BEGIN:VCALENDAR VERSION:2.0 PRODID:-//The Oxford Magazine - ECPv6.15.20//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://theoxfordmagazine.com X-WR-CALDESC:Events for The Oxford Magazine REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/London BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20240331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20241027T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20250330T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20251026T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20260329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20261025T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20270328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20271031T010000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Europe/London:20250920T000000 DTEND;TZID=Europe/London:20260628T235959 DTSTAMP:20260423T053614 CREATED:20251120T235310Z LAST-MODIFIED:20251227T160048Z UID:10011682-1758326400-1782691199@theoxfordmagazine.com SUMMARY:Pat Suet-Bik Hui & the Three Perfections DESCRIPTION:Pat Suet-Bik Hui & the Three Perfections\n\n\n\n\n\n\n\n\nAbout Pat Suet-Bik Hui & the Three Perfections\n\n\n\nThis exhibition celebrates the work of Pat Suet-Bik Hui 許雪碧 (b. 1943)\, a US-based Hong Kong artist\, shown alongside others who explore the tradition of the ‘three perfections’ 三絕 – the harmonious blending of poetry\, calligraphy\, and painting. \n\n\n\nFeaturing works by Hui\, her contemporaries\, her teacher Lui Shou-Kwan\, and artists of his generation\, as well as earlier examples from the 17th to 19th centuries\, the exhibition offers a rich context for understanding Hui as both an innovator and a guardian of tradition. \n\n\n\nIn this artistic lineage\, calligraphic brushstrokes carry as much compositional weight as painted forms\, while poetry and imagery combine to create expressions neither can achieve alone. \n\n\n\nHui’s contemporary approach merges abstract and semi-abstract ink and colour washes with understated calligraphy\, inscribing poems that reflect on themes including love\, loss\, and the quiet joys of drinking. \n\n\n\nVisitors will find translations of many inscribed poems and guidance on interpreting the interplay of painting\, calligraphy\, and poetry within individual works. \n\n\n\nHui gifted her paintings to art historian Michael Sullivan\, whose collection was bequeathed to the Ashmolean Museum in 2013. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrice: \n\n\n\nFree \n\n\n\nLocation: \n\n\n\nGallery 11 \n\n\n\n\n\n\n\n\n\n\n\n \n \n \n Painting with Poem by Xin Qiji\, Pat Suet-Bik Hui & Wucius Wong\, 1987\, ink & colour on paper © Ashmolean Museum\n\n\n\n\n\n\n \n \n \n Painting with poem by Paul Ka-Yin Kwok\, Pat Suet-Bik Hui & Paul Ka-Yin Kwok\, 1999\, ink colour on paper © Ashmolean Museum\n\n\n\n\n\n\n \n \n \n Painting with poem by Nara Singde\, Pat Suet-Bik Hui\, 1991\, ink & colour on paper © Ashmolean Museum URL:https://theoxfordmagazine.com/event/pat-suet-bik-hui-the-three-perfections/ LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH CATEGORIES:Exhibitions ATTACH;FMTTYPE=image/jpeg:https://theoxfordmagazine.com/wp-content/uploads/pat-suet-bik-hui-01-1600x900-1.webp GEO:51.7550824;-1.2611489 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ashmolean Museum 35 Beaumont Street Oxford Oxfordshire OX1 2PH;X-APPLE-RADIUS=500;X-TITLE=35 Beaumont Street:geo:-1.2611489,51.7550824 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20260319T000000 DTEND;TZID=Europe/London:20260816T235959 DTSTAMP:20260423T053614 CREATED:20251117T212630Z LAST-MODIFIED:20260318T060036Z UID:10011663-1773878400-1786924799@theoxfordmagazine.com SUMMARY:In Bloom: How Plants Changed Our World DESCRIPTION:About In Bloom: How Plants Changed Our World\n\n\n\nWhat do we really know about the plants and flowers in our gardens and window boxes? Beyond their beauty\, many hold hidden histories – tales of exploration\, obsession\, and knowledge. \n\n\n\nIn Bloom: How Plants Changed Our World is a major new exhibition that takes visitors on a journey from Oxford to the farthest corners of the globe\, uncovering the fascinating stories behind some of Britain’s most beloved blooms\, from roses and tulips to camellias and peonies. \n\n\n\nFeaturing over 100 artworks and objects – including drawings\, paintings\, rare prints\, and ceramics – the exhibition explores our changing relationship with the natural world. \n\n\n\nFrom the curiosity and ingenuity of early plant explorers to the global networks that shaped trade\, In Bloom reveals how the pursuit of exotic plants transformed landscapes\, economies\, and cultures\, leaving a legacy that continues to influence our world today. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nTickets for this major exhibition will be available to book later in the year. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets for In Bloom: How Plants Changed Our World will be available to book later in the year. \n\n\n\nVisitors who are Ashmolean Members can enjoy unlimited free access to this major exhibition\, along with exclusive benefits including Members’ Exhibition Previews\, special events\, and discounts in the museum shop\, café\, and restaurant. \n\n\n\nAshmolean Members are invited to the Members’ Exhibition Preview on 18 March 2026\, offering an early opportunity to explore the exhibition before it opens to the public. \n\n\n\nMembership also includes a twice-yearly magazine and helps support the museum’s work and programmes. For those considering joining\, becoming a Member ensures free access to all exhibitions and a range of exclusive experiences throughout the year. \n\n\n\n\n\n\n\n\n\nGallery\n\n\n\n\n\n \n \n \n A Vase of Flowers\, Simon Verelst\, c. 1669–1675\, oil on canvas\, © Ashmolean Museum \n\n\n\n\n \n \n \n John Tradescant the Younger as a Gardener\, attributed to Thomas de Critz\, 1648–1653\, oil on canvas © Ashmolean Museum \n\n\n\n\n \n \n \n Nelumbo lutea (yellow lotus)\, herbarium biological drawing\, Mark Catesby\, 1722\, ink on paper © Oxford University Herbaria\, Department of Biology \n\n\n\n\n \n \n \n Kew Wardian case\, c. 1870\, wood & glass. Courtesy Royal Botanic Gardens\, Kew\n\n\n\n\n \n \n \n Study of an Oriental poppy\, May Morris\, 1879\, watercolour & some bodycolour over indications in graphite © Ashmolean Museum\n\n\n\n\n \n \n \n Girl Smelling Orchids\, Sir Lawrence Alma Tadema\, 1879\, oil on panel. Courtesy the Richard Green Gallery\, London \n\n\n\n\n \n \n \n Pharmacy jar for mithridate\, Lambeth Pottery Factory\, c. 1738\, tin-glazed ceramic © Ashmolean Museum \n\n\n\n\n \n \n \n Plant model of Hypericum/St John’s Wort (detail)\, Robert Brendel\, c. 1860–1880\, papier mâché & wood © Oxford University Herbaria\, Department of Biology \n\n\n\n\n \n \n \n Duncan Grant\, Hollyhock\, Charleston\, Kate Friend\, 2019\, C-type print. Courtesy of the artist & Lyndsey Ingram \n\n\n\n\n \n \n \n ‘What Is It In A Name’\, Anahita Norouzi\, 2022\, glass & brass. Courtesy of the artist & Galerie Nicolas Robert URL:https://theoxfordmagazine.com/event/in-bloom-how-plants-changed-our-world/ LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH CATEGORIES:Exhibitions ATTACH;FMTTYPE=image/jpeg:https://theoxfordmagazine.com/wp-content/uploads/in-bloom-ashnomloean-exhibition-01-1920x1080-1-scaled.webp GEO:51.7550824;-1.2611489 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ashmolean Museum 35 Beaumont Street Oxford Oxfordshire OX1 2PH;X-APPLE-RADIUS=500;X-TITLE=35 Beaumont Street:geo:-1.2611489,51.7550824 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20260421T000000 DTEND;TZID=Europe/London:20260502T235959 DTSTAMP:20260423T053614 CREATED:20260222T190329Z LAST-MODIFIED:20260422T034141Z UID:10012031-1776729600-1777766399@theoxfordmagazine.com SUMMARY:Helena Clews: From Seascape to Landscape DESCRIPTION:Helena Clews: From Seascape to Landscape\n\n\n\n\n\n\n\n\nAbout Helena Clews: From Seascape to Landscape\n\n\n\nHelena’s paintings explore colour\, line and texture\, drawing inspiration from the sea\, light\, and natural beauty of Devon. \n\n\n\nThis exhibition presents a new collection that brings together the familiar landscapes of Oxfordshire with the dramatic coastline of Devon – returning her work to where her artistic journey first began. \n\n\n\nHelena Clews is a former pupil of St Edward’s School and studied Fine Art at Manchester Metropolitan University. She was awarded the Ken Billany Prize in 2007. \n\n\n\nShe went on to complete an MA in Fine Art at Central Saint Martins before leaving her North London studio to fulfil a long-held dream of moving to Devon to paint by the sea. Helena has exhibited widely across the UK and her work is held in many private collections. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFree entry. No booking required. \n\n\n\nDates & times: \n\n\n\nTuesday 21 April to Saturday 02 May 2026 at 6.00pm \n\n\n\nExhibition Opening: \n\n\n\nTuesday 21 April from 6.00pm to 8.00pm \n\n\n\nPlease join in for drinks to celebrate the opening of this exhibition \n\n\n\nFree event. No booking required \n\n\n\n\n\n\n\n\n\nAbout The North Wall Arts Centre\n\n\n\n\n \n \n \n \n\n\n\nThe North Wall Arts Centre is an an award-winning theatre\, gallery and performing arts centre located in Summertown\, North Oxford. The facility was opened in 2007\, and offers a fully flexible 200-seat theatre\, a public art gallery\, as well as studios for dance and drama. \n\n\n\nThe centre is owned by St Edward’s School and shared with the city\, and it was created for the benefit of emerging artists across a range of disciplines. The programme of events at The North Wall places emphasis on new and innovative work. \n\n\n\nDiscover more about The North Wall Arts Centre\, including travel\, access and venue information. URL:https://theoxfordmagazine.com/event/helena-clews-from-seascape-to-landscape/ LOCATION:The North Wall Arts Centre\, South Parade\, Oxford\, OX2 7JN CATEGORIES:Exhibitions ATTACH;FMTTYPE=image/jpeg:https://theoxfordmagazine.com/wp-content/uploads/Helena-Clews-From-Seascape-to-Landscape.webp GEO:51.7781313;-1.2676696 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The North Wall Arts Centre South Parade Oxford OX2 7JN;X-APPLE-RADIUS=500;X-TITLE=South Parade:geo:-1.2676696,51.7781313 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20260427T193000 DTEND;TZID=Europe/London:20260427T193000 DTSTAMP:20260423T053614 CREATED:20260326T051422Z LAST-MODIFIED:20260327T143421Z UID:10011859-1777318200-1777318200@theoxfordmagazine.com SUMMARY:St John's International Piano Series: Alexander Gavrylyuk DESCRIPTION:St John’s International Piano Series: Alexander Gavrylyuk\n\n\n\n\n\n\n\n\nAbout St John’s International Piano Series: Alexander Gavrylyuk\n\n\n\nMozart Sonata in C major\, K.330 \n\n\n\nChopin Fantasie in f minor op.49 \n\n\n\nLiszt Tarantella Venezia e Napoli \n\n\n\nInterval \n\n\n\nMussorgsky Pictures at an Exhibition \n\n\n\nAlexander Gavrylyuk’s big break came when he won Gold Medal at the 2005 Arthur Rubenstein Piano Masters. He has been a sought-after presence on the international stage ever since. \n\n\n\nTonight’s programme begins with Mozart’s sunny sonata in C major\, written when he was newly married and all was going well for him in Vienna. Chopin’s Fantasie in f minor follows\, a mysterious and contemplative piece despite its marching rhythms. Then – dancing to the interval – Liszt’s fast and furious Tarantella. \n\n\n\nThe second half is Pictures at an Exhibition. This came about after Mussorgsky’s close friend\, artist Viktor Hartmann\, died suddenly at the age of 39. \n\n\n\nIn the form of a stroll through an exhibition of Hartmann’s work\, with a pause to look at each picture\, it is one of those pieces that is so special it can seem too familiar. It is certain that tonight it won’t. Presenting the piece at Wigmore Hall in 2023\, Alexander Gavrylyuk received not one but two standing ovations. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFrom £18.00 to £40.00 \n\n\n\nA fee of £1.50 per transaction applies to bookings for this event across all channels – website\, phone and in-person bookings at the Box Office. The fee is waived for Oxford Playhouse members. \n\n\n\nDates & times: \n\n\n\nMonday 27 April 2026 at 7.30pm \n\n\n\nDoors open at 7.00pm \n\n\n\nRunning time: \n\n\n\n2 hours\, including an interval URL:https://theoxfordmagazine.com/event/st-johns-international-piano-series-alexander-gavrylyuk/ LOCATION:JdP Music Building\, St Hilda's College\, Cowley Place\, Oxford\, OX4 1DY CATEGORIES:Concerts ATTACH;FMTTYPE=image/jpeg:https://theoxfordmagazine.com/wp-content/uploads/St-Johns-International-Piano-Series.webp GEO:51.748581;-1.245545 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=JdP Music Building St Hilda's College Cowley Place Oxford OX4 1DY;X-APPLE-RADIUS=500;X-TITLE=St Hilda's College\, Cowley Place:geo:-1.245545,51.748581 END:VEVENT END:VCALENDAR