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DTSTART;TZID=Europe/London:20241018T000000
DTEND;TZID=Europe/London:20250901T235959
DTSTAMP:20260519T193658Z
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SUMMARY:Breaking Ground
DESCRIPTION:Breaking Ground Exhibition at Oxford University Museum of Natural History. Image: Watercolour by Mary Buckland (nee Morland)\, possibly painted in 1817\n\n\n\n\n\n\n\n\nAbout Breaking Ground\n\n\n\nFrom the first-ever scientific description of a dinosaur to the revelation that Earth is much older than the Biblical 6\,000 years\, the 19th century saw a network of naturalists forge new ways of thinking about the history of life and our planet. \n\n\n\nBreaking Ground is a new exhibition at the Oxford University Museum of Natural History that charts these significant developments in palaeontology and geology through a cast of characters – both the celebrated and the unsung – who helped to establish new scientific methods and ideas. \n\n\n\nCentred on an Oxford couple – William Buckland\, geologist and palaeontologist\, and Mary Buckland (née Morland)\, a scientific illustrator\, it explores some of the most historically important dinosaur discoveries ever made. \n\n\n\nMarking the 200th anniversary of the first description of a dinosaur\, Breaking Ground presents fossil material from the first three dinosaurs to be scientifically named – Megalosaurus\, Iguanodon\, and Hylaeosaurus\, including the iconic jaw that started it all. \n\n\n\nAlongside these historic specimens are more than 100 other objects\, including fossils\, skeletons\, casts\, and models. There is also archival material such as lithograph prints and watercolour paintings beautifully documenting the fieldwork\, landscapes\, and discoveries made during this fertile period of early palaeontology. \n\n\n\nWhile celebrating these important scientific developments\, Breaking Ground also investigates some inequalities of the period. William and Mary Buckland were married in 1825 and worked together to lay the foundations of modern palaeontology\, though history tends to remember their contributions differently. \n\n\n\nFamiliar names from 19th-century palaeontology are typically those of powerful people associated with certain institutions and publications; lost to history are workers in other\, often colonised\, countries who dug for specimens\, lower-status miners and quarriers around the UK\, and most women\, regardless of class or wealth. \n\n\n\nThese include Mary Anning\, who\, though more recently celebrated\, faced financial struggles for most of her life and\, as a woman\, was unable to join the Geological Society of London or present her own ideas. This is despite making some of the most important fossil discoveries of the century\, several of which will be on display in the exhibition. \n\n\n\nBreaking Ground will also offer the first showcase of items from the newly acquired Buckland archive. The drawings\, prints and paintings made by Mary Buckland include those used in the description of Megalosaurus by William Buckland in 1824. \n\n\n\nAs these illustrations helped to spread understanding of extinct groups of animals and plants among the 19th-century scientific community\, they challenged any literal interpretations of the Bible. A much older planet was revealed\, one that had undergone periods of glaciation – a controversial idea at the time – and in which hyaenas once populated the caves of Britain. \n\n\n\nComplementing the exhibition is a sculptural installation by British artist Angela Palmer. Torus of Time is a visual and tactile symbol of the deep time that was being uncovered by these pioneering 19th-century palaeontologists. An elegant ring of 16 quarry stones drawn from across the United Kingdom\, the piece represents three billion years of geological time. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Entry to the Museum is FREE and not ticketed. No booking required.Booking is required for organisations/groups of more than ten people visiting on the same day. \n\n\n\nOpening hours:Monday to Sunday from 10.00am to 5.00pmLast entry at 4.45pmClosed on 24\, 25\, & 26 DecemberAccessibility:Please contact the friendly team at the museum by telephone (01865 272 950) or email (foh@oum.ox.ac.uk) \n\n\n\n\n\n\n\n\n\n\nGallery\n\n\n\nClick images to expand with captions \n\n\n\n\nCave Hyaena Jaw. This hyaena jaw was found by William Buckland in Kirkdale cave in North Yorkshire in the 1820s. He initially thought the fossil showed evidence of the Great Flood having transported the animal to England. However\, further analysis showed the cave to have been a hyaena den from the Late Pleistocene\, 120\,000 years ago\, when Yorkshire would have been a lot warmer.\n\n\n\nHippopotamus. This watercolour by Mary Buckland (nee Morland)\, possibly painted in 1817\, is marked ‘MM’ – one of the few drawings signed with Mary’s maiden name. Morland was a gifted scientific illustrator whose drawings were used in scientific publications for William Buckland and others including Georges Cuvier.\n\n\n\nIchthyosaur with stomach contents. Exceptionally preserved\, this is one of Mary Anning’s finds of an ichthyosaur. Fish bones and scales\, visible inside the stomach area of the animal\, reveal the last meal of this marine reptile.\n\n\n\nMegalosaurus Jaw. This is the iconic fossilised jaw of Megalosaurus\, found in Stonesfield\, Oxfordshire\, and was used by William Buckland in the first ever scientific description of a dinosaur\, in 1824.\n\n\n\nProfessor and Mrs. Buckland and Frank. This silhouette of the Bucklands\, created by Auguste Edouart in 1829\, celebrates how the whole family was involved in the study of palaeontology.\n\n\n\nSynoptic view of the leading phenomena of Geology. The first plate in William Buckland’s Bridgewater Treatise VI: Geology and mineralogy considered with reference to natural theology. The Bridgewater Treatises was a series of eight volumes highlighting how science and faith could coexist. Buckland’s contribution argued that geology and palaeontology were consistent with the Bible and natural theology.
URL:https://theoxfordmagazine.com/event/breaking-ground/
LOCATION:Oxford University Museum of Natural History\, Parks Road\, Oxford\, Oxfordshire
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20241018T000000
DTEND;TZID=Europe/London:20250511T235959
DTSTAMP:20250620T160534Z
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SUMMARY:Ashmolean NOW: Bettina von Zwehl
DESCRIPTION:Ashmolean NOW: Bettina von Zwehl\n\n\n\n\n\n\n\n\nAbout Ashmolean NOW: Bettina von Zwehl\n\n\n\nAshmolean NOW: Bettina von Zwehl is the third in the Ashmolean NOW exhibition series\, where contemporary artists are invited to create new work inspired by the Ashmolean’s historical collections. \n\n\n\nThis exhibition features photographs by London-based artist Bettina von Zwehl (b. 1971)\, whose aim is to rekindle wonder and curiosity as critical tools for exploring new ideas and practices. \n\n\n\nDuring a residency in Oxford from 2022 to 2023\, von Zwehl spent time researching the Ashmolean’s founding collections – the wonderfully diverse objects and works of art which were displayed when the museum first opened in the 17th century. \n\n\n\nThe artist’s time at the Ashmolean served as inspiration for a unique photographic ‘Wunderkammer’ installation that moves between portraiture\, silhouetted fragments\, still-life\, monumental and miniature elements\, as well as non-art objects and specimens from natural history collections. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Admission is FREE \n\n\n\nDate and times:From 18 October 2024 to 11 May 2025The museum is open every day from 10.00am to 5.00pm \n\n\n\nLocation:Gallery 8 \n\n\n\n\n\n\n\nBehind-the-scenes with the artist
URL:https://theoxfordmagazine.com/event/ashmolean-now-bettina-von-zwehl/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20241130T000000
DTEND;TZID=Europe/London:20251109T235959
DTSTAMP:20251224T132724Z
CREATED:20241123T172007Z
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SUMMARY:Cheung Yee and his 1960s Hong Kong contemporaries
DESCRIPTION:Cheung Yee and his 1960s Hong Kong Contemporaries. Images (left to right): Everlasting 2/50\, Cheung Yee\, 1977\, red relief on cast paper. Family\, Cheung Yee\, 1960-1969. Chan Painting\, Lui Shou-Kwan\, 1969.\n\n\n\n\n\n\n\n\nAbout Cheung Yee and his 1960s Hong Kong Contemporaries\n\n\n\nThis exhibition showcases newly-acquired works for the Ashmolean by the Hong Kong artist Cheung Yee (1936–2019). It will be the first substantial display of his work outside Hong Kong\, including sculpture and works on paper. \n\n\n\nCheung Yee was a leading figure of innovation in the Hong Kong art scene\, especially during the 1960s\, when the city established its own identity as an artistic centre. \n\n\n\nHis work will be shown alongside those by Lui Shou-Kwan (1919–75)\, Wucius Wong (b.1936)\, Liu Kuo-sung (b.1932) and others from the avant-garde Circle Art Group. \n\n\n\nDisplayed with his peers\, the works highlight Cheung Yee’s connection with a generation of modern art pioneers from Hong Kong and Taiwan in the latter 20th century. \n\n\n\nAlthough Cheung Yee is mainly known as a sculptor\, the Ashmolean exhibition will include some outstanding examples of his experiments with works on paper. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Admission is FREE \n\n\n\nDate and times:From 30 November 2024 to 09 November 2025 \n\n\n\nThe museum is open every day from 10.00am to 5.00pm \n\n\n\nLocation:Gallery 11\, ground floor
URL:https://theoxfordmagazine.com/event/cheung-yee-and-his-1960s-hong-kong-contemporaries/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20241206T000000
DTEND;TZID=Europe/London:20250427T235959
DTSTAMP:20250502T124118Z
CREATED:20241113T173758Z
LAST-MODIFIED:20250502T124118Z
UID:10009685-1733443200-1745798399@theoxfordmagazine.com
SUMMARY:Oracles\, Omens and Answers
DESCRIPTION:Oracles\, Omens and Answers Exhibition. Image: The Original Fortune Teller\, or\, Chinese Wheel of Fortune by A. Park. Courtesy of the Bodleian Libraries\n\n\n\n\n\n\n\n\nAbout Oracles\, Omens and Answers\n\n\n\nOracles\, Omens and Answers is a new exhibition by the Bodleian Libraries’ looking at how people have sought answers in the face of the unknown across time and cultures. \n\n\n\nDiscover how people have sought answers to life’s big questions throughout history. \n\n\n\nDrawing on material from across time and cultures – from oracle bones from Shang Dynasty China (ca. 1250-1050 B.C.E.) to an autobiography of Ronald Reagan’s White House astrologer – Oracles\, Omens and Answers will explore the different techniques humans have used to unveil the past\, understand the present and predict the future. \n\n\n\nFrom palm reading and astrology to weather and public health forecasting\, see how societies have turned to divination to ask questions that resonate with us today – health\, relationships\, money and politics. \n\n\n\nStep into the world of divination and uncover how humanity has tried to confront the unknown and uncertain. \n\n\n\nThe exhibition is curated by Dr Michelle Aroney\, historian of science and religion at Magdalen College\, Oxford\, and Professor David Zeitlyn\, Professor of Social Anthropology at the University of Oxford and an initiated Mambila gam dù spider diviner. \n\n\n\n\n\n\n\nRead more: New exhibition at the Weston Library explores divination across times and cultures \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrice:Free admission\, no ticket required. \n\n\n\nLocation:ST Lee Gallery\, Weston Library. \n\n\n\n\n\n\n\n\n\n\nGallery\n\n\n\nClick images to enlarge with captions \n\n\n\n\n\n\n\n\n\nExhibition book\n\n\n\n\n\n\n\n\n\n\n\nDivination\, Oracles & Omens\n\n\n\nEdited by Michelle Aroney and David ZeitlynPublished on 05 December 2024 \n\n\n\nAccompanying the exhibition\, a spellbinding collection of twenty-four divinatory techniques from around the world exploring our need to appeal to powers beyond our realm for prediction and clarification. \n\n\n\nBuy now
URL:https://theoxfordmagazine.com/event/oracles-omens-and-answers/
LOCATION:Weston Library\, Oxford\, Broad Street\, Oxford\, Oxfordshire\, OX1 3BG
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250214T000000
DTEND;TZID=Europe/London:20250615T235959
DTSTAMP:20250715T002822Z
CREATED:20241123T133050Z
LAST-MODIFIED:20250715T002822Z
UID:10009706-1739491200-1750031999@theoxfordmagazine.com
SUMMARY:Anselm Kiefer: Early Works
DESCRIPTION:Anselm Kiefer: Early Works exhibition at Ashmolean Museum Oxford\n\n\n\n\n\n\n\n\nAbout Anselm Kiefer: Early Works\n\n\n\nAnselm Kiefer: Early Works will be a landmark survey of the artist’s work produced between 1969 and 1982.  \n\n\n\nOrganised in collaboration with the Hall Art Foundation and drawn from the Hall Collection\, the exhibition will show approximately 45 works rarely displayed in public before. \n\n\n\nThis major exhibition will return to Anselm Kiefer’s roots\, featuring important early paintings\, photos\, prints\, artist books\, watercolours and mixed-media work\, including less well-known\, intimate pieces. \n\n\n\nRead more: Ashmolean Museum to present early works by Anselm Kiefer in landmark exhibition \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Standard tickets – £15.30 or £17.00 with Gift AidConcession rate tickets – £14.30 or £16 with Gift AidHalf-price tickets – £7.65 or £8.50 with Gift AidMember tickets – FreeCarer tickets – Free \n\n\n\nTickets go on sale for shortly. \n\n\n\nConcession rate tickets are for Senior citizens and University of Oxford staff & alumni. Proof of eligibility must be presented with your ticket when you visit. \n\n\n\nHalf-price tickets are for Art Fund members\, children aged 12 to 17 years and under 25s\, Blue Light cardholders (key workers)\, and those who are unemployed/jobseekers. Proof of eligibility must be presented with your ticket when you visit. \n\n\n\nFree member tickets – Entry to the exhibition is free for members but we advise pre-booking a timed slot\, especially at busier periods\, to guarantee entry. You will need your 13- or 14-digit membership number to book. \n\n\n\nDisabled visitors & carers – Disabled visitors should book a regular exhibition ticket at full or concession price\, depending on eligibility. Accompanying carers can access the exhibition for free with a ticket-holding disabled visitor\, but should please book a free ‘Carer’ tickets for the same time slot. \n\n\n\nDates and times:The exhibition is open from 10.00am to 5.00pm daily from 14 February to 15 June 2025. \n\n\n\nThere is a free Members Preview for Anselm Kiefer: Early Works on Thursday\, 13 February\, from 10.00am to 5.00pm. No booking is required\, but you need to show your membership card on arrival. \n\n\n\n\n\n\n\nFeatured images from left to right: Portrait of Anselm Kiefer by Till Brönner\, 2023. Anselm Kiefer (b. 1945)\, Untitled\, 1974. Mixed media on paper\, 62.5 x 44 cm. Hall Collection. Courtesy of the Hall Art Foundation.  © Anselm Kiefer. Photo: Adam Reich. Anselm Kiefer (b. 1945). Die Etsch (The Adige)\, early-1970s. Watercolour\, gouache and ink on paper\, 56 x 41 cm. Hall Collection. Courtesy of the Hall Art Foundation. © Anselm Kiefer. Photo: Mark-Woods.com
URL:https://theoxfordmagazine.com/event/anselm-kiefer-early-works/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250301T000000
DTEND;TZID=Europe/London:20260315T235959
DTSTAMP:20260327T144124Z
CREATED:20251121T002047Z
LAST-MODIFIED:20260327T144124Z
UID:10011683-1740787200-1773619199@theoxfordmagazine.com
SUMMARY:Images of Authority: Portraits Between Iran and Europe
DESCRIPTION:Images of Authority: Portraits Between Iran and Europe\n\n\n\n\n\n\n\n\nAbout Images of Authority: Portraits Between Iran and Europe\n\n\n\nThis free exhibition examines the power of portraits in shaping the image of three contemporaneous rulers: Fath Ali Shah Qajar (1797–1834)\, King George III (1760–1820)\, and Napoleon Bonaparte (1799–1814)\, offering a fascinating reflection on the role of imagery in both personal and political life. \n\n\n\nJuxtaposing works on different media from Iran\, Britain\, and France\, the display reveals the strategies these leaders and their image-makers used to convey authority\, ambition\, and personality. \n\n\n\nFor the first time in over a century\, the exhibition also presents two recently restored Qajar paintings\, alongside insights from their conservation discoveries. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking informatio\n\n\n\nPrices: \n\n\n\nFree \n\n\n\nLocation: \n\n\n\nGallery 29 \n\n\n\n\n\n\n\n\nSelected artworks on display\n\n\n\n\n\n\n			\n				\n			\n		Seated Portrait of Fath Ali Shah of Iran retouched & conserved\, about 1798\, oil on canvas © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Portrait of a setar player\, 1797–1798. Detail from the retouched and conserved portrait of a setar player\, signed Mirza Muhammad\, oil on canvas © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Portrait of King George III\, after 1800. Engraving by Anthony Cardon\, after William Beechey © Ashmolean Museum\n\n\n\n\n\n\n\n\n			\n				\n			\n		Miniature Portrait of Napoleon I\, 19th century. Watercolour on ivory miniature by Jean-Baptiste Isabey © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Caricature of George III as Cheyt Singh\, about 1786. Hand-coloured engraving © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Mirror case depicting Fath ‘Ali Shah’. Carved ivory mirror case from Iran by Muhammad Ali © Ashmolean Museum
URL:https://theoxfordmagazine.com/event/images-of-authority-portraits-between-iran-and-europe/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250320T190000
DTEND;TZID=Europe/London:20250320T190000
DTSTAMP:20260224T111328Z
CREATED:20220911T183143Z
LAST-MODIFIED:20260224T111328Z
UID:10004195-1742497200-1742497200@theoxfordmagazine.com
SUMMARY:Public Service Broadcasting
DESCRIPTION:Public Service Broadcasting\n\n\n\n\n\n\n\n\nAbout Public Service Broadcasting\n\n\n\nFollowing their sell-out Friars Aylesbury Bright Magic concert in 2021\, Public Service Broadcasting returns to New Theatre Oxford for the final leg of their UK tour celebrating the launch of their new album titled The Last Flight which was released on Friday 04 October. \n\n\n\nThe inspiration for the LP is taken from the final voyage of America’s pioneering female “aviatrix” Amelia Earhart. Back in 1922\, when she was just 25\, she flew higher than any woman before her and became the first woman to fly solo across the Atlantic and Pacific Oceans\, setting multiple speed and distance records. \n\n\n\nPublic Service Broadcasting\n\n\n\n\n\n\n\nIt also makes a nod to her final venture\, when she announced in 1937 that she would circumnavigate the globe in her Lockheed Model 10-E Electra aircraft. She crossed the Americas\, Africa\, the Middle East\, and Asia\, but never made it back. \n\n\n\nThe album’s first single Electra is a pulsating\, funk-inspired track which\, like the album\, takes inspiration from the determination of Earheart and captures the same force as her aircraft. \n\n\n\n“I wanted to do a woman-focused story because most of the archive we have access to is overwhelmingly male”\, said J. Willgoose Esq\, discussing the inspiration for their first album since 2021’s Bright Magic.  \n\n\n\n“I was initially drawn in by Earhart’s final fight\, rather than the successes that she had\, but the more I read the more I became fascinated by her. Her bravery and aeronautical achievements were extraordinary\, but her philosophy and the dignity that she had… she was an outstanding person.” \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFrom £34.63 \n\n\n\nTickets are subject to a transaction fee of £3.95. \n\n\n\nDate and time: \n\n\n\nThursday 20 March 2025 at 7.00pm \n\n\n\nAge guidance:  \n\n\n\nUnder 16s to be accompanied by an adult 21+. No under 5s. \n\n\n\n\n\n\n\nVideo\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout New Theatre Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\nThere has been a theatre on George Street for almost 170 years. The first theatre was built in 1836\, and a second in 1886. In 1934\, the third New Theatre opened. \n\n\n\nThe theatre has been owned by several different companies and undergone several name changes. It is now owned by the Ambassador Theatre Group and hosts everything from ballet and opera to musicals. \n\n\n\nOn performance days\, the Box Office opens at noon and closes 15 minutes after the show starts. If there is a performance on a Sunday or Bank Holiday\, Box Office will open 2 hours before the show begins and close 15 minutes after the show starts. \n\n\n\nThere is a large air-conditioned bar with seating located below the Stalls Foyer\, two further bars in the Circle Foyer and an additional one at the back of the balcony. All stocked with an array of drinks and snacks. \n\n\n\nThere is a cloakroom located in the stalls bar. If this is closed\, please speak to a member of staff. £1 per item. It is free to ATG Theatre Card members. \n\n\n\nSee important information about Getting there and Access here \n\n\n\nSee other shows at this venue
URL:https://theoxfordmagazine.com/event/public-service-broadcasting/
LOCATION:New Theatre Oxford\, 24-26 George Street\, Oxford\, Oxfordshire\, OX1 2AG
CATEGORIES:Concerts
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250320T191500
DTEND;TZID=Europe/London:20250320T224000
DTSTAMP:20250221T233657Z
CREATED:20250221T233654Z
LAST-MODIFIED:20250221T233657Z
UID:10010261-1742498100-1742510400@theoxfordmagazine.com
SUMMARY:The Royal Ballet: Romeo and Juliet (LIVE BROADCAST)
DESCRIPTION:The Royal Ballet: Romeo and Juliet (LIVE BROADCAST)\n\n\n\n\n\n\n\n\nAbout The Royal Ballet: Romeo and Juliet (LIVE BROADCAST)\n\n\n\nShakespeare’s star-crossed lovers experience passion and tragedy in this screening from the Royal Ballet of this 20th-century ballet masterpiece. \n\n\n\nRomeo and Juliet has become a great modern ballet classic of the ballet repertory since its creation by Royal Ballet Director Kenneth MacMillan and its premiere in 1965. \n\n\n\nIn this special screening on Valentine’s Day\, the doomed lovers attempt to find their way through the colour and action of Renaissance Verona\, where a busy market all too quickly bursts into sword fighting and a family feud leads to tragedy for both the Montagues and the Capulets. \n\n\n\nStarring Marcelino Sambé (Romeo)\, Anna-Rose O’Sullivan (Juliet) and featuring the Orchestra of the Royal Opera House. \n\n\n\nThis is a screening of the show\, not a live performance. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets prices: \n\n\n\nFrom £14.85 \n\n\n\nNo transaction fees \n\n\n\nDates & times: \n\n\n\nThursday 20 March 2025 at 7.15pm \n\n\n\nRunning time: \n\n\n\n3 hours 25 minutes\, including an interval \n\n\n\nLocation: \n\n\n\nNorman Bragg Studio \n\n\n\n\n\n\n\n\n\nAbout Aylesbury Waterside Theatre\n\n\n\n\n			\n				\n			\n		\n\n\n\nAylesbury Waterside Theatre is a stunning modern venue at the heart of Buckinghamshire’s cultural scene.  \n\n\n\nOpened in 2010\, its striking wooden interior takes inspiration from the rolling Chiltern Hills\, creating a warm and inviting atmosphere. The theatre regularly hosts top touring productions\, offering audiences the chance to enjoy big-name shows and world-class entertainment without heading to London. \n\n\n\nDesigned for comfort and accessibility\, the venue features step-free access\, wheelchair spaces\, and hearing loop systems. Whether you’re after a hit musical\, stand-up comedy\, or a magical Christmas pantomime\, Waterside Theatre has something for everyone. \n\n\n\nSee important information about Getting there and Access here \n\n\n\nSee other shows at this venue
URL:https://theoxfordmagazine.com/event/the-royal-ballet-romeo-and-juliet-live-broadcast/
LOCATION:Aylesbury Waterside Theatre\, Exchange Street\, Aylesbury\, Buckinghamshire\, HP20 1UG
CATEGORIES:Film & Screen
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DTSTART;TZID=Europe/London:20250320T193000
DTEND;TZID=Europe/London:20250320T193000
DTSTAMP:20250104T134410Z
CREATED:20250104T134308Z
LAST-MODIFIED:20250104T134410Z
UID:10009855-1742499000-1742499000@theoxfordmagazine.com
SUMMARY:Inspector Drake and the Perfekt Crime
DESCRIPTION:Inspector Drake and the Perfekt Crime\n\n\n\n\n\n\n\n\nAbout Inspector Drake and the Perfekt Crime\n\n\n\nInspector Drake and the Perfekt Crime \n\n\n\nBy David Tristram \n\n\n\nA comedy whodunnit with more twists than a Chuck Berry song! \n\n\n\nWhen a genius commits a murder\, the plan is perfect. But is it foolproof? Inspector Drake is facing his greatest-ever challenge. Who is the mysterious Doctor Short and why did he marry a warthog? Has he murdered his fourth wife – or did she murder him first? Who is the real Sabrina? \n\n\n\nExpect surprises\, slapstick\, and some risqué humour in this hilarious parody of an Agatha Christie country house murder mystery. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets:Standard price – £15.00Concession price – £14.00 \n\n\n\nConcession price tickets only available for Thursday performance. \n\n\n\nDates & times:Thursday 20 March at 7.30pmFriday 21 March at 7.30pmSaturday 22 March 2.30pm and 7.30pm \n\n\n\n\n\n\n\n\n\nAbout The Mill Arts Centre\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe Mill Arts Centre is the cultural hub for Banbury and the surrounding area. \n\n\n\nAs the only dedicated arts provision in the area\, it aims to inspire creativity and enrich the lives of the communities by providing a high-quality\, varied artistic\, educational and participatory programme. \n\n\n\nIt plays a significant role in the town’s cultural\, social and economic development by offering the community the chance to engage with and be entertained by several art forms. \n\n\n\nThe Mill Arts Centre offers an exciting live events programme\, including theatre\, dance\, music\, comedy\, film\, workshops and classes. Alongside this\, it runs several community projects and initiatives with partner organisations. \n\n\n\nYou can visit our Café Bar for delicious hot and cold drinks and light refreshments – and while you’re there\, the Gallery is home to a fantastic programme of exhibitions from local artists. \n\n\n\nAlternatively\, if you’re looking for meeting rooms or spaces for hire in Banbury\, our wide range of spaces – including our theatre\, art studio\, dance studio and meeting rooms – are available for hire. \n\n\n\nDiscover more about The Mill Arts Centre\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/inspector-drake-and-the-perfekt-crime/
LOCATION:The Mill Arts Centre\, Banbury\, Spiceball Park\, Banbury\, Oxfordshire\, OX16 5QE
CATEGORIES:Comedy
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DTSTART;TZID=Europe/London:20250320T193000
DTEND;TZID=Europe/London:20250320T193000
DTSTAMP:20250802T092425Z
CREATED:20250221T233740Z
LAST-MODIFIED:20250802T092425Z
UID:10010262-1742499000-1742499000@theoxfordmagazine.com
SUMMARY:Ellen Kent: La Traviata
DESCRIPTION:Ellen Kent: La Traviata\n\n\n\n\n\n\n\n\nAbout Ellen Kent: La Traviata\n\n\n\nSenbla presents Opera International’s award-winning Ellen Kent production featuring the Ukrainian Opera & Ballet Theatre Kyiv with international soloists\, a highly-praised chorus\, and a full orchestra. \n\n\n\nThe love story that gripped Paris. \n\n\n\nEllen Kent: La Traviata\n\n\n\nA tragic tale of searing passion and memorable music\, La Traviata is Verdi’s outstanding interpretation of one of the most popular love stories of the 19th century\, La Dame aux Camelias. \n\n\n\nBased on a true story\, it tells of the passionate loves and life of the consumptive courtesan\, Violetta. There are many echoes of Verdi’s own life in Traviata and he threw himself into the music. The highlights include the Brindisi\, the best-known drinking song in opera\, the duet Un Di Felice\, and Violetta’s haunting aria Addio Del Passato. \n\n\n\nStarring Ukrainian soprano Viktoria Melnyk\, Korean soprano Elena Dee\, Georgian tenor Davit Sumbadze and Armenian tenor Hovhannes Andreasyan.* \n\n\n\n*Cast subject to change. \n\n\n\nThis magnificent production boasts sumptuous sets and costumes. \n\n\n\nSung in Italian with English subtitles. \n\n\n\n\n\n\n\nWatch the trailer\n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets prices: \n\n\n\nFrom £25.00 \n\n\n\nTickets are subject to a transaction fee of £3.95 \n\n\n\nDates & times: \n\n\n\nThursday 20 March 2025 at 7.30pm \n\n\n\nRunning time: \n\n\n\nThis show has an interval \n\n\n\nLocation: \n\n\n\nMain auditorium \n\n\n\n\n\n\n\n\n\nAbout Aylesbury Waterside Theatre\n\n\n\n\n			\n				\n			\n		\n\n\n\nAylesbury Waterside Theatre is a stunning modern venue at the heart of Buckinghamshire’s cultural scene.  \n\n\n\nOpened in 2010\, its striking wooden interior takes inspiration from the rolling Chiltern Hills\, creating a warm and inviting atmosphere. The theatre regularly hosts top touring productions\, offering audiences the chance to enjoy big-name shows and world-class entertainment without heading to London. \n\n\n\nDesigned for comfort and accessibility\, the venue features step-free access\, wheelchair spaces\, and hearing loop systems. Whether you’re after a hit musical\, stand-up comedy\, or a magical Christmas pantomime\, Waterside Theatre has something for everyone. \n\n\n\nSee important information about Getting there and Access here \n\n\n\nSee other shows at this venue
URL:https://theoxfordmagazine.com/event/ellen-kent-la-traviata/
LOCATION:Aylesbury Waterside Theatre\, Exchange Street\, Aylesbury\, Buckinghamshire\, HP20 1UG
CATEGORIES:Opera
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DTSTART;TZID=Europe/London:20250320T193000
DTEND;TZID=Europe/London:20250320T193000
DTSTAMP:20250301T175428Z
CREATED:20250301T175425Z
LAST-MODIFIED:20250301T175428Z
UID:10010405-1742499000-1742499000@theoxfordmagazine.com
SUMMARY:The Picture of Dorian Gray
DESCRIPTION:The Picture of Dorian Gray\n\n\n\n\n\n\n\n\nAbout The Picture of Dorian Gray\n\n\n\nFrom the award-winning creators of Casting the Runes. \n\n\n\n“What does it profit a man if he gains the whole world and loses his own soul?” \n\n\n\nBox Tale Soup presents a remarkable adaptation of Wilde’s classic in their inimitable style\, featuring unique puppetry and a powerful original soundtrack. \n\n\n\nDorian Gray\, young and beautiful\, sinks into a frivolous lifestyle of selfish abandon\, seemingly unchanged by corruption and untouched by age. But behind a locked door\, Dorian’s portrait tells a very different story… \n\n\n\n\n\n\n\nReviews\n\n\n\n\n“They are wonderful.” \n\n\n\nThe Times \n\n\n\n\n\n“Time and space hold no bounds for Box Tale Soup.” \n\n\n\nThe Scotsman \n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFull price – £16.00 \n\n\n\nConcessions – £14.40 \n\n\n\nMembers – £12.80 \n\n\n\nAll orders will be subject to a fee of £2.00 \n\n\n\nTheatre offer: Get 15% off applied automatically at check-out for this spectacular show. \n\n\n\nDates & times: \n\n\n\nThursday 20 March 2025 at 7.30pm \n\n\n\nRunning time: \n\n\n\n1 hour 5 minutes \n\n\n\nLocation: \n\n\n\nAuditorium \n\n\n\n\n\n\n\n\n\nAbout Cornerstone Arts Centre\n\n\n\n\n\n\n\nCornerstone Arts Centre is a purpose-built\, professional arts\, culture and entertainment venue in the heart of Didcot\, brought to you by the South Oxfordshire District Council. \n\n\n\nOpened in 2008\, it presents a high-quality programme of live performances\, participatory activities\, exhibitions and outreach work that meet the needs and enhance the experiences of the local community and beyond. \n\n\n\nThe RIBA award-nominated building comprises a 220-seat auditorium\, an art gallery\, a dance studio\, and spaces for workshops and community activities. The centre also has a café and bar\, making it a welcoming space for audiences and artists. \n\n\n\nSee other shows at this venue
URL:https://theoxfordmagazine.com/event/the-picture-of-dorian-gray-2/
LOCATION:Cornerstone Arts Centre\, Didcot\, 25 Station Road\, Didcot\, Oxfordshire\, OX11 7NE
CATEGORIES:Plays
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250320T193000
DTEND;TZID=Europe/London:20250320T213000
DTSTAMP:20260624T203614Z
CREATED:20250131T234129Z
LAST-MODIFIED:20260624T203614Z
UID:10010136-1742499000-1742506200@theoxfordmagazine.com
SUMMARY:Oxford Philharmonic Orchestra: Christoph Eschenbach
DESCRIPTION:Oxford Philharmonic Orchestra: Christoph Eschenbach\n\n\n\n\n\n\n\n\nAbout Oxford Philharmonic Orchestra: Christoph Eschenbach\n\n\n\nMendelssohn Overture to Midsummer Night’s Dream\, Op. 21 \n\n\n\nBach Violin Concerto No. 2 in E major\, BWV 1042 \n\n\n\nMendelssohn Symphony No. 4 in A major\, Op. 90\, ‘Italian’ \n\n\n\nChristoph Eschenbach conductor \n\n\n\nThomas Zehetmair violin \n\n\n\nTwo things inspired Mendelssohn more than anything else: travel and literature. This concert under Christoph Eschenbach celebrates both\, opening with all the magic and mystery of the composer’s overture to A Midsummer Night’s Dream\, the play by Shakespeare for which he wrote extensive incidental music\, and concluding with the boundless exhilaration and joy of his Italian Symphony\, which overflows with the composer’s unique brand of perfected spontaneity.  \n\n\n\nBetween them comes the Violin Concerto in E minor from Mendelssohn’s other great love: Bach. \n\n\n\nThis concert contains a pre-concert talk from Stephen Carpenter which runs from 6.30pm to 6.55pm. \n\n\n\nMendelssohn in Italy– an illustrated talk by Stephen Carpenter \n\n\n\nThis talk will give an account of the Italian journey undertaken by Felix Mendelssohn in 1830 and 1831. It was a journey that would inspire Mendelssohn to write one of his best-loved works\, Symphony No. 4 – the ‘Italian’. This was the continuation of his “Grand Tour” which had begun in England and (unusually) Scotland in 1829 and now took him to Italy\, which was the country visited by many young men of means in the early 18th century.  \n\n\n\nThe talk will bring Mendelssohn’s journey vividly to life by showing several of the fine sketches and watercolours that he made during his travels\, and give an introduction to the ‘Italian’ Symphony that brings the Oxford Philharmonic Orchestra’s concert to a close. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets prices: \n\n\n\nStandard tickets – From £20.00 \n\n\n\nStudent – From £5.00 \n\n\n\nDates & times: \n\n\n\nThursday 20 March 2025 at 7.30pm \n\n\n\nRunning time: \n\n\n\n2 hours\, including an interval \n\n\n\nAge guidance: \n\n\n\n6+ \n\n\n\n\n\n\n\n\n\nAbout the Sheldonian Theatre\n\n\n\n\n			\n				\n			\n		\n\n\n\nHome to ceremonial occasions and a raft of exciting events\, the magnificent and versatile Sheldonian Theatre is the focal point of the University of Oxford and is a unique space to experience live music. \n\n\n\nTo see an interactive map of the theatre\, click here. \n\n\n\nFind out more about the Sheldonian Theatre\, including facilities\, access and venue information.
URL:https://theoxfordmagazine.com/event/oxford-philharmonic-orchestra-christoph-eschenbach/
LOCATION:Sheldonian Theatre\, Broad Street\, Oxford\, Oxfordshire\, OX1 3AZ
CATEGORIES:Concerts
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