hit musical\, stand-up comedy\, or a magical Christmas pantomime\, Waterside Theatre has something for everyone. \n\n\n\nSee important information about Getting there and Access here \n\n\n\nSee other shows at this venue
URL:https://theoxfordmagazine.com/event/ray-oleary/
LOCATION:Aylesbury Waterside Theatre\, Exchange Street\, Aylesbury\, Buckinghamshire\, HP20 1UG
CATEGORIES:Comedy
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