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SUMMARY:Breaking Ground
DESCRIPTION:Breaking Ground Exhibition at Oxford University Museum of Natural History. Image: Watercolour by Mary Buckland (nee Morland)\, possibly painted in 1817\n\n\n\n\n\n\n\n\nAbout Breaking Ground\n\n\n\nFrom the first-ever scientific description of a dinosaur to the revelation that Earth is much older than the Biblical 6\,000 years\, the 19th century saw a network of naturalists forge new ways of thinking about the history of life and our planet. \n\n\n\nBreaking Ground is a new exhibition at the Oxford University Museum of Natural History that charts these significant developments in palaeontology and geology through a cast of characters – both the celebrated and the unsung – who helped to establish new scientific methods and ideas. \n\n\n\nCentred on an Oxford couple – William Buckland\, geologist and palaeontologist\, and Mary Buckland (née Morland)\, a scientific illustrator\, it explores some of the most historically important dinosaur discoveries ever made. \n\n\n\nMarking the 200th anniversary of the first description of a dinosaur\, Breaking Ground presents fossil material from the first three dinosaurs to be scientifically named – Megalosaurus\, Iguanodon\, and Hylaeosaurus\, including the iconic jaw that started it all. \n\n\n\nAlongside these historic specimens are more than 100 other objects\, including fossils\, skeletons\, casts\, and models. There is also archival material such as lithograph prints and watercolour paintings beautifully documenting the fieldwork\, landscapes\, and discoveries made during this fertile period of early palaeontology. \n\n\n\nWhile celebrating these important scientific developments\, Breaking Ground also investigates some inequalities of the period. William and Mary Buckland were married in 1825 and worked together to lay the foundations of modern palaeontology\, though history tends to remember their contributions differently. \n\n\n\nFamiliar names from 19th-century palaeontology are typically those of powerful people associated with certain institutions and publications; lost to history are workers in other\, often colonised\, countries who dug for specimens\, lower-status miners and quarriers around the UK\, and most women\, regardless of class or wealth. \n\n\n\nThese include Mary Anning\, who\, though more recently celebrated\, faced financial struggles for most of her life and\, as a woman\, was unable to join the Geological Society of London or present her own ideas. This is despite making some of the most important fossil discoveries of the century\, several of which will be on display in the exhibition. \n\n\n\nBreaking Ground will also offer the first showcase of items from the newly acquired Buckland archive. The drawings\, prints and paintings made by Mary Buckland include those used in the description of Megalosaurus by William Buckland in 1824. \n\n\n\nAs these illustrations helped to spread understanding of extinct groups of animals and plants among the 19th-century scientific community\, they challenged any literal interpretations of the Bible. A much older planet was revealed\, one that had undergone periods of glaciation – a controversial idea at the time – and in which hyaenas once populated the caves of Britain. \n\n\n\nComplementing the exhibition is a sculptural installation by British artist Angela Palmer. Torus of Time is a visual and tactile symbol of the deep time that was being uncovered by these pioneering 19th-century palaeontologists. An elegant ring of 16 quarry stones drawn from across the United Kingdom\, the piece represents three billion years of geological time. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Entry to the Museum is FREE and not ticketed. No booking required.Booking is required for organisations/groups of more than ten people visiting on the same day. \n\n\n\nOpening hours:Monday to Sunday from 10.00am to 5.00pmLast entry at 4.45pmClosed on 24\, 25\, & 26 DecemberAccessibility:Please contact the friendly team at the museum by telephone (01865 272 950) or email (foh@oum.ox.ac.uk) \n\n\n\n\n\n\n\n\n\n\nGallery\n\n\n\nClick images to expand with captions \n\n\n\n\nCave Hyaena Jaw. This hyaena jaw was found by William Buckland in Kirkdale cave in North Yorkshire in the 1820s. He initially thought the fossil showed evidence of the Great Flood having transported the animal to England. However\, further analysis showed the cave to have been a hyaena den from the Late Pleistocene\, 120\,000 years ago\, when Yorkshire would have been a lot warmer.\n\n\n\nHippopotamus. This watercolour by Mary Buckland (nee Morland)\, possibly painted in 1817\, is marked ‘MM’ – one of the few drawings signed with Mary’s maiden name. Morland was a gifted scientific illustrator whose drawings were used in scientific publications for William Buckland and others including Georges Cuvier.\n\n\n\nIchthyosaur with stomach contents. Exceptionally preserved\, this is one of Mary Anning’s finds of an ichthyosaur. Fish bones and scales\, visible inside the stomach area of the animal\, reveal the last meal of this marine reptile.\n\n\n\nMegalosaurus Jaw. This is the iconic fossilised jaw of Megalosaurus\, found in Stonesfield\, Oxfordshire\, and was used by William Buckland in the first ever scientific description of a dinosaur\, in 1824.\n\n\n\nProfessor and Mrs. Buckland and Frank. This silhouette of the Bucklands\, created by Auguste Edouart in 1829\, celebrates how the whole family was involved in the study of palaeontology.\n\n\n\nSynoptic view of the leading phenomena of Geology. The first plate in William Buckland’s Bridgewater Treatise VI: Geology and mineralogy considered with reference to natural theology. The Bridgewater Treatises was a series of eight volumes highlighting how science and faith could coexist. Buckland’s contribution argued that geology and palaeontology were consistent with the Bible and natural theology.
URL:https://theoxfordmagazine.com/event/breaking-ground/
LOCATION:Oxford University Museum of Natural History\, Parks Road\, Oxford\, Oxfordshire
CATEGORIES:Exhibitions
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SUMMARY:Cheung Yee and his 1960s Hong Kong contemporaries
DESCRIPTION:Cheung Yee and his 1960s Hong Kong Contemporaries. Images (left to right): Everlasting 2/50\, Cheung Yee\, 1977\, red relief on cast paper. Family\, Cheung Yee\, 1960-1969. Chan Painting\, Lui Shou-Kwan\, 1969.\n\n\n\n\n\n\n\n\nAbout Cheung Yee and his 1960s Hong Kong Contemporaries\n\n\n\nThis exhibition showcases newly-acquired works for the Ashmolean by the Hong Kong artist Cheung Yee (1936–2019). It will be the first substantial display of his work outside Hong Kong\, including sculpture and works on paper. \n\n\n\nCheung Yee was a leading figure of innovation in the Hong Kong art scene\, especially during the 1960s\, when the city established its own identity as an artistic centre. \n\n\n\nHis work will be shown alongside those by Lui Shou-Kwan (1919–75)\, Wucius Wong (b.1936)\, Liu Kuo-sung (b.1932) and others from the avant-garde Circle Art Group. \n\n\n\nDisplayed with his peers\, the works highlight Cheung Yee’s connection with a generation of modern art pioneers from Hong Kong and Taiwan in the latter 20th century. \n\n\n\nAlthough Cheung Yee is mainly known as a sculptor\, the Ashmolean exhibition will include some outstanding examples of his experiments with works on paper. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Admission is FREE \n\n\n\nDate and times:From 30 November 2024 to 09 November 2025 \n\n\n\nThe museum is open every day from 10.00am to 5.00pm \n\n\n\nLocation:Gallery 11\, ground floor
URL:https://theoxfordmagazine.com/event/cheung-yee-and-his-1960s-hong-kong-contemporaries/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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DTSTART;TZID=Europe/London:20250301T000000
DTEND;TZID=Europe/London:20260315T235959
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SUMMARY:Images of Authority: Portraits Between Iran and Europe
DESCRIPTION:Images of Authority: Portraits Between Iran and Europe\n\n\n\n\n\n\n\n\nAbout Images of Authority: Portraits Between Iran and Europe\n\n\n\nThis free exhibition examines the power of portraits in shaping the image of three contemporaneous rulers: Fath Ali Shah Qajar (1797–1834)\, King George III (1760–1820)\, and Napoleon Bonaparte (1799–1814)\, offering a fascinating reflection on the role of imagery in both personal and political life. \n\n\n\nJuxtaposing works on different media from Iran\, Britain\, and France\, the display reveals the strategies these leaders and their image-makers used to convey authority\, ambition\, and personality. \n\n\n\nFor the first time in over a century\, the exhibition also presents two recently restored Qajar paintings\, alongside insights from their conservation discoveries. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking informatio\n\n\n\nPrices: \n\n\n\nFree \n\n\n\nLocation: \n\n\n\nGallery 29 \n\n\n\n\n\n\n\n\nSelected artworks on display\n\n\n\n\n\n\n			\n				\n			\n		Seated Portrait of Fath Ali Shah of Iran retouched & conserved\, about 1798\, oil on canvas © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Portrait of a setar player\, 1797–1798. Detail from the retouched and conserved portrait of a setar player\, signed Mirza Muhammad\, oil on canvas © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Portrait of King George III\, after 1800. Engraving by Anthony Cardon\, after William Beechey © Ashmolean Museum\n\n\n\n\n\n\n\n\n			\n				\n			\n		Miniature Portrait of Napoleon I\, 19th century. Watercolour on ivory miniature by Jean-Baptiste Isabey © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Caricature of George III as Cheyt Singh\, about 1786. Hand-coloured engraving © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Mirror case depicting Fath ‘Ali Shah’. Carved ivory mirror case from Iran by Muhammad Ali © Ashmolean Museum
URL:https://theoxfordmagazine.com/event/images-of-authority-portraits-between-iran-and-europe/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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SUMMARY:Harcourt Arboretum Activity Backpack
DESCRIPTION:Arboretum Activity Backpack\n\n\n\n\n\n\n\n\nAbout Arboretum Activity Backpack\n\n\n\nEnjoy a backpack filled with activities. Enjoy games\, things to make\, spot\, and discover on your adventure around the Arboretum. Activity backpacks are ideal for children aged 3 to 8. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\n£2.00 per pack (accompanying adults will need to pay standard entry). \n\n\n\nDates & times: \n\n\n\nSunday 06 April to Saturday 18 October 2025 \n\n\n\nDuring opening hours – 10.00am to 5.00pm\, with last entry at 4.00pm \n\n\n\nAge guidance: \n\n\n\n3-8 years  \n\n\n\nGood to know: \n\n\n\nPay on arrival (please note there is a limited number of packs available at any time and we cannot guarantee these will always be available).
URL:https://theoxfordmagazine.com/event/harcourt-arboretum-activity-backpack/
LOCATION:Harcourt Arboretum\, Oxford Lodge\, Peacock Gate\, Nuneham Courtenay\, OX44 9PX
CATEGORIES:Family,Workshops
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DTEND;TZID=Europe/London:20251026T235959
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SUMMARY:Treasured
DESCRIPTION:Treasured\n\n\n\n\n\n\n\n\nAbout Treasured\n\n\n\nWhat makes a treasure? Is it age\, rarity\, beauty\, or something else? \n\n\n\nTreasured invites you to explore the meaning of value itself through some of the world’s most remarkable books and manuscripts\, several of which were acquired with the help of the Friends of the Bodleian\, which celebrates its 100th anniversary in 2025. \n\n\n\nThis exhibition showcases some of the renowned items from Bodleian collections – the Romance of Alexander\, the Gutenberg Bible\, manuscripts of Jane Austen\, JRR Tolkien\, and the Herculaneum scroll – alongside objects from around the world. \n\n\n\nIt shines a light on the human stories behind the books and manuscripts which have shaped our intellectual heritage\, and the hearts and minds of those who cherish them. \n\n\n\nCome and see for yourself and find out what you treasure most! \n\n\n\n Curators \n\n\n\n\nAndrew Dunning\, R.W. Hunt Curator of Medieval Manuscripts\n\n\n\nLydia Heeley\, Bern and Ronny Schwartz Curator of Photography\n\n\n\nNicholas Kontovas\, Nizami Ganjavi Curator for the Caucasus\, Central Asia\, and Türkiye\n\n\n\nPeter Toth\, Cornelia Starks Curator of Greek Collections\n\n\n\nBoya Zhang\, K.B. Chen China Centre Library\n\n\n\n\n\n\n\n\nExhibition highlights\n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFree admission\, no ticket required \n\n\n\nDates & times: \n\n\n\nFriday 06 June to Sunday 26 October 2025 \n\n\n\nLocation: \n\n\n\nST Lee Gallery
URL:https://theoxfordmagazine.com/event/treasured/
LOCATION:Weston Library\, Oxford\, Broad Street\, Oxford\, Oxfordshire\, OX1 3BG
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250613T000000
DTEND;TZID=Europe/London:20251207T235959
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SUMMARY:Ashmolean NOW: Daphne Wright – Deep-Rooted Things
DESCRIPTION:Ashmolean NOW: Daphne Wright – Deep-Rooted Things\n\n\n\n\n\n\n\n\nAbout Ashmolean NOW: Daphne Wright – Deep-Rooted Things\n\n\n\nAshmolean NOW: Daphne Wright – Deep-Rooted Things is the fourth in the Ashmolean NOW exhibition series\, where contemporary artists are invited to create new work inspired by the Ashmolean’s historical collections. \n\n\n\nThe fourth instalment of the Ashmolean Now series focuses on sculptures by Irish artist Daphne Wright. \n\n\n\nConceived in partnership with the Hugh Lane Gallery in Dublin\, the exhibition will feature several new works in plaster\, which consider the tradition of still lifes and respond to the sculptures in the Cast Gallery. \n\n\n\nDaphne Wright works in unfired clay and jesmonite and has long experimented with casting.  \n\n\n\nCentral to the exhibition will be Sons and Couch\, a life-size sculptural artwork cast in jesmonite of the artist’s sons. They have featured in their mother’s moving and personal work since an early age. This new piece is currently a work in progress. \n\n\n\nAlso on display will be Fridge Still Life (2021)\, which has not been on public display previously\, alongside other works by Wright and objects from the Ashmolean’s own collection. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Admission is FREE \n\n\n\nDate and times:From 13 June to 07 December 2025 \n\n\n\nThe museum is open every day from 10.00am to 5.00pm \n\n\n\nLocation:Gallery 8
URL:https://theoxfordmagazine.com/event/ashmolean-now-daphne-wright-deep-rooted-things/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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DTSTART;TZID=Europe/London:20250614T000000
DTEND;TZID=Europe/London:20250713T235959
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SUMMARY:Sculpture in the Garden
DESCRIPTION:Sculpture in the Garden at Greys Court\, Henley-on-Thames\n\n\n\n\n\n\n\n\nAbout Sculpture in the Garden\n\n\n\nFrom 14 June to 13 July 2024\, the lawns\, walled gardens and Cromwellian building at Greys Court will be filled with sculptures of all sizes and mediums for you to admire. \n\n\n\nOxford Sculptors Group (OSG) will showcase art pieces in the stunning gardens of the National Trust property near Henley-on-Thames. \n\n\n\nThere will be sculptures in a wide range of media like bronze\, stone\, steel\, wood\, glass and ceramics\, with an equally broad price range\, throughout the walled gardens and around the main lawn. \n\n\n\nSmaller items will also be on show in the historic Cromwellian Building\, which is not normally open to visitors\, and the art pieces will include both abstract and natural. \n\n\n\nAs well as being able to look at and admire the sculptures\, visitors can also purchase any they particularly love and have them delivered when the exhibition concludes. \n\n\n\nOSG sculptors will be on hand to welcome you. \n\n\n\nLady Brunner was a long time patron of the arts\, and it’s in this spirit that local art is celebrated at Greys Court. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nThis event is free\, but normal admission charges apply for the venue. \n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nAge guidance: Suitable for all ages. \n\n\n\nAccessibility \n\n\n\n\nThe sculpture will be around the walled gardens and inside the Cromwellian and Loggia.\n\n\n\nThe walled gardens are hard-standing but uneven in places\, with a couple of steps around the pergola area.\n\n\n\n\nGood to knowDogs are not permitted in the walled gardens \n\n\n\nAbout the Oxford Sculptors GroupThe Oxford Sculptors Group was formed in 2002 and has around 90 established sculptors based in Oxfordshire and surrounding counties. The group includes many full-time professional sculptors and some self-taught artists. They have put on exhibitions in several other National Trust properties\, at various art weeks\, and within art galleries.
URL:https://theoxfordmagazine.com/event/sculpture-in-the-garden/
LOCATION:Greys Court\, Henley-on-Thames\, Rotherfield Greys\, Henley-on-Thames\, Oxfordshire\, RG9 4PG
CATEGORIES:Exhibitions
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SUMMARY:St Edward’s School: Leavers’ Exhibition
DESCRIPTION:St Edward’s School: Leavers’ Exhibition\n\n\n\n\n\n\n\n\nAbout St Edward’s School: Leavers’ Exhibition\n\n\n\nThe exhibition celebrates the art of St Edward’s Upper Sixth Pupils. Both pupils taking A Level Art and those on the International Baccalaureate Programme have worked for two years across all media to produce their final body of work. Don’t miss this show by the creative stars of the future. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFree entry \n\n\n\nDates & times: \n\n\n\nWednesday 18 to Saturday 28 June 2025 \n\n\n\nOpening hours: Monday to Saturday at 10.00am – 4.00pm \n\n\n\nClosed: Sundays and Bank Holidays \n\n\n\n\n\n\n\n\n\nAbout The North Wall Arts Centre\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe North Wall Arts Centre is an an award-winning theatre\, gallery and performing arts centre located in Summertown\, North Oxford. The facility was opened in 2007\, and offers a fully flexible 200-seat theatre\, a public art gallery\, as well as studios for dance and drama. \n\n\n\nThe centre is owned by St Edward’s School and shared with the city\, and it was created for the benefit of emerging artists across a range of disciplines. The programme of events at The North Wall places emphasis on new and innovative work. \n\n\n\nDiscover more about The North Wall Arts Centre\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/st-edwards-school-leavers-exhibition/
LOCATION:The North Wall Arts Centre\, South Parade\, Oxford\, OX2 7JN
CATEGORIES:Exhibitions
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DTSTART;TZID=Europe/London:20250622T000000
DTEND;TZID=Europe/London:20250628T235959
DTSTAMP:20250517T205827Z
CREATED:20250517T205824Z
LAST-MODIFIED:20250517T205827Z
UID:10010832-1750550400-1751155199@theoxfordmagazine.com
SUMMARY:The Salt Path
DESCRIPTION:The Salt Path\n\n\n\n\n\n\n\n\nAbout The Salt Path\n\n\n\nA married couple receives a bad health diagnosis and becomes homeless due to insurmountable circumstances. They decide to walk the South West Coast Path – the longest uninterrupted footpath in England – from Minehead to Poole along the Devon\, Cornwall\, and Dorset coast. \n\n\n\n\n\n\n\nWatch the trailer\n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nStandard –£11.00 \n\n\n\nUnder 16s – £8.00 \n\n\n\nAll prices include any booking fees \n\n\n\nDates & times: \n\n\n\nSunday 22 to Saturday 28 June 2025 \n\n\n\nSunday\, Wednesday\, and Thursday at 7.30pm\, Saturday at 4.00pm \n\n\n\nRunning time: \n\n\n\n2 hours 35 minutes \n\n\n\nFilm rating: \n\n\n\n12A \n\n\n\nLocation: \n\n\n\nThe Theatre \n\n\n\n\n\n\n\n\n\nAbout The Theatre Chipping Norton\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe Theatre Chipping Norton\, sometimes called The Theatre\, Chipping Norton or Chipping Norton Theatre\, is a theatre\, an arthouse cinema\, a gallery and a concert hall in Chipping Norton. \n\n\n\nThe theatre has has 217 seats\, including stalls and a balcony. It is a resource for the community\, and it is also a professional venue\, welcoming over 55\,000 customer visits every year. \n\n\n\nIt is something unique\, but it is also different things to different people. It is the cause and subject of many arguments and debates; and a fair amount of acclaim and affection. It is complicated and a little eccentric. \n\n\n\nIt is not a little theatre. It likes to make a big noise. \n\n\n\nDiscover more about The Theatre Chipping Norton\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/the-salt-path/
LOCATION:The Theatre Chipping Norton\, 2 Spring Street\, Chipping Norton\, Oxfordshire\, OX7 5NL
CATEGORIES:Film & Screen
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