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DTSTAMP:20260614T074736
CREATED:20251121T002047Z
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SUMMARY:Images of Authority: Portraits Between Iran and Europe
DESCRIPTION:Images of Authority: Portraits Between Iran and Europe\n\n\n\n\n\n\n\n\nAbout Images of Authority: Portraits Between Iran and Europe\n\n\n\nThis free exhibition examines the power of portraits in shaping the image of three contemporaneous rulers: Fath Ali Shah Qajar (1797–1834)\, King George III (1760–1820)\, and Napoleon Bonaparte (1799–1814)\, offering a fascinating reflection on the role of imagery in both personal and political life. \n\n\n\nJuxtaposing works on different media from Iran\, Britain\, and France\, the display reveals the strategies these leaders and their image-makers used to convey authority\, ambition\, and personality. \n\n\n\nFor the first time in over a century\, the exhibition also presents two recently restored Qajar paintings\, alongside insights from their conservation discoveries. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking informatio\n\n\n\nPrices: \n\n\n\nFree \n\n\n\nLocation: \n\n\n\nGallery 29 \n\n\n\n\n\n\n\n\nSelected artworks on display\n\n\n\n\n\n\n			\n				\n			\n		Seated Portrait of Fath Ali Shah of Iran retouched & conserved\, about 1798\, oil on canvas © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Portrait of a setar player\, 1797–1798. Detail from the retouched and conserved portrait of a setar player\, signed Mirza Muhammad\, oil on canvas © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Portrait of King George III\, after 1800. Engraving by Anthony Cardon\, after William Beechey © Ashmolean Museum\n\n\n\n\n\n\n\n\n			\n				\n			\n		Miniature Portrait of Napoleon I\, 19th century. Watercolour on ivory miniature by Jean-Baptiste Isabey © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Caricature of George III as Cheyt Singh\, about 1786. Hand-coloured engraving © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Mirror case depicting Fath ‘Ali Shah’. Carved ivory mirror case from Iran by Muhammad Ali © Ashmolean Museum
URL:https://theoxfordmagazine.com/event/images-of-authority-portraits-between-iran-and-europe/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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DTSTART;TZID=Europe/London:20250920T000000
DTEND;TZID=Europe/London:20260628T235959
DTSTAMP:20260614T074736
CREATED:20251120T235310Z
LAST-MODIFIED:20260603T042042Z
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SUMMARY:Pat Suet-Bik Hui & the Three Perfections
DESCRIPTION:Pat Suet-Bik Hui & the Three Perfections\n\n\n\n\n\n\n\n\nAbout Pat Suet-Bik Hui & the Three Perfections\n\n\n\nThis exhibition celebrates the work of Pat Suet-Bik Hui 許雪碧 (b. 1943)\, a US-based Hong Kong artist\, shown alongside others who explore the tradition of the ‘three perfections’ 三絕 – the harmonious blending of poetry\, calligraphy\, and painting. \n\n\n\nFeaturing works by Hui\, her contemporaries\, her teacher Lui Shou-Kwan\, and artists of his generation\, as well as earlier examples from the 17th to 19th centuries\, the exhibition offers a rich context for understanding Hui as both an innovator and a guardian of tradition. \n\n\n\nIn this artistic lineage\, calligraphic brushstrokes carry as much compositional weight as painted forms\, while poetry and imagery combine to create expressions neither can achieve alone. \n\n\n\nHui’s contemporary approach merges abstract and semi-abstract ink and colour washes with understated calligraphy\, inscribing poems that reflect on themes including love\, loss\, and the quiet joys of drinking. \n\n\n\nVisitors will find translations of many inscribed poems and guidance on interpreting the interplay of painting\, calligraphy\, and poetry within individual works. \n\n\n\nHui gifted her paintings to art historian Michael Sullivan\, whose collection was bequeathed to the Ashmolean Museum in 2013. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrice: \n\n\n\nFree \n\n\n\nLocation: \n\n\n\nGallery 11 \n\n\n\n\n\n\n\n\n\n\n\n			\n				\n			\n		Painting with Poem by Xin Qiji\, Pat Suet-Bik Hui & Wucius Wong\, 1987\, ink & colour on paper © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Painting with poem by Paul Ka-Yin Kwok\, Pat Suet-Bik Hui & Paul Ka-Yin Kwok\, 1999\, ink colour on paper © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Painting with poem by Nara Singde\, Pat Suet-Bik Hui\, 1991\, ink & colour on paper © Ashmolean Museum
URL:https://theoxfordmagazine.com/event/pat-suet-bik-hui-the-three-perfections/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260121T000000
DTEND;TZID=Europe/London:20260207T235959
DTSTAMP:20260614T074736
CREATED:20251215T214430Z
LAST-MODIFIED:20260211T043311Z
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SUMMARY:Peter Rhoades & Emma Baldwin: Hand to Eye
DESCRIPTION:Peter Rhoades & Emma Baldwin: Hand to Eye\n\n\n\n\n\n\n\n\nAbout Peter Rhoades & Emma Baldwin: Hand to Eye\n\n\n\nPeter Rhoades’s works in this exhibition date from the 1970s and 80s\, a time of both personal and historical change and tension. Only a few of these paintings and drawings have been shown before.  \n\n\n\nPeter returned to making images direct from visual observation\, having spent the 1960s primarily involved with various kinds of abstraction. In doing so\, he was reviving his Ruskinian roots initially nurtured by his father and Percy Horton at the Ruskin School of Art.  \n\n\n\nThe drawings and a few of the paintings also represent his ongoing concern with European figure composition. \n\n\n\nPeter is an artist and teacher/lecturer working in painting\, drawing and printmaking. Much of his teaching career has been at Oxford University as both a tutor at the Ruskin School of Art and Christ Church College.  \n\n\n\nPeter was also a lecturer at Abingdon & Witney College\, working for many years on the prestigious Foundation Visual Arts course with his co-exhibitor Emma Baldwin. \n\n\n\nEmma Baldwin is a potter who\, after thirty years at Abingdon and Witney College\, is making wheel-thrown vessels full-time. Emma enjoys making both functional and sculptural forms inspired by both contemporary and historical sources.  \n\n\n\nShe is primarily drawn to ceramics as an object\, fascinated by the line between what makes something functional or a work of art. Emma finds the entire process of transforming Earth into an object of beauty completely engrossing. \n\n\n\nEmma was first introduced to clay at school\, aged 14\, and has been working with it on and off ever since. Emma studied ceramics at Bristol Polytechnic in 1992\, where she had the privilege to be taught by both Walter Keeler and Mo Jupp – two truly inspiring potters. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFree entry \n\n\n\nDates & times: \n\n\n\nWednesday 21 January to Saturday 07 February 2026 \n\n\n\nMonday to Saturday from 10.00am to 4.00pm \n\n\n\nClosed on Sunday and Bank Holiday \n\n\n\nRunning time: \n\n\n\n1 hour\, without an interval \n\n\n\nGood to know: \n\n\n\nExhibition Opening on Thursday 22 January from 6.00pm to 8.00pm \n\n\n\nPlease join for drinks to celebrate the opening of this exhibition \n\n\n\nFree event. No booking required. \n\n\n\nMeet the Artists on Thursday 05 February from 6.00pm to 8.00pm \n\n\n\nJoin the artists for drinks and an informal tour of the exhibition \n\n\n\nFree event. No booking required. \n\n\n\n\n\n\n\n\n\nAbout The North Wall Arts Centre\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe North Wall Arts Centre is an an award-winning theatre\, gallery and performing arts centre located in Summertown\, North Oxford. The facility was opened in 2007\, and offers a fully flexible 200-seat theatre\, a public art gallery\, as well as studios for dance and drama. \n\n\n\nThe centre is owned by St Edward’s School and shared with the city\, and it was created for the benefit of emerging artists across a range of disciplines. The programme of events at The North Wall places emphasis on new and innovative work. \n\n\n\nDiscover more about The North Wall Arts Centre\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/peter-rhoades-emma-baldwin-hand-to-eye/
LOCATION:The North Wall Arts Centre\, South Parade\, Oxford\, OX2 7JN
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260202T000000
DTEND;TZID=Europe/London:20260207T235959
DTSTAMP:20260614T074736
CREATED:20251228T134827Z
LAST-MODIFIED:20260211T043250Z
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SUMMARY:The Constant Wife
DESCRIPTION:The Constant Wife\n\n\n\n\n\n\n\n\nAbout The Constant Wife\n\n\n\nDavid Pugh and Cunard present The Royal Shakespeare Company production. Prior to London’s West End. \n\n\n\nBy Laura Wade \n\n\n\nBased on the comedy by W Somerset Maugham \n\n\n\nStarring Kara Tointon \n\n\n\nIt’s 1927 and Constance is a very unhappy woman. “Nonsense!” says her mother. “She eats well\, sleeps well\, dresses well and she’s losing weight. No woman can be unhappy in those circumstances”.  \n\n\n\nConstance is the perfect wife and mother\, and her husband is as devoted to her as he is to his mistress\, who just happens to be her best friend. \n\n\n\nFollowing a sold-out run in Stratford upon Avon and adapted by Olivier Award-winner Laura Wade (Home\, I’m Darling; TV’s Rivals) from Somerset Maugham’s glittering comedy\, this sparkling production stars Kara Tointon (TV’s Mr Selfridge and Winner of Strictly Come Dancing).  \n\n\n\nDirected by RSC Co-Artistic Director Tamara Harvey and featuring original music composed by multi-award-winning jazz artist Jamie Cullum. \n\n\n\n\n\n\n\nReviews\n\n\n\n\n“Sharp\, sophisticated\, fabulous and extremely funny.”  \n\n\n\nThe Guardian \n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFrom £15.00 \n\n\n\nA £2.75 booking fee per transaction applies to this event across all channels – website\, phone and in-person bookings at the Box Office. The fee is waived for members\, schools\, groups and access bookers. \n\n\n\nDates & times: \n\n\n\nMonday 02 to Saturday 07 February 2026 \n\n\n\nMonday to Saturday at 7.30pm \n\n\n\nThursday and Saturday at 2.30pm \n\n\n\nRunning time: \n\n\n\n2 hours 30 minutes\, including an interval \n\n\n\n\n\n\n\n\n\nAbout Oxford Playhouse\n\n\n\n\n			\n				\n			\n		\n\n\n\nOxford Playhouse and its Burton Taylor Studio present and produce several live performances and feature a rich array of British and international dramas\, family entertainment\, contemporary dance and music\, student and amateur shows\, comedy\, lectures and poetry. \n\n\n\nThe Playhouse not only produces and tours its own theatrical productions\, but it also fosters creativity through its Artists in Residence program and the Playhouse Plays Out series\, which brings unique events to various locations across the county. \n\n\n\nThe theatre’s Participation Team engages over 15\,000 individuals annually\, offering an extensive range of activities\, including post-show discussions\, workshops\, work experience opportunities\, holiday programs\, a youth theatre\, and a company for young performers. \n\n\n\nOxford Playhouse stands dedicated to its mission of being a Playhouse for all\, striving to ignite inspiration and bring about transformative experiences through its commitment to creativity on its stages\, within its community and online. \n\n\n\nDiscover more about Oxford Playhouse\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/the-constant-wife/
LOCATION:Oxford Playhouse\, Beaumont Street\, Oxford\, Oxfordshire\, OX1 2LW\, United Kingdom
CATEGORIES:Plays
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260202T193000
DTEND;TZID=Europe/London:20260202T193000
DTSTAMP:20260614T074736
CREATED:20250817T092826Z
LAST-MODIFIED:20260128T052349Z
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SUMMARY:Varna International Ballet - Cinderella
DESCRIPTION:Varna International Ballet – Cinderella\n\n\n\n\n\n\n\n\nAbout Varna International Ballet – Cinderella\n\n\n\nStep into the enchanting world of Cinderella\, where dreams come true in a dazzling tale of magic and romance. \n\n\n\nWith Prokofiev’s exhilarating score\, stunning choreography\, and vibrant costumes\, this beloved fairy tale springs to life on stage. As her cruel stepfamily readies for the Royal Ball\, Cinderella can only dream—until a magical fairy grants her a night to remember.  \n\n\n\nA whirlwind romance begins\, but at midnight\, one lost crystal slipper sparks a royal quest. \n\n\n\n\n\n\n\n\n			\n				\n			\n		Varna International Ballet – Cinderella\n\n\n\n\n\n\n\nExperience the magic\, the music\, and the timeless story where kindness\, hope\, and love lead to a happily ever after. \n\n\n\nFounded in 1947\, the critically acclaimed Varna International Ballet returns to the UK following a breathtaking debut tour. Renowned for its award-winning soloists and magnificent corps de ballet\, the company has been delighting audiences for decades at home and abroad with its performances of the highest quality. \n\n\n\nDaniela Dimova Artistic Director \n\n\n\nAzat Maxutov Music Director and Chief Conductor \n\n\n\nDaniela Dimova says\, “We are thrilled to be bringing our highly talented company of dancers and musicians back to the UK. We can’t wait to perform for British audiences again and to bring these magical ballets to life on stage.”  \n\n\n\nPerformed by Varna International Ballet. Accompanied by live orchestra\, Varna International Ballet Orchestra. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFrom £15.00 \n\n\n\nTickets are subject to a transaction fee of £3.95 \n\n\n\nDates & times: \n\n\n\nMonday 02 February 2026 at 7.30pm \n\n\n\nRunning time: \n\n\n\nThis show has an interval \n\n\n\n\n\n\n\n\n\nAbout New Theatre Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\nThere has been a theatre on George Street for almost 170 years. The first theatre was built in 1836\, and a second in 1886. In 1934\, the third New Theatre opened. \n\n\n\nThe theatre has been owned by several different companies and undergone several name changes. It is now owned by the Ambassador Theatre Group and hosts everything from ballet and opera to musicals. \n\n\n\nOn performance days\, the Box Office opens at noon and closes 15 minutes after the show starts. If there is a performance on a Sunday or Bank Holiday\, Box Office will open 2 hours before the show begins and close 15 minutes after the show starts. \n\n\n\nThere is a large air-conditioned bar with seating located below the Stalls Foyer\, two further bars in the Circle Foyer and an additional one at the back of the balcony. All stocked with an array of drinks and snacks. \n\n\n\nThere is a cloakroom located in the stalls bar. If this is closed\, please speak to a member of staff. £1 per item. It is free to ATG Theatre Card members. \n\n\n\nSee important information about Getting there and Access here \n\n\n\nSee other shows at this venue
URL:https://theoxfordmagazine.com/event/varna-international-ballet-cinderella/
LOCATION:New Theatre Oxford\, 24-26 George Street\, Oxford\, Oxfordshire\, OX1 2AG
CATEGORIES:Dance
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260202T193000
DTEND;TZID=Europe/London:20260202T193000
DTSTAMP:20260614T074736
CREATED:20251228T134859Z
LAST-MODIFIED:20260128T075135Z
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SUMMARY:Oxford Philharmonic Orchestra: Maxim Vengerov
DESCRIPTION:Oxford Philharmonic Orchestra: Maxim Vengerov\n\n\n\n\n\n\n\n\nAbout Oxford Philharmonic Orchestra: Maxim Vengerov\n\n\n\nTchaikovsky Violin Concerto in D major\, Op. 35 \n\n\n\nBrahms Symphony No. 1 in C minor\, Op. 68 \n\n\n\nMaxim Vengerov violin \n\n\n\nRainer Küchl guest concertmaster \n\n\n\nMarios Papadopoulos conductor \n\n\n\nViolin virtuoso Maxim Vengerov joins Marios Papadopoulos and the Oxford Philharmonic Orchestra for a stunning evening of intensity and grandeur. \n\n\n\nTchaikovsky’s Violin Concerto in D major\, with its heartfelt and romantic lyricism\, provides the perfect showcase for Vengerov’s extraordinary technique and emotional depth.  \n\n\n\nFollowing\, Brahms’s First Symphony unleashes a tidal wave of tension and triumph\, with Papadopoulos leading the orchestra through its stirring passages\, culminating in a glorious\, heroic conclusion. \n\n\n\n\n\n\n\nReviews\n\n\n\n\n“Sharp\, sophisticated\, fabulous and extremely funny.”  \n\n\n\nThe Guardian \n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFrom £20.00 \n\n\n\nStudents from £5.00 \n\n\n\nDates & times: \n\n\n\nMonday 02 February 2026 at 7.30pm \n\n\n\nRunning time: \n\n\n\n120 minutes \n\n\n\n\n\n\n\n\n\nAbout the Sheldonian Theatre\n\n\n\n\n			\n				\n			\n		\n\n\n\nHome to ceremonial occasions and a raft of exciting events\, the magnificent and versatile Sheldonian Theatre is the focal point of the University of Oxford and is a unique space to experience live music. \n\n\n\nTo see an interactive map of the theatre\, click here. \n\n\n\nFind out more about the Sheldonian Theatre\, including facilities\, access and venue information.
URL:https://theoxfordmagazine.com/event/oxford-philharmonic-orchestra-maxim-vengerov/
LOCATION:Sheldonian Theatre\, Broad Street\, Oxford\, Oxfordshire\, OX1 3AZ
CATEGORIES:Concerts
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