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SUMMARY:Breaking Ground
DESCRIPTION:Breaking Ground Exhibition at Oxford University Museum of Natural History. Image: Watercolour by Mary Buckland (nee Morland)\, possibly painted in 1817\n\n\n\n\n\n\n\n\nAbout Breaking Ground\n\n\n\nFrom the first-ever scientific description of a dinosaur to the revelation that Earth is much older than the Biblical 6\,000 years\, the 19th century saw a network of naturalists forge new ways of thinking about the history of life and our planet. \n\n\n\nBreaking Ground is a new exhibition at the Oxford University Museum of Natural History that charts these significant developments in palaeontology and geology through a cast of characters – both the celebrated and the unsung – who helped to establish new scientific methods and ideas. \n\n\n\nCentred on an Oxford couple – William Buckland\, geologist and palaeontologist\, and Mary Buckland (née Morland)\, a scientific illustrator\, it explores some of the most historically important dinosaur discoveries ever made. \n\n\n\nMarking the 200th anniversary of the first description of a dinosaur\, Breaking Ground presents fossil material from the first three dinosaurs to be scientifically named – Megalosaurus\, Iguanodon\, and Hylaeosaurus\, including the iconic jaw that started it all. \n\n\n\nAlongside these historic specimens are more than 100 other objects\, including fossils\, skeletons\, casts\, and models. There is also archival material such as lithograph prints and watercolour paintings beautifully documenting the fieldwork\, landscapes\, and discoveries made during this fertile period of early palaeontology. \n\n\n\nWhile celebrating these important scientific developments\, Breaking Ground also investigates some inequalities of the period. William and Mary Buckland were married in 1825 and worked together to lay the foundations of modern palaeontology\, though history tends to remember their contributions differently. \n\n\n\nFamiliar names from 19th-century palaeontology are typically those of powerful people associated with certain institutions and publications; lost to history are workers in other\, often colonised\, countries who dug for specimens\, lower-status miners and quarriers around the UK\, and most women\, regardless of class or wealth. \n\n\n\nThese include Mary Anning\, who\, though more recently celebrated\, faced financial struggles for most of her life and\, as a woman\, was unable to join the Geological Society of London or present her own ideas. This is despite making some of the most important fossil discoveries of the century\, several of which will be on display in the exhibition. \n\n\n\nBreaking Ground will also offer the first showcase of items from the newly acquired Buckland archive. The drawings\, prints and paintings made by Mary Buckland include those used in the description of Megalosaurus by William Buckland in 1824. \n\n\n\nAs these illustrations helped to spread understanding of extinct groups of animals and plants among the 19th-century scientific community\, they challenged any literal interpretations of the Bible. A much older planet was revealed\, one that had undergone periods of glaciation – a controversial idea at the time – and in which hyaenas once populated the caves of Britain. \n\n\n\nComplementing the exhibition is a sculptural installation by British artist Angela Palmer. Torus of Time is a visual and tactile symbol of the deep time that was being uncovered by these pioneering 19th-century palaeontologists. An elegant ring of 16 quarry stones drawn from across the United Kingdom\, the piece represents three billion years of geological time. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Entry to the Museum is FREE and not ticketed. No booking required.Booking is required for organisations/groups of more than ten people visiting on the same day. \n\n\n\nOpening hours:Monday to Sunday from 10.00am to 5.00pmLast entry at 4.45pmClosed on 24\, 25\, & 26 DecemberAccessibility:Please contact the friendly team at the museum by telephone (01865 272 950) or email (foh@oum.ox.ac.uk) \n\n\n\n\n\n\n\n\n\n\nGallery\n\n\n\nClick images to expand with captions \n\n\n\n\nCave Hyaena Jaw. This hyaena jaw was found by William Buckland in Kirkdale cave in North Yorkshire in the 1820s. He initially thought the fossil showed evidence of the Great Flood having transported the animal to England. However\, further analysis showed the cave to have been a hyaena den from the Late Pleistocene\, 120\,000 years ago\, when Yorkshire would have been a lot warmer.\n\n\n\nHippopotamus. This watercolour by Mary Buckland (nee Morland)\, possibly painted in 1817\, is marked ‘MM’ – one of the few drawings signed with Mary’s maiden name. Morland was a gifted scientific illustrator whose drawings were used in scientific publications for William Buckland and others including Georges Cuvier.\n\n\n\nIchthyosaur with stomach contents. Exceptionally preserved\, this is one of Mary Anning’s finds of an ichthyosaur. Fish bones and scales\, visible inside the stomach area of the animal\, reveal the last meal of this marine reptile.\n\n\n\nMegalosaurus Jaw. This is the iconic fossilised jaw of Megalosaurus\, found in Stonesfield\, Oxfordshire\, and was used by William Buckland in the first ever scientific description of a dinosaur\, in 1824.\n\n\n\nProfessor and Mrs. Buckland and Frank. This silhouette of the Bucklands\, created by Auguste Edouart in 1829\, celebrates how the whole family was involved in the study of palaeontology.\n\n\n\nSynoptic view of the leading phenomena of Geology. The first plate in William Buckland’s Bridgewater Treatise VI: Geology and mineralogy considered with reference to natural theology. The Bridgewater Treatises was a series of eight volumes highlighting how science and faith could coexist. Buckland’s contribution argued that geology and palaeontology were consistent with the Bible and natural theology.
URL:https://theoxfordmagazine.com/event/breaking-ground/
LOCATION:Oxford University Museum of Natural History\, Parks Road\, Oxford\, Oxfordshire
CATEGORIES:Exhibitions
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SUMMARY:Ashmolean NOW: Bettina von Zwehl
DESCRIPTION:Ashmolean NOW: Bettina von Zwehl\n\n\n\n\n\n\n\n\nAbout Ashmolean NOW: Bettina von Zwehl\n\n\n\nAshmolean NOW: Bettina von Zwehl is the third in the Ashmolean NOW exhibition series\, where contemporary artists are invited to create new work inspired by the Ashmolean’s historical collections. \n\n\n\nThis exhibition features photographs by London-based artist Bettina von Zwehl (b. 1971)\, whose aim is to rekindle wonder and curiosity as critical tools for exploring new ideas and practices. \n\n\n\nDuring a residency in Oxford from 2022 to 2023\, von Zwehl spent time researching the Ashmolean’s founding collections – the wonderfully diverse objects and works of art which were displayed when the museum first opened in the 17th century. \n\n\n\nThe artist’s time at the Ashmolean served as inspiration for a unique photographic ‘Wunderkammer’ installation that moves between portraiture\, silhouetted fragments\, still-life\, monumental and miniature elements\, as well as non-art objects and specimens from natural history collections. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Admission is FREE \n\n\n\nDate and times:From 18 October 2024 to 11 May 2025The museum is open every day from 10.00am to 5.00pm \n\n\n\nLocation:Gallery 8 \n\n\n\n\n\n\n\nBehind-the-scenes with the artist
URL:https://theoxfordmagazine.com/event/ashmolean-now-bettina-von-zwehl/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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SUMMARY:Cheung Yee and his 1960s Hong Kong contemporaries
DESCRIPTION:Cheung Yee and his 1960s Hong Kong Contemporaries. Images (left to right): Everlasting 2/50\, Cheung Yee\, 1977\, red relief on cast paper. Family\, Cheung Yee\, 1960-1969. Chan Painting\, Lui Shou-Kwan\, 1969.\n\n\n\n\n\n\n\n\nAbout Cheung Yee and his 1960s Hong Kong Contemporaries\n\n\n\nThis exhibition showcases newly-acquired works for the Ashmolean by the Hong Kong artist Cheung Yee (1936–2019). It will be the first substantial display of his work outside Hong Kong\, including sculpture and works on paper. \n\n\n\nCheung Yee was a leading figure of innovation in the Hong Kong art scene\, especially during the 1960s\, when the city established its own identity as an artistic centre. \n\n\n\nHis work will be shown alongside those by Lui Shou-Kwan (1919–75)\, Wucius Wong (b.1936)\, Liu Kuo-sung (b.1932) and others from the avant-garde Circle Art Group. \n\n\n\nDisplayed with his peers\, the works highlight Cheung Yee’s connection with a generation of modern art pioneers from Hong Kong and Taiwan in the latter 20th century. \n\n\n\nAlthough Cheung Yee is mainly known as a sculptor\, the Ashmolean exhibition will include some outstanding examples of his experiments with works on paper. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Admission is FREE \n\n\n\nDate and times:From 30 November 2024 to 09 November 2025 \n\n\n\nThe museum is open every day from 10.00am to 5.00pm \n\n\n\nLocation:Gallery 11\, ground floor
URL:https://theoxfordmagazine.com/event/cheung-yee-and-his-1960s-hong-kong-contemporaries/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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SUMMARY:Oracles\, Omens and Answers
DESCRIPTION:Oracles\, Omens and Answers Exhibition. Image: The Original Fortune Teller\, or\, Chinese Wheel of Fortune by A. Park. Courtesy of the Bodleian Libraries\n\n\n\n\n\n\n\n\nAbout Oracles\, Omens and Answers\n\n\n\nOracles\, Omens and Answers is a new exhibition by the Bodleian Libraries’ looking at how people have sought answers in the face of the unknown across time and cultures. \n\n\n\nDiscover how people have sought answers to life’s big questions throughout history. \n\n\n\nDrawing on material from across time and cultures – from oracle bones from Shang Dynasty China (ca. 1250-1050 B.C.E.) to an autobiography of Ronald Reagan’s White House astrologer – Oracles\, Omens and Answers will explore the different techniques humans have used to unveil the past\, understand the present and predict the future. \n\n\n\nFrom palm reading and astrology to weather and public health forecasting\, see how societies have turned to divination to ask questions that resonate with us today – health\, relationships\, money and politics. \n\n\n\nStep into the world of divination and uncover how humanity has tried to confront the unknown and uncertain. \n\n\n\nThe exhibition is curated by Dr Michelle Aroney\, historian of science and religion at Magdalen College\, Oxford\, and Professor David Zeitlyn\, Professor of Social Anthropology at the University of Oxford and an initiated Mambila gam dù spider diviner. \n\n\n\n\n\n\n\nRead more: New exhibition at the Weston Library explores divination across times and cultures \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrice:Free admission\, no ticket required. \n\n\n\nLocation:ST Lee Gallery\, Weston Library. \n\n\n\n\n\n\n\n\n\n\nGallery\n\n\n\nClick images to enlarge with captions \n\n\n\n\n\n\n\n\n\nExhibition book\n\n\n\n\n\n\n\n\n\n\n\nDivination\, Oracles & Omens\n\n\n\nEdited by Michelle Aroney and David ZeitlynPublished on 05 December 2024 \n\n\n\nAccompanying the exhibition\, a spellbinding collection of twenty-four divinatory techniques from around the world exploring our need to appeal to powers beyond our realm for prediction and clarification. \n\n\n\nBuy now
URL:https://theoxfordmagazine.com/event/oracles-omens-and-answers/
LOCATION:Weston Library\, Oxford\, Broad Street\, Oxford\, Oxfordshire\, OX1 3BG
CATEGORIES:Exhibitions
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SUMMARY:Anselm Kiefer: Early Works
DESCRIPTION:Anselm Kiefer: Early Works exhibition at Ashmolean Museum Oxford\n\n\n\n\n\n\n\n\nAbout Anselm Kiefer: Early Works\n\n\n\nAnselm Kiefer: Early Works will be a landmark survey of the artist’s work produced between 1969 and 1982.  \n\n\n\nOrganised in collaboration with the Hall Art Foundation and drawn from the Hall Collection\, the exhibition will show approximately 45 works rarely displayed in public before. \n\n\n\nThis major exhibition will return to Anselm Kiefer’s roots\, featuring important early paintings\, photos\, prints\, artist books\, watercolours and mixed-media work\, including less well-known\, intimate pieces. \n\n\n\nRead more: Ashmolean Museum to present early works by Anselm Kiefer in landmark exhibition \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Standard tickets – £15.30 or £17.00 with Gift AidConcession rate tickets – £14.30 or £16 with Gift AidHalf-price tickets – £7.65 or £8.50 with Gift AidMember tickets – FreeCarer tickets – Free \n\n\n\nTickets go on sale for shortly. \n\n\n\nConcession rate tickets are for Senior citizens and University of Oxford staff & alumni. Proof of eligibility must be presented with your ticket when you visit. \n\n\n\nHalf-price tickets are for Art Fund members\, children aged 12 to 17 years and under 25s\, Blue Light cardholders (key workers)\, and those who are unemployed/jobseekers. Proof of eligibility must be presented with your ticket when you visit. \n\n\n\nFree member tickets – Entry to the exhibition is free for members but we advise pre-booking a timed slot\, especially at busier periods\, to guarantee entry. You will need your 13- or 14-digit membership number to book. \n\n\n\nDisabled visitors & carers – Disabled visitors should book a regular exhibition ticket at full or concession price\, depending on eligibility. Accompanying carers can access the exhibition for free with a ticket-holding disabled visitor\, but should please book a free ‘Carer’ tickets for the same time slot. \n\n\n\nDates and times:The exhibition is open from 10.00am to 5.00pm daily from 14 February to 15 June 2025. \n\n\n\nThere is a free Members Preview for Anselm Kiefer: Early Works on Thursday\, 13 February\, from 10.00am to 5.00pm. No booking is required\, but you need to show your membership card on arrival. \n\n\n\n\n\n\n\nFeatured images from left to right: Portrait of Anselm Kiefer by Till Brönner\, 2023. Anselm Kiefer (b. 1945)\, Untitled\, 1974. Mixed media on paper\, 62.5 x 44 cm. Hall Collection. Courtesy of the Hall Art Foundation.  © Anselm Kiefer. Photo: Adam Reich. Anselm Kiefer (b. 1945). Die Etsch (The Adige)\, early-1970s. Watercolour\, gouache and ink on paper\, 56 x 41 cm. Hall Collection. Courtesy of the Hall Art Foundation. © Anselm Kiefer. Photo: Mark-Woods.com
URL:https://theoxfordmagazine.com/event/anselm-kiefer-early-works/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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SUMMARY:Images of Authority: Portraits Between Iran and Europe
DESCRIPTION:Images of Authority: Portraits Between Iran and Europe\n\n\n\n\n\n\n\n\nAbout Images of Authority: Portraits Between Iran and Europe\n\n\n\nThis free exhibition examines the power of portraits in shaping the image of three contemporaneous rulers: Fath Ali Shah Qajar (1797–1834)\, King George III (1760–1820)\, and Napoleon Bonaparte (1799–1814)\, offering a fascinating reflection on the role of imagery in both personal and political life. \n\n\n\nJuxtaposing works on different media from Iran\, Britain\, and France\, the display reveals the strategies these leaders and their image-makers used to convey authority\, ambition\, and personality. \n\n\n\nFor the first time in over a century\, the exhibition also presents two recently restored Qajar paintings\, alongside insights from their conservation discoveries. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking informatio\n\n\n\nPrices: \n\n\n\nFree \n\n\n\nLocation: \n\n\n\nGallery 29 \n\n\n\n\n\n\n\n\nSelected artworks on display\n\n\n\n\n\n\n			\n				\n			\n		Seated Portrait of Fath Ali Shah of Iran retouched & conserved\, about 1798\, oil on canvas © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Portrait of a setar player\, 1797–1798. Detail from the retouched and conserved portrait of a setar player\, signed Mirza Muhammad\, oil on canvas © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Portrait of King George III\, after 1800. Engraving by Anthony Cardon\, after William Beechey © Ashmolean Museum\n\n\n\n\n\n\n\n\n			\n				\n			\n		Miniature Portrait of Napoleon I\, 19th century. Watercolour on ivory miniature by Jean-Baptiste Isabey © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Caricature of George III as Cheyt Singh\, about 1786. Hand-coloured engraving © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Mirror case depicting Fath ‘Ali Shah’. Carved ivory mirror case from Iran by Muhammad Ali © Ashmolean Museum
URL:https://theoxfordmagazine.com/event/images-of-authority-portraits-between-iran-and-europe/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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SUMMARY:'Rice Paintings' by Cai Yuan
DESCRIPTION:‘Rice Paintings’ by Cai Yuan\n\n\n\n\n\n\n\n\nAbout ‘Rice Paintings’ by Cai Yuan\n\n\n\nWe are thrilled to showcase the work of Cai Yuan\, an accomplished artist who has been a valued member of our team at Blenheim Palace since 2016. \n\n\n\nAs a guide\, Cai has shared his passion for art and history with countless visitors\, enriching their experience of this historic site. \n\n\n\nHis unique perspective as both an artist and a guide has brought a depth of understanding to his role that we are proud to recognise.  \n\n\n\nCai’s story \n\n\n\nCai Yuan was born in 1956\, in Nanjing\, China\, and grew up during the Cultural Revolution. He studied at the Nanjing College of Art and emigrated to the UK in 1983. He gained a First Class Honours from Chelsea College of Art & Design and an MA in Painting from the Royal College of Art in London. \n\n\n\n‘Rice Paintings’ by Cai Yuan\n\n\n\nCai has exhibited his work nationally and internationally\, including at Tate Modern\, the British Museum\, the Victoria & Albert Museum\, the Ashmolean Museum\, Ullens Centre of Contemporary Art\, Beijing\, Louisiana Museum of Modern Art\, Denmark\, ZKM\, Germany\, and Gwangju Museum of Art\, South Korea. He has participated in several international biennales\, including Liverpool\, Prague\, and Thessaloniki. \n\n\n\nIn the 1990s\, he became known for his performance practice\, which was widely publicised in the national media. He is co-founder of the performance duo Mad For Real and the Office of Contemporary Chinese Art (OCCA) and a trustee of the LYC Foundation. He co-organised the first touring exhibition of Chinese artists in Britain\, Journeys West (1995). \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets required: \n\n\n\nEntrance is free with a valid Pass\, no booking is required. \n\n\n\nDates & times: \n\n\n\nOpen daily from 10.30am to 3.45pm \n\n\n\nLocation: \n\n\n\nThe Stables Café \n\n\n\nNote that no dogs are allowed
URL:https://theoxfordmagazine.com/event/rice-paintings-by-cai-yuan/
LOCATION:Blenheim Palace\, Woodstock\, Blenheim Park\, Woodstock\, Oxfordshire\, OX20 1PP
CATEGORIES:Exhibitions
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SUMMARY:Harcourt Arboretum Activity Backpack
DESCRIPTION:Arboretum Activity Backpack\n\n\n\n\n\n\n\n\nAbout Arboretum Activity Backpack\n\n\n\nEnjoy a backpack filled with activities. Enjoy games\, things to make\, spot\, and discover on your adventure around the Arboretum. Activity backpacks are ideal for children aged 3 to 8. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\n£2.00 per pack (accompanying adults will need to pay standard entry). \n\n\n\nDates & times: \n\n\n\nSunday 06 April to Saturday 18 October 2025 \n\n\n\nDuring opening hours – 10.00am to 5.00pm\, with last entry at 4.00pm \n\n\n\nAge guidance: \n\n\n\n3-8 years  \n\n\n\nGood to know: \n\n\n\nPay on arrival (please note there is a limited number of packs available at any time and we cannot guarantee these will always be available).
URL:https://theoxfordmagazine.com/event/harcourt-arboretum-activity-backpack/
LOCATION:Harcourt Arboretum\, Oxford Lodge\, Peacock Gate\, Nuneham Courtenay\, OX44 9PX
CATEGORIES:Family,Workshops
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SUMMARY:Everybody's Talking About Jamie
DESCRIPTION:Everybody’s Talking About Jamie\n\n\n\n\n\n\n\n\nAbout Everybody’s Talking About Jamie\n\n\n\nBook & Lyrics by Tom MacRae \n\n\n\nMusic by Dan Gillespie Sells \n\n\n\nFrom an idea by Jonathan Butterell \n\n\n\nDirected by Guy Brigg MBE \n\n\n\nMusical Director Ali Kane \n\n\n\nJamie New is sixteen and lives on a council estate in Sheffield. Jamie doesn’t quite fit in. Jamie wants to be a drag queen and go to the school prom in a dress. Supported by his brilliant\, loving mum and surrounded by his friends\, Jamie overcomes prejudice\, beats the bullies\, and steps out of the darkness\, into the spotlight. \n\n\n\nBased on the true story of Jamie Campbell this (‘Funny\, outrageous\, touching’ Daily Telegraph) musical is not to be missed! With an original score of catchy pop tunes by lead singer-songwriter of The Feeling\, Dan Gillespie Sells\, and writer Tom MacRae (Doctor Who)\, this sparkling musical will have everybody talking about Jamie! \n\n\n\nBrought to you by the award-winning Musical Youth Company of Oxford\, you’re guaranteed a performance packed with energy\, dance\, and song. This is a story of community and friendship\, and a celebration of everyone’s messy\, fabulous uniqueness. \n\n\n\n\n\n\n\nReviews\n\n\n\n\n“An unbeatable night out\, full of emotion\, elation\, laughter\, immense enjoyment\, great entertainment\, and a deep pride in Oxford’s young people and their musical ability”.  \n\n\n\nOx in a Box on Me and My Girl\, 2024 \n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices:From £14.00 \n\n\n\nDate & time:Wednesday 09 April 2025 at 7.30pmThursday 10 April 2025 at 7.30pmFriday 11 April 2025 at 7.30pmSaturday 12 April 2025 at 2.30pm & 7.30pm \n\n\n\nInterval:This show includes an interval. \n\n\n\nAge guidance: 12+ \n\n\n\nContent guidance: \n\n\n\nThis show includes strong language\, offensive terms\, and mild sexual references. Parental discretion is advised. \n\n\n\n\n\n\n\n\n\nAbout Oxford Playhouse\n\n\n\n\n			\n				\n			\n		\n\n\n\nOxford Playhouse and its Burton Taylor Studio present and produce several live performances and feature a rich array of British and international dramas\, family entertainment\, contemporary dance and music\, student and amateur shows\, comedy\, lectures and poetry. \n\n\n\nThe Playhouse not only produces and tours its own theatrical productions\, but it also fosters creativity through its Artists in Residence program and the Playhouse Plays Out series\, which brings unique events to various locations across the county. \n\n\n\nThe theatre’s Participation Team engages over 15\,000 individuals annually\, offering an extensive range of activities\, including post-show discussions\, workshops\, work experience opportunities\, holiday programs\, a youth theatre\, and a company for young performers. \n\n\n\nOxford Playhouse stands dedicated to its mission of being a Playhouse for all\, striving to ignite inspiration and bring about transformative experiences through its commitment to creativity on its stages\, within its community and online. \n\n\n\nDiscover more about Oxford Playhouse\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/everybodys-talking-about-jamie-2/
LOCATION:Oxford Playhouse\, Beaumont Street\, Oxford\, Oxfordshire\, OX1 2LW\, United Kingdom
CATEGORIES:Musicals
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SUMMARY:Edy Hurst’s Wonderfull Discoverie of Witches in the Countie of Himself
DESCRIPTION:Edy Hurst’s Wonderfull Discoverie of Witches in the Countie of Himself\n\n\n\n\n\n\n\n\nAbout Edy Hurst’s Wonderfull Discoverie of Witches in the Countie of Himself\n\n\n\nGrab your broom sticks and join Edy Hurst (‘Bursts with Comedic Energy’ – The Skinny) on a wyrd and wonderfull journey of self-discoverie through the realms of the Lancashire Witch Trials\, the Vengaboys and nothing else. \n\n\n\nStartling revelations about Edy’s ancestry have led him upon a pathway to convene with powers beyond our world\, and now Edy must attempt to harness the power of his ancestors to navigate modern society. But around every corner there seems to lurk a darkness\, the siren call of the Vengaboys\, what’s all that about? \n\n\n\nCombining comedy\, clowning\, live music and a giant cauldron\, Edy Hurst’s Wonderfull Discoverie of Witches in the Countie of Himself is a new magical and mystical comedy theatre show that offers a humorous\, heartfelt and unique insight into the shifting and sometimes mysterious world of late-stage ADHD diagnosis. \n\n\n\nCommissioned as part of The Lowry’s ‘Developed With’ Programme and supported by Arts Council England. \n\n\n\n\n\n\n\nReviews\n\n\n\n\n“One of the hottest comedians on the scene today”.  \n\n\n\nStarburst Magazine \n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices:From £10.50 \n\n\n\nDate & time:Friday 11 April 2025 at 7.00pm and 8.30pm \n\n\n\nAge guidance: 12+ \n\n\n\nRunning time:60 minutes \n\n\n\nContent guidance:This show includes strong language\, flashing lights\, and fog effects. It contains discussions of capital punishment. \n\n\n\nLocation:BT Studio \n\n\n\n\n\n\n\n\n\nAbout Oxford Playhouse\n\n\n\n\n			\n				\n			\n		\n\n\n\nOxford Playhouse and its Burton Taylor Studio present and produce several live performances and feature a rich array of British and international dramas\, family entertainment\, contemporary dance and music\, student and amateur shows\, comedy\, lectures and poetry. \n\n\n\nThe Playhouse not only produces and tours its own theatrical productions\, but it also fosters creativity through its Artists in Residence program and the Playhouse Plays Out series\, which brings unique events to various locations across the county. \n\n\n\nThe theatre’s Participation Team engages over 15\,000 individuals annually\, offering an extensive range of activities\, including post-show discussions\, workshops\, work experience opportunities\, holiday programs\, a youth theatre\, and a company for young performers. \n\n\n\nOxford Playhouse stands dedicated to its mission of being a Playhouse for all\, striving to ignite inspiration and bring about transformative experiences through its commitment to creativity on its stages\, within its community and online. \n\n\n\nDiscover more about Oxford Playhouse\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/edy-hursts-wonderfull-discoverie-of-witches/
LOCATION:Oxford Playhouse\, Beaumont Street\, Oxford\, Oxfordshire\, OX1 2LW\, United Kingdom
CATEGORIES:Comedy
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SUMMARY:Frank Turner & The Sleeping Souls - Undefeated Tour
DESCRIPTION:Frank Turner & The Sleeping Souls – Undefeated Tour\n\n\n\n\n\n\n\n\nAbout Frank Turner & The Sleeping Souls – Undefeated Tour\n\n\n\nFrank Turner & The Sleeping Souls head out on tour in support of their tenth album Undefeated. \n\n\n\nFrank Turner & The Sleeping Souls is a British folk-punk act led by singer-songwriter Frank Turner\, accompanied by his backing band\, The Sleeping Souls. The band consists of Tarrant Anderson on bass\, Matt Nasir on keyboards\, Ben Lloyd on guitar\, Callum Green on drums\, and Cahir O’Doherty (Jetplane Landing\, New Pagans). ​ \n\n\n\nTogether\, they have toured extensively and recorded multiple studio albums\, achieving significant milestones such as headlining Wembley Arena in April 2012 and performing at the Opening Ceremony of the 2012 London Olympics. In February 2025\, Frank Turner celebrated his 3\,000th solo gig with performances at 93 Feet East and Alexandra Palace in London\, highlighting his enduring presence in the music scene. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\n£40.25 \n\n\n\nA handling fee of up to £3.25 may be added to each order. \n\n\n\nDates & times: \n\n\n\nFriday 11 April 2025 at 6.00pm \n\n\n\nCurfew: \n\n\n\n10.00pm \n\n\n\nAge guidance: \n\n\n\n\nMinimum age 8.\n\n\n\nUnder 14s must always be accompanied by an adult aged 18+ (with a maximum of three under 14s to one adult)\n\n\n\n\nLocation: \n\n\n\nO2 Academy Oxford \n\n\n\nSecurity – bag policy: \n\n\n\nLarge bags including rucksacks are not allowed. There are no facilities for leaving large bags or luggage. If you really have to bring a bag – and it’s preferable you don’t\, please make sure it’s small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15 cm \n\n\n\nTicket limits: \n\n\n\nPlease note that there is a ticket limit of 4 tickets per person\, per household\, and per credit card on this event. Please adhere to published ticket limits. Persons who exceed the ticket limit may have any or all of their orders and tickets cancelled without notice by Ticketmaster at its discretion. This includes orders associated with the same name\, e-mail address\, billing address\, credit card number\, or other information. \n\n\n\nTicket fees: \n\n\n\nPer order delivery fees may apply and will vary depending on the selected delivery method (eTicket free of charge). \n\n\n\n\n\n\n\n\n\nAbout O2 Academy Oxford\n\n\n\n\n\n\n\nThe Edwardian building on Cowley Road has been hosting live music for decades. But prior to being a music venue\, it was a Cooperative party hall. It was originally known as The Venue and then the much-respected Zodiac\, both of which paved the way for O2 Academy Oxford\, which officially launched in September 2007\, with performances from New Young Pony Club\, The Magic Numbers and Young Knives.  \n\n\n\nSince then\, the O2 Academy Oxford has established itself as one of the city’s greatest venues for live music and club nights\, with some of the best gigs to date coming from Ed Sheeran\, Foals\, Stereophonics\, Ozzy Osbourne\, Babyshambles\, Hozier and Royal Blood. Visit the venue information page for further details\, including opening times\, getting there\, age restrictions and more.
URL:https://theoxfordmagazine.com/event/frank-turner-the-sleeping-souls-undefeated-tour/
LOCATION:O2 Academy Oxford\, 190 Cowley Road\, Oxford\, Oxfordshire\, OX4 1UE\, United Kingdom
CATEGORIES:Gigs
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SUMMARY:The James Bond Concert Spectacular
DESCRIPTION:The James Bond Concert Spectacular\n\n\n\n\n\n\n\n\nAbout The James Bond Concert Spectacular\n\n\n\nQ The Music’s James Bond Concert Spectacular is the world’s finest and most critically acclaimed tribute to the music of James Bond. \n\n\n\nCelebrating more than 20 years as the first original and pioneering Bond concert\, they are known for their stirring emotional and adrenaline-fueled performances\, mixed with superb musicianship and flair. Indeed\, every fan club around the world recognises them as the best and finest performances of the songs since the originals. \n\n\n\nThe James Bond Concert Spectacular\n\n\n\nFocusing not only on theme songs\, the show also pays homage to the complete canon covering chase music\, incidental cues\, and suites from across the series. \n\n\n\nBecoming synonymous with the top Bond events around the world\, in 2019 they performed at an event with George Lazenby: the 50th anniversary event for On Her Majesty’s Secret Service\, held at Piz Gloria in the Swiss Alps. In 2017 they had the honour to provide the music at Sir Roger Moore’s official memorial event at Pinewood Studios. Appearing in London’s West End multiple times they have sold out several of the most prestigious venues to huge critical acclaim. \n\n\n\nThe show features all the Bond songs such as Goldfinger\, Diamonds Are Forever\, Live and Let Die and Nobody Does It Better – performed by musicians taken from the UK’s leading orchestras\, sessions\, and shows. Caroline Bliss\, who played Moneypenny in The Living Daylights and Licence To Kill\, will guide you through the concert as compere\, sharing the odd anecdote about her time working in this legendary series. \n\n\n\nWith stunning singing\, an informative compere\, and a show full of iconic tunes performed to an unparalleled level of detail it really is a night of the highest quality guaranteed. As the only James Bond concert created by die-hard Bond fans\, for Bond fans\, by people who understand the music better than anyone else: you won’t want to miss it. \n\n\n\n\n\n\n\nWhat the critics say\n\n\n\n\n“When our thoughts turned to Sir Roger Moore’s Memorial event at Pinewood Studios\, one of our first calls was to Q The Music. They helped make a wonderful day an extraordinary day.” \n\n\n\nSir Roger Moore’s Office 2017 \n\n\n\n\n\n“This band is simply stunning. It’s hard to imagine this music being served better.” \n\n\n\nThe Times March 2019 \n\n\n\n\n\n“A fabulously entertaining evening. The James Bond Concert Spectacular lived up to its name in every regard.” \n\n\n\n007 Magazine March 2019 \n\n\n\n\n\n\n\n\nReviews\n\n\n\n\n“They do a phenomenal job”. \n\n\n\nFive-time Bond composer David Arnold \n\n\n\n\n\n“They did John Barry proud”. \n\n\n\nFormer James Bond actor George Lazenby \n\n\n\n\n\n“They helped make a wonderful day an extraordinary day”. \n\n\n\nSir Roger Moore’s Office (following his official Memorial at Pinewood Studios) \n\n\n\n\n\n“You did my Dad proud”. \n\n\n\nSteven Saltzman (son of legendary founding Bond producer Harry Saltzman) \n\n\n\n\n\n“It’s hard to imagine this music being served better. Simply stunning.” ★★★★ \n\n\n\nThe Times national newspaper (review of their West End debut) \n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFrom £33.00 \n\n\n\nTickets are subject to a transaction fee of £3.95 \n\n\n\nDates & times: \n\n\n\nFriday 11 April 2025 at 7.30pm \n\n\n\nRunning time: \n\n\n\nThis show has an interval \n\n\n\nLocation: \n\n\n\nMain auditorium \n\n\n\n\n\n\n\n\n\nAbout Aylesbury Waterside Theatre\n\n\n\n\n			\n				\n			\n		\n\n\n\nAylesbury Waterside Theatre is a stunning modern venue at the heart of Buckinghamshire’s cultural scene.  \n\n\n\nOpened in 2010\, its striking wooden interior takes inspiration from the rolling Chiltern Hills\, creating a warm and inviting atmosphere. The theatre regularly hosts top touring productions\, offering audiences the chance to enjoy big-name shows and world-class entertainment without heading to London. \n\n\n\nDesigned for comfort and accessibility\, the venue features step-free access\, wheelchair spaces\, and hearing loop systems. Whether you’re after a hit musical\, stand-up comedy\, or a magical Christmas pantomime\, Waterside Theatre has something for everyone. \n\n\n\nSee important information about Getting there and Access here \n\n\n\nSee other shows at this venue
URL:https://theoxfordmagazine.com/event/the-james-bond-concert-spectacular/
LOCATION:Aylesbury Waterside Theatre\, Exchange Street\, Aylesbury\, Buckinghamshire\, HP20 1UG
CATEGORIES:Concerts
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SUMMARY:Mrs Smith – See Me!
DESCRIPTION:Mrs Smith – See Me!\n\n\n\n\n\n\n\n\nAbout Mrs Smith – See Me!\n\n\n\nEver wondered what your teacher was thinking? \n\n\n\nLet Facebook’s Mrs Smith enlighten you! \n\n\n\nMrs Smith was an ordinary teacher in an ordinary school until she went viral on Facebook and accidentally became a stand-up comedian. Her wit and insights into daily school life\, politics\, socks\, swearing\, the side effects of a full moon\, and more inspired the sell-out show Mrs Smith – See Me! which debuted at the 2023 Edinburgh Fringe. \n\n\n\nChild 1. “I’ve got 20 subscribers to my YouTube channel.” \n\n\n\nChild 2. “Yeh\, so\, my cousin’s got 36 subscribers on Twitch.” \n\n\n\nChild 3. “My sister got almost 50 views on her dance TikTok.” \n\n\n\nMrs Smith shakes her head and walks away. Is that it??? You have no idea\, she mutters to herself. No idea at all. \n\n\n\nMrs Smith is 10 away from 78\,000 followers. Year 6 would be soooooooo annoyed if they knew. \n\n\n\n‘Absolutely brilliant night\, a gold star for Mrs Smith’ \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets prices:£20.75 \n\n\n\nTicket prices include a £1 Restoration Levy\, a £1.50 Booking Fee\, and a 25p Community Fund Levy. \n\n\n\nDates & times:Friday 11 April 2025 at 8.00pm \n\n\n\nRunning time: 1 hour 50 minutes \n\n\n\nAge guidance: 18 + \n\n\n\n\n\n\n\n\n\nAbout Kenton Theatre\n\n\n\n\n			\n				\n			\n		\n\n\n\nSituated in the centre of Henley-on-Thames\, the Kenton Theatre is the fourth-oldest working theatre in the UK and a registered charity. Seating 240\, the theatre today offers a varied programme of comedy\, drama\, music\, talks and more – as well as being available for hire. \n\n\n\nThe theatre is home to annual performances from Henley Amateur Operatic and Drama Society (HAODS)\, Henley Children’s Theatre\, Henley Drama Festival\, Henley Literary Festival\, Henley Players\, Henley Youth Festival\, Mike Hurst\, the National Youth Jazz Orchestra (NYJO)\, Woodley Light Operatic Society\, amongst others. High-profile performers at the Kenton in recent years include Michael McIntyre\, Georgie Fame\, Haley Mills\, Chris Barber\, Dara O’Briain\, Diana Rigg\, Russell Brand\, PP Arnold and Marti Webb. \n\n\n\nThe theatre’s first production\, the farce The School of Reform took place on 07 November 1805. Celebrated performers who have graced the Kenton stage over the last five decades include Celia Johnson\, John Mortimer\, Anthony Newley\, Kate Winslet\, Tom Baker\, Joe Brown\, Diana Dors\, David Essex\, Roy Hudd and Jeremy Irons. \n\n\n\nDiscover more about the Kenton Theatre\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/mrs-smith-see-me/
LOCATION:Kenton Theatre\, Henley-on-Thames\, 19 New Street\, Henley-on-Thames\, Oxfordshire\, RG9 2BP
CATEGORIES:Comedy
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