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SUMMARY:Breaking Ground
DESCRIPTION:Breaking Ground Exhibition at Oxford University Museum of Natural History. Image: Watercolour by Mary Buckland (nee Morland)\, possibly painted in 1817\n\n\n\n\n\n\n\n\nAbout Breaking Ground\n\n\n\nFrom the first-ever scientific description of a dinosaur to the revelation that Earth is much older than the Biblical 6\,000 years\, the 19th century saw a network of naturalists forge new ways of thinking about the history of life and our planet. \n\n\n\nBreaking Ground is a new exhibition at the Oxford University Museum of Natural History that charts these significant developments in palaeontology and geology through a cast of characters – both the celebrated and the unsung – who helped to establish new scientific methods and ideas. \n\n\n\nCentred on an Oxford couple – William Buckland\, geologist and palaeontologist\, and Mary Buckland (née Morland)\, a scientific illustrator\, it explores some of the most historically important dinosaur discoveries ever made. \n\n\n\nMarking the 200th anniversary of the first description of a dinosaur\, Breaking Ground presents fossil material from the first three dinosaurs to be scientifically named – Megalosaurus\, Iguanodon\, and Hylaeosaurus\, including the iconic jaw that started it all. \n\n\n\nAlongside these historic specimens are more than 100 other objects\, including fossils\, skeletons\, casts\, and models. There is also archival material such as lithograph prints and watercolour paintings beautifully documenting the fieldwork\, landscapes\, and discoveries made during this fertile period of early palaeontology. \n\n\n\nWhile celebrating these important scientific developments\, Breaking Ground also investigates some inequalities of the period. William and Mary Buckland were married in 1825 and worked together to lay the foundations of modern palaeontology\, though history tends to remember their contributions differently. \n\n\n\nFamiliar names from 19th-century palaeontology are typically those of powerful people associated with certain institutions and publications; lost to history are workers in other\, often colonised\, countries who dug for specimens\, lower-status miners and quarriers around the UK\, and most women\, regardless of class or wealth. \n\n\n\nThese include Mary Anning\, who\, though more recently celebrated\, faced financial struggles for most of her life and\, as a woman\, was unable to join the Geological Society of London or present her own ideas. This is despite making some of the most important fossil discoveries of the century\, several of which will be on display in the exhibition. \n\n\n\nBreaking Ground will also offer the first showcase of items from the newly acquired Buckland archive. The drawings\, prints and paintings made by Mary Buckland include those used in the description of Megalosaurus by William Buckland in 1824. \n\n\n\nAs these illustrations helped to spread understanding of extinct groups of animals and plants among the 19th-century scientific community\, they challenged any literal interpretations of the Bible. A much older planet was revealed\, one that had undergone periods of glaciation – a controversial idea at the time – and in which hyaenas once populated the caves of Britain. \n\n\n\nComplementing the exhibition is a sculptural installation by British artist Angela Palmer. Torus of Time is a visual and tactile symbol of the deep time that was being uncovered by these pioneering 19th-century palaeontologists. An elegant ring of 16 quarry stones drawn from across the United Kingdom\, the piece represents three billion years of geological time. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Entry to the Museum is FREE and not ticketed. No booking required.Booking is required for organisations/groups of more than ten people visiting on the same day. \n\n\n\nOpening hours:Monday to Sunday from 10.00am to 5.00pmLast entry at 4.45pmClosed on 24\, 25\, & 26 DecemberAccessibility:Please contact the friendly team at the museum by telephone (01865 272 950) or email (foh@oum.ox.ac.uk) \n\n\n\n\n\n\n\n\n\n\nGallery\n\n\n\nClick images to expand with captions \n\n\n\n\nCave Hyaena Jaw. This hyaena jaw was found by William Buckland in Kirkdale cave in North Yorkshire in the 1820s. He initially thought the fossil showed evidence of the Great Flood having transported the animal to England. However\, further analysis showed the cave to have been a hyaena den from the Late Pleistocene\, 120\,000 years ago\, when Yorkshire would have been a lot warmer.\n\n\n\nHippopotamus. This watercolour by Mary Buckland (nee Morland)\, possibly painted in 1817\, is marked ‘MM’ – one of the few drawings signed with Mary’s maiden name. Morland was a gifted scientific illustrator whose drawings were used in scientific publications for William Buckland and others including Georges Cuvier.\n\n\n\nIchthyosaur with stomach contents. Exceptionally preserved\, this is one of Mary Anning’s finds of an ichthyosaur. Fish bones and scales\, visible inside the stomach area of the animal\, reveal the last meal of this marine reptile.\n\n\n\nMegalosaurus Jaw. This is the iconic fossilised jaw of Megalosaurus\, found in Stonesfield\, Oxfordshire\, and was used by William Buckland in the first ever scientific description of a dinosaur\, in 1824.\n\n\n\nProfessor and Mrs. Buckland and Frank. This silhouette of the Bucklands\, created by Auguste Edouart in 1829\, celebrates how the whole family was involved in the study of palaeontology.\n\n\n\nSynoptic view of the leading phenomena of Geology. The first plate in William Buckland’s Bridgewater Treatise VI: Geology and mineralogy considered with reference to natural theology. The Bridgewater Treatises was a series of eight volumes highlighting how science and faith could coexist. Buckland’s contribution argued that geology and palaeontology were consistent with the Bible and natural theology.
URL:https://theoxfordmagazine.com/event/breaking-ground/
LOCATION:Oxford University Museum of Natural History\, Parks Road\, Oxford\, Oxfordshire
CATEGORIES:Exhibitions
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SUMMARY:Ashmolean NOW: Bettina von Zwehl
DESCRIPTION:Ashmolean NOW: Bettina von Zwehl\n\n\n\n\n\n\n\n\nAbout Ashmolean NOW: Bettina von Zwehl\n\n\n\nAshmolean NOW: Bettina von Zwehl is the third in the Ashmolean NOW exhibition series\, where contemporary artists are invited to create new work inspired by the Ashmolean’s historical collections. \n\n\n\nThis exhibition features photographs by London-based artist Bettina von Zwehl (b. 1971)\, whose aim is to rekindle wonder and curiosity as critical tools for exploring new ideas and practices. \n\n\n\nDuring a residency in Oxford from 2022 to 2023\, von Zwehl spent time researching the Ashmolean’s founding collections – the wonderfully diverse objects and works of art which were displayed when the museum first opened in the 17th century. \n\n\n\nThe artist’s time at the Ashmolean served as inspiration for a unique photographic ‘Wunderkammer’ installation that moves between portraiture\, silhouetted fragments\, still-life\, monumental and miniature elements\, as well as non-art objects and specimens from natural history collections. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Admission is FREE \n\n\n\nDate and times:From 18 October 2024 to 11 May 2025The museum is open every day from 10.00am to 5.00pm \n\n\n\nLocation:Gallery 8 \n\n\n\n\n\n\n\nBehind-the-scenes with the artist
URL:https://theoxfordmagazine.com/event/ashmolean-now-bettina-von-zwehl/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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SUMMARY:Cheung Yee and his 1960s Hong Kong contemporaries
DESCRIPTION:Cheung Yee and his 1960s Hong Kong Contemporaries. Images (left to right): Everlasting 2/50\, Cheung Yee\, 1977\, red relief on cast paper. Family\, Cheung Yee\, 1960-1969. Chan Painting\, Lui Shou-Kwan\, 1969.\n\n\n\n\n\n\n\n\nAbout Cheung Yee and his 1960s Hong Kong Contemporaries\n\n\n\nThis exhibition showcases newly-acquired works for the Ashmolean by the Hong Kong artist Cheung Yee (1936–2019). It will be the first substantial display of his work outside Hong Kong\, including sculpture and works on paper. \n\n\n\nCheung Yee was a leading figure of innovation in the Hong Kong art scene\, especially during the 1960s\, when the city established its own identity as an artistic centre. \n\n\n\nHis work will be shown alongside those by Lui Shou-Kwan (1919–75)\, Wucius Wong (b.1936)\, Liu Kuo-sung (b.1932) and others from the avant-garde Circle Art Group. \n\n\n\nDisplayed with his peers\, the works highlight Cheung Yee’s connection with a generation of modern art pioneers from Hong Kong and Taiwan in the latter 20th century. \n\n\n\nAlthough Cheung Yee is mainly known as a sculptor\, the Ashmolean exhibition will include some outstanding examples of his experiments with works on paper. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Admission is FREE \n\n\n\nDate and times:From 30 November 2024 to 09 November 2025 \n\n\n\nThe museum is open every day from 10.00am to 5.00pm \n\n\n\nLocation:Gallery 11\, ground floor
URL:https://theoxfordmagazine.com/event/cheung-yee-and-his-1960s-hong-kong-contemporaries/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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DTSTART;TZID=Europe/London:20241206T000000
DTEND;TZID=Europe/London:20250427T235959
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SUMMARY:Oracles\, Omens and Answers
DESCRIPTION:Oracles\, Omens and Answers Exhibition. Image: The Original Fortune Teller\, or\, Chinese Wheel of Fortune by A. Park. Courtesy of the Bodleian Libraries\n\n\n\n\n\n\n\n\nAbout Oracles\, Omens and Answers\n\n\n\nOracles\, Omens and Answers is a new exhibition by the Bodleian Libraries’ looking at how people have sought answers in the face of the unknown across time and cultures. \n\n\n\nDiscover how people have sought answers to life’s big questions throughout history. \n\n\n\nDrawing on material from across time and cultures – from oracle bones from Shang Dynasty China (ca. 1250-1050 B.C.E.) to an autobiography of Ronald Reagan’s White House astrologer – Oracles\, Omens and Answers will explore the different techniques humans have used to unveil the past\, understand the present and predict the future. \n\n\n\nFrom palm reading and astrology to weather and public health forecasting\, see how societies have turned to divination to ask questions that resonate with us today – health\, relationships\, money and politics. \n\n\n\nStep into the world of divination and uncover how humanity has tried to confront the unknown and uncertain. \n\n\n\nThe exhibition is curated by Dr Michelle Aroney\, historian of science and religion at Magdalen College\, Oxford\, and Professor David Zeitlyn\, Professor of Social Anthropology at the University of Oxford and an initiated Mambila gam dù spider diviner. \n\n\n\n\n\n\n\nRead more: New exhibition at the Weston Library explores divination across times and cultures \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrice:Free admission\, no ticket required. \n\n\n\nLocation:ST Lee Gallery\, Weston Library. \n\n\n\n\n\n\n\n\n\n\nGallery\n\n\n\nClick images to enlarge with captions \n\n\n\n\n\n\n\n\n\nExhibition book\n\n\n\n\n\n\n\n\n\n\n\nDivination\, Oracles & Omens\n\n\n\nEdited by Michelle Aroney and David ZeitlynPublished on 05 December 2024 \n\n\n\nAccompanying the exhibition\, a spellbinding collection of twenty-four divinatory techniques from around the world exploring our need to appeal to powers beyond our realm for prediction and clarification. \n\n\n\nBuy now
URL:https://theoxfordmagazine.com/event/oracles-omens-and-answers/
LOCATION:Weston Library\, Oxford\, Broad Street\, Oxford\, Oxfordshire\, OX1 3BG
CATEGORIES:Exhibitions
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SUMMARY:Anselm Kiefer: Early Works
DESCRIPTION:Anselm Kiefer: Early Works exhibition at Ashmolean Museum Oxford\n\n\n\n\n\n\n\n\nAbout Anselm Kiefer: Early Works\n\n\n\nAnselm Kiefer: Early Works will be a landmark survey of the artist’s work produced between 1969 and 1982.  \n\n\n\nOrganised in collaboration with the Hall Art Foundation and drawn from the Hall Collection\, the exhibition will show approximately 45 works rarely displayed in public before. \n\n\n\nThis major exhibition will return to Anselm Kiefer’s roots\, featuring important early paintings\, photos\, prints\, artist books\, watercolours and mixed-media work\, including less well-known\, intimate pieces. \n\n\n\nRead more: Ashmolean Museum to present early works by Anselm Kiefer in landmark exhibition \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Standard tickets – £15.30 or £17.00 with Gift AidConcession rate tickets – £14.30 or £16 with Gift AidHalf-price tickets – £7.65 or £8.50 with Gift AidMember tickets – FreeCarer tickets – Free \n\n\n\nTickets go on sale for shortly. \n\n\n\nConcession rate tickets are for Senior citizens and University of Oxford staff & alumni. Proof of eligibility must be presented with your ticket when you visit. \n\n\n\nHalf-price tickets are for Art Fund members\, children aged 12 to 17 years and under 25s\, Blue Light cardholders (key workers)\, and those who are unemployed/jobseekers. Proof of eligibility must be presented with your ticket when you visit. \n\n\n\nFree member tickets – Entry to the exhibition is free for members but we advise pre-booking a timed slot\, especially at busier periods\, to guarantee entry. You will need your 13- or 14-digit membership number to book. \n\n\n\nDisabled visitors & carers – Disabled visitors should book a regular exhibition ticket at full or concession price\, depending on eligibility. Accompanying carers can access the exhibition for free with a ticket-holding disabled visitor\, but should please book a free ‘Carer’ tickets for the same time slot. \n\n\n\nDates and times:The exhibition is open from 10.00am to 5.00pm daily from 14 February to 15 June 2025. \n\n\n\nThere is a free Members Preview for Anselm Kiefer: Early Works on Thursday\, 13 February\, from 10.00am to 5.00pm. No booking is required\, but you need to show your membership card on arrival. \n\n\n\n\n\n\n\nFeatured images from left to right: Portrait of Anselm Kiefer by Till Brönner\, 2023. Anselm Kiefer (b. 1945)\, Untitled\, 1974. Mixed media on paper\, 62.5 x 44 cm. Hall Collection. Courtesy of the Hall Art Foundation.  © Anselm Kiefer. Photo: Adam Reich. Anselm Kiefer (b. 1945). Die Etsch (The Adige)\, early-1970s. Watercolour\, gouache and ink on paper\, 56 x 41 cm. Hall Collection. Courtesy of the Hall Art Foundation. © Anselm Kiefer. Photo: Mark-Woods.com
URL:https://theoxfordmagazine.com/event/anselm-kiefer-early-works/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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SUMMARY:Images of Authority: Portraits Between Iran and Europe
DESCRIPTION:Images of Authority: Portraits Between Iran and Europe\n\n\n\n\n\n\n\n\nAbout Images of Authority: Portraits Between Iran and Europe\n\n\n\nThis free exhibition examines the power of portraits in shaping the image of three contemporaneous rulers: Fath Ali Shah Qajar (1797–1834)\, King George III (1760–1820)\, and Napoleon Bonaparte (1799–1814)\, offering a fascinating reflection on the role of imagery in both personal and political life. \n\n\n\nJuxtaposing works on different media from Iran\, Britain\, and France\, the display reveals the strategies these leaders and their image-makers used to convey authority\, ambition\, and personality. \n\n\n\nFor the first time in over a century\, the exhibition also presents two recently restored Qajar paintings\, alongside insights from their conservation discoveries. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking informatio\n\n\n\nPrices: \n\n\n\nFree \n\n\n\nLocation: \n\n\n\nGallery 29 \n\n\n\n\n\n\n\n\nSelected artworks on display\n\n\n\n\n\n\n			\n				\n			\n		Seated Portrait of Fath Ali Shah of Iran retouched & conserved\, about 1798\, oil on canvas © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Portrait of a setar player\, 1797–1798. Detail from the retouched and conserved portrait of a setar player\, signed Mirza Muhammad\, oil on canvas © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Portrait of King George III\, after 1800. Engraving by Anthony Cardon\, after William Beechey © Ashmolean Museum\n\n\n\n\n\n\n\n\n			\n				\n			\n		Miniature Portrait of Napoleon I\, 19th century. Watercolour on ivory miniature by Jean-Baptiste Isabey © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Caricature of George III as Cheyt Singh\, about 1786. Hand-coloured engraving © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Mirror case depicting Fath ‘Ali Shah’. Carved ivory mirror case from Iran by Muhammad Ali © Ashmolean Museum
URL:https://theoxfordmagazine.com/event/images-of-authority-portraits-between-iran-and-europe/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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SUMMARY:'Rice Paintings' by Cai Yuan
DESCRIPTION:‘Rice Paintings’ by Cai Yuan\n\n\n\n\n\n\n\n\nAbout ‘Rice Paintings’ by Cai Yuan\n\n\n\nWe are thrilled to showcase the work of Cai Yuan\, an accomplished artist who has been a valued member of our team at Blenheim Palace since 2016. \n\n\n\nAs a guide\, Cai has shared his passion for art and history with countless visitors\, enriching their experience of this historic site. \n\n\n\nHis unique perspective as both an artist and a guide has brought a depth of understanding to his role that we are proud to recognise.  \n\n\n\nCai’s story \n\n\n\nCai Yuan was born in 1956\, in Nanjing\, China\, and grew up during the Cultural Revolution. He studied at the Nanjing College of Art and emigrated to the UK in 1983. He gained a First Class Honours from Chelsea College of Art & Design and an MA in Painting from the Royal College of Art in London. \n\n\n\n‘Rice Paintings’ by Cai Yuan\n\n\n\nCai has exhibited his work nationally and internationally\, including at Tate Modern\, the British Museum\, the Victoria & Albert Museum\, the Ashmolean Museum\, Ullens Centre of Contemporary Art\, Beijing\, Louisiana Museum of Modern Art\, Denmark\, ZKM\, Germany\, and Gwangju Museum of Art\, South Korea. He has participated in several international biennales\, including Liverpool\, Prague\, and Thessaloniki. \n\n\n\nIn the 1990s\, he became known for his performance practice\, which was widely publicised in the national media. He is co-founder of the performance duo Mad For Real and the Office of Contemporary Chinese Art (OCCA) and a trustee of the LYC Foundation. He co-organised the first touring exhibition of Chinese artists in Britain\, Journeys West (1995). \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets required: \n\n\n\nEntrance is free with a valid Pass\, no booking is required. \n\n\n\nDates & times: \n\n\n\nOpen daily from 10.30am to 3.45pm \n\n\n\nLocation: \n\n\n\nThe Stables Café \n\n\n\nNote that no dogs are allowed
URL:https://theoxfordmagazine.com/event/rice-paintings-by-cai-yuan/
LOCATION:Blenheim Palace\, Woodstock\, Blenheim Park\, Woodstock\, Oxfordshire\, OX20 1PP
CATEGORIES:Exhibitions
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SUMMARY:Harcourt Arboretum Activity Backpack
DESCRIPTION:Arboretum Activity Backpack\n\n\n\n\n\n\n\n\nAbout Arboretum Activity Backpack\n\n\n\nEnjoy a backpack filled with activities. Enjoy games\, things to make\, spot\, and discover on your adventure around the Arboretum. Activity backpacks are ideal for children aged 3 to 8. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\n£2.00 per pack (accompanying adults will need to pay standard entry). \n\n\n\nDates & times: \n\n\n\nSunday 06 April to Saturday 18 October 2025 \n\n\n\nDuring opening hours – 10.00am to 5.00pm\, with last entry at 4.00pm \n\n\n\nAge guidance: \n\n\n\n3-8 years  \n\n\n\nGood to know: \n\n\n\nPay on arrival (please note there is a limited number of packs available at any time and we cannot guarantee these will always be available).
URL:https://theoxfordmagazine.com/event/harcourt-arboretum-activity-backpack/
LOCATION:Harcourt Arboretum\, Oxford Lodge\, Peacock Gate\, Nuneham Courtenay\, OX44 9PX
CATEGORIES:Family,Workshops
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DTSTART;TZID=Europe/London:20250415T000000
DTEND;TZID=Europe/London:20250419T235959
DTSTAMP:20260327T005429Z
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SUMMARY:Cruel Intentions
DESCRIPTION:Cruel Intentions\n\n\n\n\n\n\n\n\nAbout Cruel Intentions\n\n\n\nFollowing sell-out seasons in London and New York\, Bill Kenwright Ltd. presents the brand-new smash hit musical ‘Cruel Intentions’ on its first major national tour.  \n\n\n\nBased on the iconic film and inspired by Les Liaisons Dangereuses\, it’s packed with ‘90s pop classics including the songs of Britney Spears\, Boyz II Men\, Christina Aguilera\, TLC\, R.E.M.\, Ace of Base\, Natalie Imbruglia\, The Verve\, *NSYNC and many more. \n\n\n\nStep siblings Sebastian Valmont and Kathryn Merteuil engage in a cruel bet: Kathryn goads Sebastian into attempting to seduce Annette Hargrove\, the headmaster’s virtuous daughter. Weaving a web of secrets and temptation\, their crusade wreaks havoc on the students at their exclusive Manhattan high school.  \n\n\n\nIt’s not long before the duo becomes entangled in their own web of deception and unexpected romance\, with explosive results. \n\n\n\nCruel Intentions\n\n\n\nThe iconic movie set to the decade’s best songs is an irresistible combination and with over forty 4 and 5-star reviews\, it’s the ultimate 90s night out. \n\n\n\n\n\n\n\nIncludes 24 iconic 90s songs from: Britney Spears | Boyz II Men | Christina Aguilera | TLC | R.E.M. | Ace of Base | Natalie Imbruglia | The Verve Z | *NSYNC and many more! \n\n\n\nPhotos of the original West End cast \n\n\n\nCreated by Jordan Ross\, Lindsey Rosin\, and Roger Kumble \n\n\n\nBased on the original hit film by Roger Kumble \n\n\n\nOriginally produced by Eva Price \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFrom £15.00Tickets are subject to a transaction fee of £3.95. \n\n\n\nDates:Tuesday 15 April to Saturday 19 April 2025 \n\n\n\nTimes:Tuesday\, Thursday and Friday at 7.30pmWednesday at 2.30pmSaturday at 2.30pm and 7.30pm \n\n\n\nInterval:This show has an interval. \n\n\n\nAge guidance: 15+ \n\n\n\nContent warnings:The show contains haze\, flashing lights\, strong language\, and mature themes including but not limited to explicit sexual language and behaviour\, racial discrimination\, drug usage\, abuse\, accidental death\, and the question of consent. Audience discretion is advised. As Cruel Intentions is set in 1999\, some of the language reflects that time. \n\n\n\n\n\n\n\nWhat the critics say\n\n\n\n\n“Very funny\, very sexy and very entertaining” \n\n\n\n★★★★ \n\n\n\nDaily Star Sunday \n\n\n\n\n\n\n\n\n\n\nAbout New Theatre Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\nThere has been a theatre on George Street for almost 170 years. The first theatre was built in 1836\, and a second in 1886. In 1934\, the third New Theatre opened. \n\n\n\nThe theatre has been owned by several different companies and undergone several name changes. It is now owned by the Ambassador Theatre Group and hosts everything from ballet and opera to musicals. \n\n\n\nOn performance days\, the Box Office opens at noon and closes 15 minutes after the show starts. If there is a performance on a Sunday or Bank Holiday\, Box Office will open 2 hours before the show begins and close 15 minutes after the show starts. \n\n\n\nThere is a large air-conditioned bar with seating located below the Stalls Foyer\, two further bars in the Circle Foyer and an additional one at the back of the balcony. All stocked with an array of drinks and snacks. \n\n\n\nThere is a cloakroom located in the stalls bar. If this is closed\, please speak to a member of staff. £1 per item. It is free to ATG Theatre Card members. \n\n\n\nSee important information about Getting there and Access here \n\n\n\nSee other shows at this venue
URL:https://theoxfordmagazine.com/event/cruel-intentions/
LOCATION:New Theatre Oxford\, 24-26 George Street\, Oxford\, Oxfordshire\, OX1 2AG
CATEGORIES:Musicals
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DTEND;TZID=Europe/London:20250415T140000
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SUMMARY:Hands-on history!
DESCRIPTION:Hands-on history!\n\n\n\n\n\n\n\n\nAbout Hands-on history!\n\n\n\nCome and have a go at handling some of the museum objects at a hands-on history drop-in session! \n\n\n\nVolunteers will help you to touch\, feel\, and handle objects ranging from Roman pottery to Second World War helmets. You’ll also get to learn about the stories behind the objects and what they can tell us about our city’s amazing past. \n\n\n\nFind the hands-on history station in Gallery One of the Museum of Oxford. \n\n\n\nPlease note this activity is subject to volunteer availability. \n\n\n\nAccess \n\n\n\nThere is step-free\, level entry access to the Town Hall via the entrance closest to Carfax Tower (to the left of the main steps as you face the Town Hall). Inside the Museum\, Museum Makers is accessible via a platform lift to the Galleries and then a lift to the basement. \n\n\n\nAccessible toilets are available in the Museum (close to Museum Makers) and in the Town Hall on the ground floor\, before entering the Museum. Please contact the Museum team if you’d like to talk to a member of staff about your access requirements. Further access information can be found on our page dedicated to access at the museum. \n\n\n\nPhoto consent \n\n\n\nPlease be aware that photographs will be taken at this event for use in marketing. If you (or a member of your group) would prefer not to be photographed\, please let a member of staff know during the event. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nThis is a free\, drop-in session with no need to book. \n\n\n\nDates & times: \n\n\n\nTuesday 15 April 2025 at 11.00am \n\n\n\nRunning time: \n\n\n\n3 hours \n\n\n\n\n\n\n\n\n\nAbout Museum of Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe Museum of Oxford is the only museum dedicated to telling the story of Oxford and its people. Located inside the Oxford Town Hall\, it explores the city’s rich history beyond the university\, focusing on the lives\, industries\, and communities that have shaped Oxford over time. \n\n\n\nThe museum features interactive exhibits\, local artefacts\, and personal stories\, covering topics such as Oxford’s medieval origins\, its diverse communities\, and key moments in its development. It also hosts temporary exhibitions\, events\, and activities for all ages. \n\n\n\nDiscover more about the Museum of Oxford.
URL:https://theoxfordmagazine.com/event/hands-on-history/2025-04-15/
LOCATION:Museum of Oxford\, Oxford Town Hall\, St Aldate's\, Oxford\, Oxfordshire\, OX1 1BX
CATEGORIES:Exhibitions
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DTSTART;TZID=Europe/London:20250415T193000
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SUMMARY:Marcus Brigstocke: Vitruvian Mango
DESCRIPTION:Marcus Brigstocke: Vitruvian Mango\n\n\n\n\n\n\n\n\nAbout Marcus Brigstocke: Vitruvian Mango\n\n\n\nWhat are men for? Most heavy things can be lifted by machines\, and most problems can be solved by computers and most puddles can be crossed without us gallantly draping our capes over them – so are we fellas of any use at all? \n\n\n\nAward-winning MAN Marcus Brigstocke thinks we might still serve some useful function. But what is it? This new tour show will resolve the entire issue once and for all (in a non-patriarchal\, open-minded\, progressive sort of way). \n\n\n\nDaVinci’s Vitruvian Man is the image of the ideal male form. Marcus’ Vitruvian Mango is the same\, but sweeter\, softer\, seasonally available\, and\, when ripe\, delicately perfumed. \n\n\n\n\n\n\n\nReviews\n\n\n\n\n“Charming\, hilarious\, and utterly refreshing”.  \n\n\n\nThe Sunday Mirror   \n\n\n\n\n\n“Sharpest one-liner merchant”.  \n\n\n\nThe Sunday Times \n\n\n\n\n\n“If you haven’t seen him live\, then you haven’t seen him at his very best”.  \n\n\n\nThe Mirror \n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices:From £22.00 \n\n\n\nDates & times:Tuesday 15 April 2025 at 7.30pm \n\n\n\nRunning time:110 minutes\, with an interval \n\n\n\nAge guidance: 14+ \n\n\n\nContent guidance:This show includes strong language. \n\n\n\n\n\n\n\n\n\nAbout Oxford Playhouse\n\n\n\n\n			\n				\n			\n		\n\n\n\nOxford Playhouse and its Burton Taylor Studio present and produce several live performances and feature a rich array of British and international dramas\, family entertainment\, contemporary dance and music\, student and amateur shows\, comedy\, lectures and poetry. \n\n\n\nThe Playhouse not only produces and tours its own theatrical productions\, but it also fosters creativity through its Artists in Residence program and the Playhouse Plays Out series\, which brings unique events to various locations across the county. \n\n\n\nThe theatre’s Participation Team engages over 15\,000 individuals annually\, offering an extensive range of activities\, including post-show discussions\, workshops\, work experience opportunities\, holiday programs\, a youth theatre\, and a company for young performers. \n\n\n\nOxford Playhouse stands dedicated to its mission of being a Playhouse for all\, striving to ignite inspiration and bring about transformative experiences through its commitment to creativity on its stages\, within its community and online. \n\n\n\nDiscover more about Oxford Playhouse\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/marcus-brigstocke-vitruvian-mango/
LOCATION:Oxford Playhouse\, Beaumont Street\, Oxford\, Oxfordshire\, OX1 2LW\, United Kingdom
CATEGORIES:Comedy
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