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SUMMARY:Breaking Ground
DESCRIPTION:Breaking Ground Exhibition at Oxford University Museum of Natural History. Image: Watercolour by Mary Buckland (nee Morland)\, possibly painted in 1817\n\n\n\n\n\n\n\n\nAbout Breaking Ground\n\n\n\nFrom the first-ever scientific description of a dinosaur to the revelation that Earth is much older than the Biblical 6\,000 years\, the 19th century saw a network of naturalists forge new ways of thinking about the history of life and our planet. \n\n\n\nBreaking Ground is a new exhibition at the Oxford University Museum of Natural History that charts these significant developments in palaeontology and geology through a cast of characters – both the celebrated and the unsung – who helped to establish new scientific methods and ideas. \n\n\n\nCentred on an Oxford couple – William Buckland\, geologist and palaeontologist\, and Mary Buckland (née Morland)\, a scientific illustrator\, it explores some of the most historically important dinosaur discoveries ever made. \n\n\n\nMarking the 200th anniversary of the first description of a dinosaur\, Breaking Ground presents fossil material from the first three dinosaurs to be scientifically named – Megalosaurus\, Iguanodon\, and Hylaeosaurus\, including the iconic jaw that started it all. \n\n\n\nAlongside these historic specimens are more than 100 other objects\, including fossils\, skeletons\, casts\, and models. There is also archival material such as lithograph prints and watercolour paintings beautifully documenting the fieldwork\, landscapes\, and discoveries made during this fertile period of early palaeontology. \n\n\n\nWhile celebrating these important scientific developments\, Breaking Ground also investigates some inequalities of the period. William and Mary Buckland were married in 1825 and worked together to lay the foundations of modern palaeontology\, though history tends to remember their contributions differently. \n\n\n\nFamiliar names from 19th-century palaeontology are typically those of powerful people associated with certain institutions and publications; lost to history are workers in other\, often colonised\, countries who dug for specimens\, lower-status miners and quarriers around the UK\, and most women\, regardless of class or wealth. \n\n\n\nThese include Mary Anning\, who\, though more recently celebrated\, faced financial struggles for most of her life and\, as a woman\, was unable to join the Geological Society of London or present her own ideas. This is despite making some of the most important fossil discoveries of the century\, several of which will be on display in the exhibition. \n\n\n\nBreaking Ground will also offer the first showcase of items from the newly acquired Buckland archive. The drawings\, prints and paintings made by Mary Buckland include those used in the description of Megalosaurus by William Buckland in 1824. \n\n\n\nAs these illustrations helped to spread understanding of extinct groups of animals and plants among the 19th-century scientific community\, they challenged any literal interpretations of the Bible. A much older planet was revealed\, one that had undergone periods of glaciation – a controversial idea at the time – and in which hyaenas once populated the caves of Britain. \n\n\n\nComplementing the exhibition is a sculptural installation by British artist Angela Palmer. Torus of Time is a visual and tactile symbol of the deep time that was being uncovered by these pioneering 19th-century palaeontologists. An elegant ring of 16 quarry stones drawn from across the United Kingdom\, the piece represents three billion years of geological time. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Entry to the Museum is FREE and not ticketed. No booking required.Booking is required for organisations/groups of more than ten people visiting on the same day. \n\n\n\nOpening hours:Monday to Sunday from 10.00am to 5.00pmLast entry at 4.45pmClosed on 24\, 25\, & 26 DecemberAccessibility:Please contact the friendly team at the museum by telephone (01865 272 950) or email (foh@oum.ox.ac.uk) \n\n\n\n\n\n\n\n\n\n\nGallery\n\n\n\nClick images to expand with captions \n\n\n\n\nCave Hyaena Jaw. This hyaena jaw was found by William Buckland in Kirkdale cave in North Yorkshire in the 1820s. He initially thought the fossil showed evidence of the Great Flood having transported the animal to England. However\, further analysis showed the cave to have been a hyaena den from the Late Pleistocene\, 120\,000 years ago\, when Yorkshire would have been a lot warmer.\n\n\n\nHippopotamus. This watercolour by Mary Buckland (nee Morland)\, possibly painted in 1817\, is marked ‘MM’ – one of the few drawings signed with Mary’s maiden name. Morland was a gifted scientific illustrator whose drawings were used in scientific publications for William Buckland and others including Georges Cuvier.\n\n\n\nIchthyosaur with stomach contents. Exceptionally preserved\, this is one of Mary Anning’s finds of an ichthyosaur. Fish bones and scales\, visible inside the stomach area of the animal\, reveal the last meal of this marine reptile.\n\n\n\nMegalosaurus Jaw. This is the iconic fossilised jaw of Megalosaurus\, found in Stonesfield\, Oxfordshire\, and was used by William Buckland in the first ever scientific description of a dinosaur\, in 1824.\n\n\n\nProfessor and Mrs. Buckland and Frank. This silhouette of the Bucklands\, created by Auguste Edouart in 1829\, celebrates how the whole family was involved in the study of palaeontology.\n\n\n\nSynoptic view of the leading phenomena of Geology. The first plate in William Buckland’s Bridgewater Treatise VI: Geology and mineralogy considered with reference to natural theology. The Bridgewater Treatises was a series of eight volumes highlighting how science and faith could coexist. Buckland’s contribution argued that geology and palaeontology were consistent with the Bible and natural theology.
URL:https://theoxfordmagazine.com/event/breaking-ground/
LOCATION:Oxford University Museum of Natural History\, Parks Road\, Oxford\, Oxfordshire
CATEGORIES:Exhibitions
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SUMMARY:Cheung Yee and his 1960s Hong Kong contemporaries
DESCRIPTION:Cheung Yee and his 1960s Hong Kong Contemporaries. Images (left to right): Everlasting 2/50\, Cheung Yee\, 1977\, red relief on cast paper. Family\, Cheung Yee\, 1960-1969. Chan Painting\, Lui Shou-Kwan\, 1969.\n\n\n\n\n\n\n\n\nAbout Cheung Yee and his 1960s Hong Kong Contemporaries\n\n\n\nThis exhibition showcases newly-acquired works for the Ashmolean by the Hong Kong artist Cheung Yee (1936–2019). It will be the first substantial display of his work outside Hong Kong\, including sculpture and works on paper. \n\n\n\nCheung Yee was a leading figure of innovation in the Hong Kong art scene\, especially during the 1960s\, when the city established its own identity as an artistic centre. \n\n\n\nHis work will be shown alongside those by Lui Shou-Kwan (1919–75)\, Wucius Wong (b.1936)\, Liu Kuo-sung (b.1932) and others from the avant-garde Circle Art Group. \n\n\n\nDisplayed with his peers\, the works highlight Cheung Yee’s connection with a generation of modern art pioneers from Hong Kong and Taiwan in the latter 20th century. \n\n\n\nAlthough Cheung Yee is mainly known as a sculptor\, the Ashmolean exhibition will include some outstanding examples of his experiments with works on paper. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Admission is FREE \n\n\n\nDate and times:From 30 November 2024 to 09 November 2025 \n\n\n\nThe museum is open every day from 10.00am to 5.00pm \n\n\n\nLocation:Gallery 11\, ground floor
URL:https://theoxfordmagazine.com/event/cheung-yee-and-his-1960s-hong-kong-contemporaries/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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DTSTART;TZID=Europe/London:20250301T000000
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SUMMARY:Images of Authority: Portraits Between Iran and Europe
DESCRIPTION:Images of Authority: Portraits Between Iran and Europe\n\n\n\n\n\n\n\n\nAbout Images of Authority: Portraits Between Iran and Europe\n\n\n\nThis free exhibition examines the power of portraits in shaping the image of three contemporaneous rulers: Fath Ali Shah Qajar (1797–1834)\, King George III (1760–1820)\, and Napoleon Bonaparte (1799–1814)\, offering a fascinating reflection on the role of imagery in both personal and political life. \n\n\n\nJuxtaposing works on different media from Iran\, Britain\, and France\, the display reveals the strategies these leaders and their image-makers used to convey authority\, ambition\, and personality. \n\n\n\nFor the first time in over a century\, the exhibition also presents two recently restored Qajar paintings\, alongside insights from their conservation discoveries. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking informatio\n\n\n\nPrices: \n\n\n\nFree \n\n\n\nLocation: \n\n\n\nGallery 29 \n\n\n\n\n\n\n\n\nSelected artworks on display\n\n\n\n\n\n\n			\n				\n			\n		Seated Portrait of Fath Ali Shah of Iran retouched & conserved\, about 1798\, oil on canvas © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Portrait of a setar player\, 1797–1798. Detail from the retouched and conserved portrait of a setar player\, signed Mirza Muhammad\, oil on canvas © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Portrait of King George III\, after 1800. Engraving by Anthony Cardon\, after William Beechey © Ashmolean Museum\n\n\n\n\n\n\n\n\n			\n				\n			\n		Miniature Portrait of Napoleon I\, 19th century. Watercolour on ivory miniature by Jean-Baptiste Isabey © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Caricature of George III as Cheyt Singh\, about 1786. Hand-coloured engraving © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Mirror case depicting Fath ‘Ali Shah’. Carved ivory mirror case from Iran by Muhammad Ali © Ashmolean Museum
URL:https://theoxfordmagazine.com/event/images-of-authority-portraits-between-iran-and-europe/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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DTSTART;TZID=Europe/London:20250406T000000
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SUMMARY:Harcourt Arboretum Activity Backpack
DESCRIPTION:Arboretum Activity Backpack\n\n\n\n\n\n\n\n\nAbout Arboretum Activity Backpack\n\n\n\nEnjoy a backpack filled with activities. Enjoy games\, things to make\, spot\, and discover on your adventure around the Arboretum. Activity backpacks are ideal for children aged 3 to 8. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\n£2.00 per pack (accompanying adults will need to pay standard entry). \n\n\n\nDates & times: \n\n\n\nSunday 06 April to Saturday 18 October 2025 \n\n\n\nDuring opening hours – 10.00am to 5.00pm\, with last entry at 4.00pm \n\n\n\nAge guidance: \n\n\n\n3-8 years  \n\n\n\nGood to know: \n\n\n\nPay on arrival (please note there is a limited number of packs available at any time and we cannot guarantee these will always be available).
URL:https://theoxfordmagazine.com/event/harcourt-arboretum-activity-backpack/
LOCATION:Harcourt Arboretum\, Oxford Lodge\, Peacock Gate\, Nuneham Courtenay\, OX44 9PX
CATEGORIES:Family,Workshops
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250606T000000
DTEND;TZID=Europe/London:20251026T235959
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SUMMARY:Treasured
DESCRIPTION:Treasured\n\n\n\n\n\n\n\n\nAbout Treasured\n\n\n\nWhat makes a treasure? Is it age\, rarity\, beauty\, or something else? \n\n\n\nTreasured invites you to explore the meaning of value itself through some of the world’s most remarkable books and manuscripts\, several of which were acquired with the help of the Friends of the Bodleian\, which celebrates its 100th anniversary in 2025. \n\n\n\nThis exhibition showcases some of the renowned items from Bodleian collections – the Romance of Alexander\, the Gutenberg Bible\, manuscripts of Jane Austen\, JRR Tolkien\, and the Herculaneum scroll – alongside objects from around the world. \n\n\n\nIt shines a light on the human stories behind the books and manuscripts which have shaped our intellectual heritage\, and the hearts and minds of those who cherish them. \n\n\n\nCome and see for yourself and find out what you treasure most! \n\n\n\n Curators \n\n\n\n\nAndrew Dunning\, R.W. Hunt Curator of Medieval Manuscripts\n\n\n\nLydia Heeley\, Bern and Ronny Schwartz Curator of Photography\n\n\n\nNicholas Kontovas\, Nizami Ganjavi Curator for the Caucasus\, Central Asia\, and Türkiye\n\n\n\nPeter Toth\, Cornelia Starks Curator of Greek Collections\n\n\n\nBoya Zhang\, K.B. Chen China Centre Library\n\n\n\n\n\n\n\n\nExhibition highlights\n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFree admission\, no ticket required \n\n\n\nDates & times: \n\n\n\nFriday 06 June to Sunday 26 October 2025 \n\n\n\nLocation: \n\n\n\nST Lee Gallery
URL:https://theoxfordmagazine.com/event/treasured/
LOCATION:Weston Library\, Oxford\, Broad Street\, Oxford\, Oxfordshire\, OX1 3BG
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250613T000000
DTEND;TZID=Europe/London:20251207T235959
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SUMMARY:Ashmolean NOW: Daphne Wright – Deep-Rooted Things
DESCRIPTION:Ashmolean NOW: Daphne Wright – Deep-Rooted Things\n\n\n\n\n\n\n\n\nAbout Ashmolean NOW: Daphne Wright – Deep-Rooted Things\n\n\n\nAshmolean NOW: Daphne Wright – Deep-Rooted Things is the fourth in the Ashmolean NOW exhibition series\, where contemporary artists are invited to create new work inspired by the Ashmolean’s historical collections. \n\n\n\nThe fourth instalment of the Ashmolean Now series focuses on sculptures by Irish artist Daphne Wright. \n\n\n\nConceived in partnership with the Hugh Lane Gallery in Dublin\, the exhibition will feature several new works in plaster\, which consider the tradition of still lifes and respond to the sculptures in the Cast Gallery. \n\n\n\nDaphne Wright works in unfired clay and jesmonite and has long experimented with casting.  \n\n\n\nCentral to the exhibition will be Sons and Couch\, a life-size sculptural artwork cast in jesmonite of the artist’s sons. They have featured in their mother’s moving and personal work since an early age. This new piece is currently a work in progress. \n\n\n\nAlso on display will be Fridge Still Life (2021)\, which has not been on public display previously\, alongside other works by Wright and objects from the Ashmolean’s own collection. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices:Admission is FREE \n\n\n\nDate and times:From 13 June to 07 December 2025 \n\n\n\nThe museum is open every day from 10.00am to 5.00pm \n\n\n\nLocation:Gallery 8
URL:https://theoxfordmagazine.com/event/ashmolean-now-daphne-wright-deep-rooted-things/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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DTSTART;TZID=Europe/London:20250702T000000
DTEND;TZID=Europe/London:20250809T235959
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SUMMARY:Call and Response
DESCRIPTION:Call and Response\n\n\n\n\n\n\n\n\nAbout Call and Response\n\n\n\nCall and Response brings together two Oxford-based arts organisations dedicated to fostering connection\, skill-sharing\, and professional development. Artists from the Warehouse Art School and Art-Sauce present an exhibition in two parts to exchange ideas and creative practice.  \n\n\n\nPart one (02 – 12 July) presents the culmination of a year of enquiry\, experimentation\, and personal growth by eight artists from the Warehouse Art School Continuing Creative Practice course.  \n\n\n\nPart two (17 July – 09 August) furthers the conversation with artists from Art-Sauce\, who have engaged in a collaborative process to draw direct inspiration from each other to encompass the theme of Call and Response.  \n\n\n\nThe exhibition takes its name from the principle of dialogue—between artists and their peers\, between organizations that share a commitment to artistic growth\, and between the work and its audience. Just as call and response is a form of exchange\, this exhibition invites the public into a wider conversation: to engage and bring their own perspectives into the creative process.   \n\n\n\nDrawing inspiration from supportive communities of practice\, Call and Response invites dialogue—between individuals\, disciplines\, and experiences—to enrich and sustain creative development.  \n\n\n\nSpecial Events \n\n\n\nPart One: Warehouse Art School \n\n\n\nOfficial Opening Party: \n\n\n\nWednesday 02 July 6.00pm – 8.00pm \n\n\n\nMeet the Artists\, followed by a performance by the Feisty Choir: \n\n\n\nWednesday 09 July 6.30pm – 8.00pm \n\n\n\nPart Two: art-sauce \n\n\n\nOfficial Opening Party: \n\n\n\nSaturday 19 July 6.00pm – 8.00pm \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFree entry. No Booking required. \n\n\n\nDates & times: \n\n\n\nWednesday 02 July to Saturday 09 August 2025 \n\n\n\nOpening hours: Monday to Saturday at 10.00am – 4.00pmClosed: Sundays and Bank Holidays \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The North Wall Arts Centre\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe North Wall Arts Centre is an an award-winning theatre\, gallery and performing arts centre located in Summertown\, North Oxford. The facility was opened in 2007\, and offers a fully flexible 200-seat theatre\, a public art gallery\, as well as studios for dance and drama. \n\n\n\nThe centre is owned by St Edward’s School and shared with the city\, and it was created for the benefit of emerging artists across a range of disciplines. The programme of events at The North Wall places emphasis on new and innovative work. \n\n\n\nDiscover more about The North Wall Arts Centre\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/call-and-response/
LOCATION:The North Wall Arts Centre\, South Parade\, Oxford\, OX2 7JN
CATEGORIES:Exhibitions
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DTSTART;TZID=Europe/London:20250716T000000
DTEND;TZID=Europe/London:20250717T235959
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SUMMARY:London City Ballet - Momentum
DESCRIPTION:London City Ballet – Momentum\n\n\n\n\n\n\n\n\nAbout London City Ballet – Momentum\n\n\n\nReborn and returning for 2025… \n\n\n\nLondon City Ballet\, the former resident company of Sadler’s Wells\, returns after a staggering inaugural year that included a global tour through Asia\, America\, and Europe. \n\n\n\nPerforming with the company in Oxford will be celebrated ballerina\, Alina Cojocaru. \n\n\n\nIn keeping with London City Ballet’s ethos of bringing to the stage rarely seen works\, we present George Balanchine’s Haieff Divertimento – an early work by the master choreographer originally dubbed lost for 40 years after its premiere and to this day remaining unseen outside the USA.  \n\n\n\nAlexei Ratmansky\, New York City Ballet’s artist in residence\, is a leading light on the global dance scene. ‘Pictures at an Exhibition’\, to Modest Mussorgsky’s eponymous score\, is set against a backdrop depicting Wassily Kandinsky’s best-known masterpieces. Here\, the dancers truly bring the art to life.  \n\n\n\nUnseen in the UK since its 2009 premiere\, Consolations & Liebestraum by Liam Scarlett is a response to Franz Liszt’s piano score of the same name. Scarlett’s affecting ballet depicts the lifecycle of a relationship\, its blossoming and later fracturing love. \n\n\n\nEmerging choreographer\, Florent Melac\, best known as a Premier Danseur at the Paris Opera Ballet\, creates a new work for the company in a unique\, fluid\, musical style which combines inventive transitions with intimate partnering. \n\n\n\nJoin London City Ballet as it builds momentum and continues forging a path to Theatres across the world.  \n\n\n\n\n\n\n\nWhat the critics say\n\n\n\n\n“London City Ballet is wide awake and back in business.” \n\n\n\nThe Times \n\n\n\n\n\n“…a glorious revival.” \n\n\n\nThe Guardian \n\n\n\n\n\n“An astute mix of revivals and new work.” \n\n\n\nThe Times \n\n\n\n\n\n“…leaves an indelible mark on the mind.” \n\n\n\nBristol Post \n\n\n\n\n\n“…rings with the clarity of perfection.” \n\n\n\nStage Talk \n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFrom £35.00 \n\n\n\nTickets are subject to a transaction fee of £3.95 \n\n\n\nDates & times: \n\n\n\nWednesday 16 and Thursday 17 July 2025 at 7.30pm \n\n\n\nRunning time:  \n\n\n\n1 hour 40 minutes\, including an interval \n\n\n\n\n\n\n\n\n\nAbout New Theatre Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\nThere has been a theatre on George Street for almost 170 years. The first theatre was built in 1836\, and a second in 1886. In 1934\, the third New Theatre opened. \n\n\n\nThe theatre has been owned by several different companies and undergone several name changes. It is now owned by the Ambassador Theatre Group and hosts everything from ballet and opera to musicals. \n\n\n\nOn performance days\, the Box Office opens at noon and closes 15 minutes after the show starts. If there is a performance on a Sunday or Bank Holiday\, Box Office will open 2 hours before the show begins and close 15 minutes after the show starts. \n\n\n\nThere is a large air-conditioned bar with seating located below the Stalls Foyer\, two further bars in the Circle Foyer and an additional one at the back of the balcony. All stocked with an array of drinks and snacks. \n\n\n\nThere is a cloakroom located in the stalls bar. If this is closed\, please speak to a member of staff. £1 per item. It is free to ATG Theatre Card members. \n\n\n\nSee important information about Getting there and Access here \n\n\n\nSee other shows at this venue
URL:https://theoxfordmagazine.com/event/london-city-ballet-momentum/
LOCATION:New Theatre Oxford\, 24-26 George Street\, Oxford\, Oxfordshire\, OX1 2AG
CATEGORIES:Dance
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SUMMARY:The Next Chapter
DESCRIPTION:The Next Chapter\n\n\n\n\n\n\n\n\nAbout The Next Chapter\n\n\n\nFollowing on from last year’s 30th Anniversary show\, Dance Connection are delighted to enter a new chapter of nurturing young local talent. This fast paced\, energetic performance will showcase over 100 dancers performing an array of different dance styles\, showing the versatility that can be achieved with the right training\, nurturing & encouragement.  \n\n\n\nDance Connection pride themselves on producing a professional performance to give their dancers the best possible experience and\, of course\, to entertain their audience and leave them wanting more. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFull Price – £19.50    \n\n\n\nUnder 16 – £17.00 \n\n\n\nDates & times: \n\n\n\nThursday 17 to Saturday 19 July 2025 \n\n\n\nThursday and Friday at 7.30pm\, Saturday at 1.30pm and 7.30pm \n\n\n\n\n\n\n\n\n\nAbout Cornerstone Arts Centre\n\n\n\n\n\n\n\nCornerstone Arts Centre is a purpose-built\, professional arts\, culture and entertainment venue in the heart of Didcot\, brought to you by the South Oxfordshire District Council. \n\n\n\nOpened in 2008\, it presents a high-quality programme of live performances\, participatory activities\, exhibitions and outreach work that meet the needs and enhance the experiences of the local community and beyond. \n\n\n\nThe RIBA award-nominated building comprises a 220-seat auditorium\, an art gallery\, a dance studio\, and spaces for workshops and community activities. The centre also has a café and bar\, making it a welcoming space for audiences and artists. \n\n\n\nSee other shows at this venue
URL:https://theoxfordmagazine.com/event/the-next-chapter/
LOCATION:Cornerstone Arts Centre\, Didcot\, 25 Station Road\, Didcot\, Oxfordshire\, OX11 7NE
CATEGORIES:Dance
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SUMMARY:New Theatre Oxford Backstage Tour
DESCRIPTION:New Theatre Oxford Backstage Tour\n\n\n\n\n\n\n\n\nAbout New Theatre Oxford Backstage Tour\n\n\n\nGo behind the scenes at New Theatre Oxford and see backstage at “England’s Finest Theatre” where the likes of Lawrence Olivier\, Sir Ian McKellen\, Miriam Margoyles\, and Patti Smith have performed. \n\n\n\nFrom the original fly system to the old revolving stage\, from the ‘Wall of Fame’ to the lighting booth\, you will visit the nooks and crannies of the theatre\, not usually open to the public. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFrom £15.00 \n\n\n\nNo transaction fees \n\n\n\nDates & times: \n\n\n\n\nThursday 10 July 2025\n\n\n\nThursday 17 July 2025\n\n\n\nFriday 25 July 2025\n\n\n\nWednesday 30 July 2025\n\n\n\n\nWednesday to Friday at 10.30am \n\n\n\nAge guidance:  \n\n\n\n14+ \n\n\n\n\n\n\n\n\n\nAbout New Theatre Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\nThere has been a theatre on George Street for almost 170 years. The first theatre was built in 1836\, and a second in 1886. In 1934\, the third New Theatre opened. \n\n\n\nThe theatre has been owned by several different companies and undergone several name changes. It is now owned by the Ambassador Theatre Group and hosts everything from ballet and opera to musicals. \n\n\n\nOn performance days\, the Box Office opens at noon and closes 15 minutes after the show starts. If there is a performance on a Sunday or Bank Holiday\, Box Office will open 2 hours before the show begins and close 15 minutes after the show starts. \n\n\n\nThere is a large air-conditioned bar with seating located below the Stalls Foyer\, two further bars in the Circle Foyer and an additional one at the back of the balcony. All stocked with an array of drinks and snacks. \n\n\n\nThere is a cloakroom located in the stalls bar. If this is closed\, please speak to a member of staff. £1 per item. It is free to ATG Theatre Card members. \n\n\n\nSee important information about Getting there and Access here \n\n\n\nSee other shows at this venue
URL:https://theoxfordmagazine.com/event/new-theatre-oxford-backstage-tour/2025-07-17/
LOCATION:New Theatre Oxford\, 24-26 George Street\, Oxford\, Oxfordshire\, OX1 2AG
CATEGORIES:Tours
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SUMMARY:Edinburgh Preview: Joe Kent-Walters & Tom Rosenthal
DESCRIPTION:Edinburgh Preview: Joe Kent-Walters & Tom Rosenthal\n\n\n\n\n\n\n\n\nAbout Edinburgh Preview: Joe Kent-Walters & Tom Rosenthal\n\n\n\nTwo stellar comedians preview their stand-up shows before heading to the world-renowned Edinburgh Festival Fringe! \n\n\n\nJoe Kent-Walters \n\n\n\nHe’s back. Frankie’s had a taste of glory\, and he wants more; he wants a full pint. Dust off your Clarks shoes and get ready for Frankie’s biggest show yet\, Frankie Monroe in Progress. \n\n\n\nTom Rosenthal: \n\n\n\nThe Arctic Monkeys’ debut album\, ‘Whatever People Say I Am\, That’s What I’m Not’\, was released on January 23\, 2006. \n\n\n\nThe record became the fastest-selling debut album in UK history at the time\, moving over 360\,000 copies in its first week. Tracks like ‘I Bet You Look Good on the Dancefloor’ and ‘When the Sun Goes Down’ became anthems\, showcasing frontman Alex Turner’s sharp lyrics and observational storytelling. \n\n\n\nTom Rosenthal’s fourth stand-up show\, ‘Whatever People Say I Am\, That’s What I Am’\, gets a preview in Angel on 6th January. \n\n\n\nThe one-hour set from the Friday night Dinner and Plebs star is on sale now and could easily fail to sell out. Jokes like ‘Small Talk’ and ‘Daniel Radcliffe’ have been described as ‘not quite there yet’\, showcasing Tom Rosenthal’s sharp nose and observational squawking. \n\n\n\n\n\n\n\nReviews on Joe Kent-Walters\n\n\n\n\nWinner \n\n\n\nBest New Comer Edinburgh Comedy Awards 2024 \n\n\n\n\n\nWinner \n\n\n\nBBC New Comedy Award 2023 \n\n\n\n\n\n“Echoes of The League of Gentlemen and Reeves and Mortimer.” \n\n\n\nScotsman \n\n\n\n\n\n“Once seen\, never forgotten\, physically commands the stage and beyond… barnstorming nonsense.“ \n\n\n\nChortle \n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFrom £13.50 \n\n\n\nDates & times: \n\n\n\nThursday 17 July 2025 at 7.30pm \n\n\n\n\n\n\n\n\n\nAbout The Mill Arts Centre\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe Mill Arts Centre is the cultural hub for Banbury and the surrounding area. \n\n\n\nAs the only dedicated arts provision in the area\, it aims to inspire creativity and enrich the lives of the communities by providing a high-quality\, varied artistic\, educational and participatory programme. \n\n\n\nIt plays a significant role in the town’s cultural\, social and economic development by offering the community the chance to engage with and be entertained by several art forms. \n\n\n\nThe Mill Arts Centre offers an exciting live events programme\, including theatre\, dance\, music\, comedy\, film\, workshops and classes. Alongside this\, it runs several community projects and initiatives with partner organisations. \n\n\n\nYou can visit our Café Bar for delicious hot and cold drinks and light refreshments – and while you’re there\, the Gallery is home to a fantastic programme of exhibitions from local artists. \n\n\n\nAlternatively\, if you’re looking for meeting rooms or spaces for hire in Banbury\, our wide range of spaces – including our theatre\, art studio\, dance studio and meeting rooms – are available for hire. \n\n\n\nDiscover more about The Mill Arts Centre\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/edinburgh-preview-joe-kent-walters-tom-rosenthal/
LOCATION:The Mill Arts Centre\, Banbury\, Spiceball Park\, Banbury\, Oxfordshire\, OX16 5QE
CATEGORIES:Comedy
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SUMMARY:Bonding
DESCRIPTION:Bonding\n\n\n\n\n\n\n\n\nAbout Bonding\n\n\n\nThe Myth\, Legend\, and Legacy of Bond \n\n\n\nWritten and performed by Cyril Blake \n\n\n\nDirected by Matthew Parker \n\n\n\nCyril Blake’s sell-out hit from the Edinburgh Fringe explores the myth\, legend\, and legacy of Bond – and what it all means to guys trying to find their way through life and love. Stephen has always wanted to be James Bond. He’s got a tux\, a fancy watch\, and he shakes everything he drinks. But is this a good idea? Bond is a misogynist dinosaur\, right? \n\n\n\nJourney through 60 years of Bond and 30 years of Stephen as we find out if he can fulfil his father’s idea of masculinity without becoming toxic. \n\n\n\nThis sellout hit is directed by nine-time nominee and two-time OFFIE winner\, Matthew Parker\, and stars Cyril Blake as Stephen. \n\n\n\n\n\n\n\nReviews\n\n\n\n\n“Blake’s brilliance shines\, seamlessly blending the lines between performer and character.” ★★★★★ \n\n\n\nThe Nerd Party \n\n\n\n\n\n“Explores the James Bond films\, and life from being the grandson of a coal miner to sharing Bond films with his father.” ★★★★ \n\n\n\nFringe Fan \n\n\n\n\n\n“Hilarious and moving. Exceptional!” ★★★★★ \n\n\n\nCalvin Dyson\, James Bond Expert \n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\n£24.00 \n\n\n\nTicket prices include a £1.00 Restoration Levy\, a £1.50 Booking Fee\, and a 25p Community Fund Levy. \n\n\n\nDates & times: \n\n\n\nThursday 17 July 2025 at 7.30pm \n\n\n\nRunning time:  \n\n\n\n1 hour \n\n\n\nAge guidance:  \n\n\n\n12+ \n\n\n\n\n\n\n\n\n\nAbout Kenton Theatre\n\n\n\n\n			\n				\n			\n		\n\n\n\nSituated in the centre of Henley-on-Thames\, the Kenton Theatre is the fourth-oldest working theatre in the UK and a registered charity. Seating 240\, the theatre today offers a varied programme of comedy\, drama\, music\, talks and more – as well as being available for hire. \n\n\n\nThe theatre is home to annual performances from Henley Amateur Operatic and Drama Society (HAODS)\, Henley Children’s Theatre\, Henley Drama Festival\, Henley Literary Festival\, Henley Players\, Henley Youth Festival\, Mike Hurst\, the National Youth Jazz Orchestra (NYJO)\, Woodley Light Operatic Society\, amongst others. High-profile performers at the Kenton in recent years include Michael McIntyre\, Georgie Fame\, Haley Mills\, Chris Barber\, Dara O’Briain\, Diana Rigg\, Russell Brand\, PP Arnold and Marti Webb. \n\n\n\nThe theatre’s first production\, the farce The School of Reform took place on 07 November 1805. Celebrated performers who have graced the Kenton stage over the last five decades include Celia Johnson\, John Mortimer\, Anthony Newley\, Kate Winslet\, Tom Baker\, Joe Brown\, Diana Dors\, David Essex\, Roy Hudd and Jeremy Irons. \n\n\n\nDiscover more about the Kenton Theatre\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/bonding-2/
LOCATION:Kenton Theatre\, Henley-on-Thames\, 19 New Street\, Henley-on-Thames\, Oxfordshire\, RG9 2BP
CATEGORIES:Plays
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