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SUMMARY:Pat Suet-Bik Hui & the Three Perfections
DESCRIPTION:Pat Suet-Bik Hui & the Three Perfections\n\n\n\n\n\n\n\n\nAbout Pat Suet-Bik Hui & the Three Perfections\n\n\n\nThis exhibition celebrates the work of Pat Suet-Bik Hui 許雪碧 (b. 1943)\, a US-based Hong Kong artist\, shown alongside others who explore the tradition of the ‘three perfections’ 三絕 – the harmonious blending of poetry\, calligraphy\, and painting. \n\n\n\nFeaturing works by Hui\, her contemporaries\, her teacher Lui Shou-Kwan\, and artists of his generation\, as well as earlier examples from the 17th to 19th centuries\, the exhibition offers a rich context for understanding Hui as both an innovator and a guardian of tradition. \n\n\n\nIn this artistic lineage\, calligraphic brushstrokes carry as much compositional weight as painted forms\, while poetry and imagery combine to create expressions neither can achieve alone. \n\n\n\nHui’s contemporary approach merges abstract and semi-abstract ink and colour washes with understated calligraphy\, inscribing poems that reflect on themes including love\, loss\, and the quiet joys of drinking. \n\n\n\nVisitors will find translations of many inscribed poems and guidance on interpreting the interplay of painting\, calligraphy\, and poetry within individual works. \n\n\n\nHui gifted her paintings to art historian Michael Sullivan\, whose collection was bequeathed to the Ashmolean Museum in 2013. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrice: \n\n\n\nFree \n\n\n\nLocation: \n\n\n\nGallery 11 \n\n\n\n\n\n\n\n\n\n\n\n			\n				\n			\n		Painting with Poem by Xin Qiji\, Pat Suet-Bik Hui & Wucius Wong\, 1987\, ink & colour on paper © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Painting with poem by Paul Ka-Yin Kwok\, Pat Suet-Bik Hui & Paul Ka-Yin Kwok\, 1999\, ink colour on paper © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Painting with poem by Nara Singde\, Pat Suet-Bik Hui\, 1991\, ink & colour on paper © Ashmolean Museum
URL:https://theoxfordmagazine.com/event/pat-suet-bik-hui-the-three-perfections/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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SUMMARY:In Bloom: How Plants Changed Our World
DESCRIPTION:About In Bloom: How Plants Changed Our World\n\n\n\nWhat do we really know about the plants and flowers in our gardens and window boxes? Beyond their beauty\, many hold hidden histories – tales of exploration\, obsession\, and knowledge. \n\n\n\nIn Bloom: How Plants Changed Our World is a major new exhibition that takes visitors on a journey from Oxford to the farthest corners of the globe\, uncovering the fascinating stories behind some of Britain’s most beloved blooms\, from roses and tulips to camellias and peonies. \n\n\n\nFeaturing over 100 artworks and objects – including drawings\, paintings\, rare prints\, and ceramics – the exhibition explores our changing relationship with the natural world. \n\n\n\nFrom the curiosity and ingenuity of early plant explorers to the global networks that shaped trade\, In Bloom reveals how the pursuit of exotic plants transformed landscapes\, economies\, and cultures\, leaving a legacy that continues to influence our world today. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nTickets for this major exhibition will be available to book later in the year. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets for In Bloom: How Plants Changed Our World will be available to book later in the year.  \n\n\n\nVisitors who are Ashmolean Members can enjoy unlimited free access to this major exhibition\, along with exclusive benefits including Members’ Exhibition Previews\, special events\, and discounts in the museum shop\, café\, and restaurant. \n\n\n\nAshmolean Members are invited to the Members’ Exhibition Preview on 18 March 2026\, offering an early opportunity to explore the exhibition before it opens to the public.  \n\n\n\nMembership also includes a twice-yearly magazine and helps support the museum’s work and programmes. For those considering joining\, becoming a Member ensures free access to all exhibitions and a range of exclusive experiences throughout the year. \n\n\n\n\n\n\n\n\n\nGallery\n\n\n\n\n\n			\n				\n			\n		A Vase of Flowers\, Simon Verelst\, c. 1669–1675\, oil on canvas\, © Ashmolean Museum \n\n\n\n\n			\n				\n			\n		John Tradescant the Younger as a Gardener\, attributed to Thomas de Critz\, 1648–1653\, oil on canvas © Ashmolean Museum \n\n\n\n\n			\n				\n			\n		Nelumbo lutea (yellow lotus)\, herbarium biological drawing\, Mark Catesby\, 1722\, ink on paper © Oxford University Herbaria\, Department of Biology \n\n\n\n\n			\n				\n			\n		Kew Wardian case\, c. 1870\, wood & glass. Courtesy Royal Botanic Gardens\, Kew\n\n\n\n\n			\n				\n			\n		Study of an Oriental poppy\, May Morris\, 1879\, watercolour & some bodycolour over indications in graphite © Ashmolean Museum\n\n\n\n\n			\n				\n			\n		Girl Smelling Orchids\, Sir Lawrence Alma Tadema\, 1879\, oil on panel. Courtesy the Richard Green Gallery\, London \n\n\n\n\n			\n				\n			\n		Pharmacy jar for mithridate\, Lambeth Pottery Factory\, c. 1738\, tin-glazed ceramic © Ashmolean Museum \n\n\n\n\n			\n				\n			\n		Plant model of Hypericum/St John’s Wort (detail)\, Robert Brendel\, c. 1860–1880\, papier mâché & wood © Oxford University Herbaria\, Department of Biology \n\n\n\n\n			\n				\n			\n		Duncan Grant\, Hollyhock\, Charleston\, Kate Friend\, 2019\, C-type print. Courtesy of the artist & Lyndsey Ingram \n\n\n\n\n			\n				\n			\n		‘What Is It In A Name’\, Anahita Norouzi\, 2022\, glass & brass. Courtesy of the artist & Galerie Nicolas Robert
URL:https://theoxfordmagazine.com/event/in-bloom-how-plants-changed-our-world/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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SUMMARY:Foraging Connections
DESCRIPTION:Foraging Connections\n\n\n\n\n\n\n\n\nAbout Foraging Connections\n\n\n\nForaging Connections is a collaborative exhibition blending art\, science\, nature and community. \n\n\n\nThe exhibition displays a collection of work created using foraged plants\, transformed through ancient techniques such as cordage and weaving\, to reflect the raw beauty and cyclical nature of the natural world\, that is both ephemeral and enduring. \n\n\n\nSince spring 2025\, artists Lilli Tranborg and Arbie Edward have been working with children from local charity\, Children Heard And Seen\, at both Modern Art Oxford and Wytham Woods.  \n\n\n\nExploring the theme of connectedness\, to both each other and nature\, the workshops have encouraged a tactile engagement with natural materials in the spirit of innovation\, inclusion and growth\, and with a focus on the importance of trees and forests.  \n\n\n\nDuring these workshops\, a sculpture in Wytham Woods has been repurposed\, to reflect on themes of refuge and repair\, and will forge a connection between the woods and the gallery space at Modern Art Oxford. \n\n\n\nThe workshops delivered in the run up to this exhibition were a partnership with IF Oxford and Oxford North\, and formed part of Oxford North’s Engage Programme. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Modern Art Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\nModern Art Oxford  is one of the UK’s leading contemporary art spaces. At the heart of the gallery’s programme is a commitment to education\, internationalism and inclusion\, founded on the power of visual art and culture to enact positive social change. \n\n\n\nIt offers educational experiences for visitors of all ages\, using art and creativity to reach thousands of people from Oxfordshire and beyond every year. These participatory activities are designed to help visitors explore our exhibitions\, experiment with creative processes and celebrate the relevance of contemporary visual culture to society today. \n\n\n\nModern Art Oxford was founded in 1965\, and has a rich history of bold and progressive programming that promotes diversity and internationalism\, encourages public engagement with creativity and the arts\, and celebrates the importance of contemporary visual culture in today’s society. \n\n\n\nDiscover more about Modern Art Oxford
URL:https://theoxfordmagazine.com/event/foraging-connections/
LOCATION:Modern Art Oxford\, 30 Pembroke Street\, Oxford\, OX1 1BP\, United Kingdom
CATEGORIES:Exhibitions
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SUMMARY:Helena Clews: From Seascape to Landscape
DESCRIPTION:Helena Clews: From Seascape to Landscape\n\n\n\n\n\n\n\n\nAbout Helena Clews: From Seascape to Landscape\n\n\n\nHelena’s paintings explore colour\, line and texture\, drawing inspiration from the sea\, light\, and natural beauty of Devon.  \n\n\n\nThis exhibition presents a new collection that brings together the familiar landscapes of Oxfordshire with the dramatic coastline of Devon – returning her work to where her artistic journey first began. \n\n\n\nHelena Clews is a former pupil of St Edward’s School and studied Fine Art at Manchester Metropolitan University. She was awarded the Ken Billany Prize in 2007.  \n\n\n\nShe went on to complete an MA in Fine Art at Central Saint Martins before leaving her North London studio to fulfil a long-held dream of moving to Devon to paint by the sea. Helena has exhibited widely across the UK and her work is held in many private collections. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFree entry. No booking required. \n\n\n\nDates & times: \n\n\n\nTuesday 21 April to Saturday 02 May 2026 at 6.00pm \n\n\n\nExhibition Opening: \n\n\n\nTuesday 21 April from 6.00pm to 8.00pm \n\n\n\nPlease join in for drinks to celebrate the opening of this exhibition \n\n\n\nFree event. No booking required \n\n\n\n\n\n\n\n\n\nAbout The North Wall Arts Centre\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe North Wall Arts Centre is an an award-winning theatre\, gallery and performing arts centre located in Summertown\, North Oxford. The facility was opened in 2007\, and offers a fully flexible 200-seat theatre\, a public art gallery\, as well as studios for dance and drama. \n\n\n\nThe centre is owned by St Edward’s School and shared with the city\, and it was created for the benefit of emerging artists across a range of disciplines. The programme of events at The North Wall places emphasis on new and innovative work. \n\n\n\nDiscover more about The North Wall Arts Centre\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/helena-clews-from-seascape-to-landscape/
LOCATION:The North Wall Arts Centre\, South Parade\, Oxford\, OX2 7JN
CATEGORIES:Exhibitions
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SUMMARY:Refik Anadol: Archive Dreaming
DESCRIPTION:Refik Anadol: Archive Dreaming\n\n\n\n\n\n\n\n\nAbout Refik Anadol: Archive Dreaming\n\n\n\nArchive Dreaming is an immersive fusion of art and machine intelligence. \n\n\n\nThe installation transforms a vast digital archive into a dream-like\, ever-evolving environment\, using AI algorithms to reimagine millions of documents in real time.  \n\n\n\nAs viewers move through the space\, they are surrounded by shifting visuals\, patterns\, text\, and imagery that evoke the sensation of walking through a living\, thinking mind. \n\n\n\nCreated using Refik Anadol Studio’s Large Nature Model — a generative AI system dedicated to interpreting natural data — the work reframes archives not as static repositories\, but as dynamic\, responsive entities. \n\n\n\nThrough machine learning\, raw data becomes a poetic\, immersive experience that blurs the boundaries between human memory and artificial intelligence. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nDates & times: \n\n\n\n\nOpen daily from 10.00am to 5.00pm.\n\n\n\nClosed until 12.30 pm on Thursday 28 May.\n\n\n\nNo booking required.\n\n\n\n\nLocation: \n\n\n\nWhite Box \n\n\n\n\n\n\n\n\n\nAbout Schwarzman Centre for the Humanities\n\n\n\n\n			\n				\n			\n		\n\n\n\nSchwarzman Centre for the Humanities is a major new cultural and academic landmark for the University of Oxford\, bringing together seven humanities faculties with performance\, exhibition\, and public engagement spaces under one roof. Located in the Radcliffe Observatory Quarter\, it is designed to foster interdisciplinary collaboration while opening the humanities to a wider public through events\, performances\, and year-round programming. \n\n\n\nAt its heart are world-class venues including a concert hall\, theatre\, cinema\, recital spaces\, and galleries\, supported by flexible teaching and meeting facilities. A central atrium acts as a social hub\, blending academic life with informal gathering spaces\, cafés\, and exhibitions. More than a university facility\, the Centre functions as a civic cultural destination\, connecting scholarship with creative practice and strengthening Oxford’s wider cultural life. \n\n\n\nView venue information
URL:https://theoxfordmagazine.com/event/refik-anadol-archive-dreaming/
LOCATION:Schwarzman Centre for the Humanities\, Radcliffe Observatory Quarter\, Woodstock Road\, Oxford\, OX2 6GG
CATEGORIES:Exhibitions
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SUMMARY:Anna Ridler: A Perfect Language of Images
DESCRIPTION:Anna Ridler: A Perfect Language of Images\n\n\n\n\n\n\n\n\nAbout Anna Ridler: A Perfect Language of Images\n\n\n\nAnna Ridler is an artist whose work explores the creative and societal possibilities of artificial intelligence\, often through self-built datasets that question how knowledge is constructed\, classified\, and shared. \n\n\n\nAn Oxford University alumna\, her work has been exhibited internationally at institutions including the V&A and the Centre Pompidou\, and she has been recognised by Ars Electronica and Artnet as one of nine pioneering artists working with AI. \n\n\n\nThe digital artwork\, created in collaboration with Dr William Poole from the Faculty of English at the University of Oxford\, brings together three pieces by Ridler under the title A Perfect Language of Images. \n\n\n\nIt is inspired by Oxford scholar John Wilkins’ 1668 attempt to classify the world through a universal philosophical language\, and Jorge Luis Borges’ later critique of such systems as inherently incomplete and unstable. \n\n\n\nDrawing these ideas into conversation with contemporary machine learning\, the work reflects on how generative systems inherit the same ambition towards totalising order\, while continually revealing its limits. \n\n\n\nIn doing so\, Ridler’s installation exposes the tension between classification and complexity\, highlighting what can be approximated\, what resists categorisation\, and what ultimately escapes representation. \n\n\n\n\n\nWork 1:+\n\n\n\n\nA Catalogue of Exceptions shows some of the things that strain or fail to fit within Wilkins’ taxonomy. Throughout the system there are acknowledged difficulties; organisms that are “imperfect”\, “strange originals” and things suspended in “betwixt” categories: coral that is neither mineral nor plant\, fungi that “seem to want” essential parts\, zoophytes suspended between kingdoms. \n\n\n\nCreated using roughly a decade of different generative systems (2016–2025)\, each with its own unique aesthetic\, and trained on imagery drawn from Wilkins’ own descriptions\, it becomes almost a cabinet of curiosities\, even as the logic that links each image remains unstable or not immediately legible. \n\n\n\n\n\n\nWork 2:+\n\n\n\n\nBetween Things displays Wilkins’ phrases as evidence of classification under pressure—instances where his system hesitates\, hedges\, and cannot decide. Handwritten text is rendered large and placed into the environment as a record of doubt\, but one that is only visible at 3am\, for an hour. \n\n\n\n\n\n\nWork 3:+\n\n\n\n\nAn Infinity of Lists assembles Wilkins’ language itself\, showing every word used in his system\, first mapped to the hierarchy he imposed\, then gradually reframed through the logic of word2vec. \n\n\n\nOver the duration of the work the mapping shifts from the symbolic architecture of Wilkins’ invented order toward statistical relations in learned embedding space. The piece flutters between word\, image\, and symbol\, making visible how translation across systems and across time changes what counts as related. \n\n\n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nDates & times: \n\n\n\nOpen daily. No booking needed. \n\n\n\nLocation: \n\n\n\nGreat Hall \n\n\n\n\n\n\n\n\n\nAbout Schwarzman Centre for the Humanities\n\n\n\n\n			\n				\n			\n		\n\n\n\nSchwarzman Centre for the Humanities is a major new cultural and academic landmark for the University of Oxford\, bringing together seven humanities faculties with performance\, exhibition\, and public engagement spaces under one roof. Located in the Radcliffe Observatory Quarter\, it is designed to foster interdisciplinary collaboration while opening the humanities to a wider public through events\, performances\, and year-round programming. \n\n\n\nAt its heart are world-class venues including a concert hall\, theatre\, cinema\, recital spaces\, and galleries\, supported by flexible teaching and meeting facilities. A central atrium acts as a social hub\, blending academic life with informal gathering spaces\, cafés\, and exhibitions. More than a university facility\, the Centre functions as a civic cultural destination\, connecting scholarship with creative practice and strengthening Oxford’s wider cultural life. \n\n\n\nView venue information
URL:https://theoxfordmagazine.com/event/anna-ridler-a-perfect-language-of-images/
LOCATION:Schwarzman Centre for the Humanities\, Radcliffe Observatory Quarter\, Woodstock Road\, Oxford\, OX2 6GG
CATEGORIES:Exhibitions
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SUMMARY:Party Season
DESCRIPTION:Party Season\n\n\n\n\n\n\n\n\nAbout Party Season\n\n\n\nThree parties. One weekend. The invitations have been sent and there’s no going back… it’s Party Season! \n\n\n\nXander is back in town\, and this weekend he’s on parenting duty. The kids are in the ball pit; the Entertainer is blowing bubbles; the adults gobble Perelló olives and pretend to like each other.  \n\n\n\nAs ancient grudges rear their heads\, the tension rises like a helium balloon. Caught between who he was and who he’s supposed to be\, Xander must decide whether he’s going to grow up or just pass the parcel. \n\n\n\nFrom the multi-award-winning creators of Education\, Education\, Education and The Last of the Pelican Daughters comes a sugar-fuelled\, bobbin-winding fever dream where class identities collide\, social niceties unravel\, and underslept parents do their best to hold it all together. \n\n\n\nParty Season is a razor-sharp new comedy about privilege\, party rings and the pressures of being a parent. RSVP! \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nStandard – £18.00 \n\n\n\nPay More – £22.00 \n\n\n\nPay Less – £14.00 \n\n\n\nDates & times: \n\n\n\nTuesday 28 April to Friday 01 May 2026 at 7.30pm \n\n\n\n\n\n\n\n\n\nAbout The North Wall Arts Centre\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe North Wall Arts Centre is an an award-winning theatre\, gallery and performing arts centre located in Summertown\, North Oxford. The facility was opened in 2007\, and offers a fully flexible 200-seat theatre\, a public art gallery\, as well as studios for dance and drama. \n\n\n\nThe centre is owned by St Edward’s School and shared with the city\, and it was created for the benefit of emerging artists across a range of disciplines. The programme of events at The North Wall places emphasis on new and innovative work. \n\n\n\nDiscover more about The North Wall Arts Centre\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/party-season/
LOCATION:The North Wall Arts Centre\, South Parade\, Oxford\, OX2 7JN
CATEGORIES:Plays
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SUMMARY:Midsomer Murders: The Killings at Badger's Drift
DESCRIPTION:Midsomer Murders: The Killings at Badger’s Drift\n\n\n\n\n\n\n\n\nAbout Midsomer Murders: The Killings at Badger’s Drift\n\n\n\nMurder comes to the countryside in the theatrical world premiere of the critically acclaimed television favourite Midsomer Murders. \n\n\n\nWhen well-loved spinster Emily Simpson is found dead in the picturesque village of Badger’s Drift\, her friend Lucy Bellringer refuses to accept it was an accident. DCI Tom Barnaby and Sergeant Gavin Troy are called in to investigate\, uncovering a world of hidden passions\, long-buried secrets\, and deadly rivalries. \n\n\n\n\n			\n				\n			\n		Midsomer Murders: The Killings at Badger’s Drift\n\n\n\n\n\n\n\nWith eccentric villagers\, shocking twists\, and an unforgettable reveal\, The Killings at Badger’s Drift is a classic whodunnit that will keep audiences on the edge of their seats. Bringing to life the wit\, charm\, and chilling suspense of the beloved TV series and original series of books\, this gripping and thrilling new show is set to delight audiences. \n\n\n\nDaniel Casey\, who created the role of Sergeant Troy in ITV’s Midsomer Murders\, now returns to play the role of Inspector Tom Barnaby. Daniel’s recent television credits include Emmerdale\, EastEnders and Coronation Street. Daniel’s recent theatre credits include Bernard in Yes\, Prime Minister (Theatre Clywd)\, Laurence in Abigail’s Party (UK Tour)\, and Roger in The Curious Incident of the Dog in the Night-time (National Theatre). \n\n\n\nSpend an evening in England’s deadliest county… \n\n\n\nWritten and directed by Guy Unsworth\, this new theatrical adaptation is based on the book by Caroline Graham\, The Killings at Badger’s Drift\, and the television series Midsomer Murders produced by Bentley Productions [for ITV] in association with All3 Media International. \n\n\n\n\n\n\n\nWatch the trailer\n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFrom £15.00 \n\n\n\nTickets are subject to a transaction fee of £3.95 \n\n\n\nDates & times: \n\n\n\n\nWednesday 29 March 2026 at 2.30pm and 7.30pm\n\n\n\nThursday 30 March 2026 at 2.30pm and 7.30pm\n\n\n\nFriday 01 April 2026 at 7.30pm\n\n\n\nSaturday 02 April 2026 at 2.30pm and 7.30pm\n\n\n\n\nRunning time: \n\n\n\nThis show has an interval \n\n\n\nGood to know: \n\n\n\nThe producers cannot guarantee the appearance of any individual artist at all performances. \n\n\n\n\n\n\n\n\n\nAbout New Theatre Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\nThere has been a theatre on George Street for almost 170 years. The first theatre was built in 1836\, and a second in 1886. In 1934\, the third New Theatre opened. \n\n\n\nThe theatre has been owned by several different companies and undergone several name changes. It is now owned by the Ambassador Theatre Group and hosts everything from ballet and opera to musicals. \n\n\n\nOn performance days\, the Box Office opens at noon and closes 15 minutes after the show starts. If there is a performance on a Sunday or Bank Holiday\, Box Office will open 2 hours before the show begins and close 15 minutes after the show starts. \n\n\n\nThere is a large air-conditioned bar with seating located below the Stalls Foyer\, two further bars in the Circle Foyer and an additional one at the back of the balcony. All stocked with an array of drinks and snacks. \n\n\n\nThere is a cloakroom located in the stalls bar. If this is closed\, please speak to a member of staff. £1 per item. It is free to ATG Theatre Card members. \n\n\n\nSee important information about Getting there and Access here \n\n\n\nSee other shows at this venue
URL:https://theoxfordmagazine.com/event/midsomer-murders-the-killings-at-badgers-drift/
LOCATION:New Theatre Oxford\, 24-26 George Street\, Oxford\, Oxfordshire\, OX1 2AG
CATEGORIES:Plays
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DTSTART;TZID=Europe/London:20260430T190000
DTEND;TZID=Europe/London:20260430T190000
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SUMMARY:Oxford Philharmonic Orchestra: Mozart Requiem
DESCRIPTION:Oxford Philharmonic Orchestra: Mozart Requiem\n\n\n\n\n\n\n\n\nAbout Oxford Philharmonic Orchestra: Mozart Requiem\n\n\n\nMozart Piano Concerto No. 23 in A major\, K. 488 \n\n\n\nMozart Requiem in D minor\, K. 626 \n\n\n\nSarah Dufresne soprano \n\n\n\nClaire Barnett-Jones mezzo-soprano \n\n\n\nJoshua Ellicott tenor \n\n\n\nJonathan Lemalu bass \n\n\n\nOxford Philharmonic Choir \n\n\n\nRainer Küchl guest concertmaster \n\n\n\nMarios Papadopoulos conductor/piano \n\n\n\nMarios Papadopoulos conducts and performs in an evening devoted to the genius of Mozart. The programme opens with Mozart’s Piano Concerto No. 23\, where Papadopoulos’s delicate yet dynamic piano playing brings this lyrical masterpiece to life.  \n\n\n\nThe second half of the concert features Mozart’s Requiem\, a profound and dramatic work\, performed by the Oxford Philharmonic Choir\, capturing both the composer’s deep spirituality and his unparalleled gift for orchestral and choral texture. \n\n\n\nThis performance includes the world premiere live performance of Robert Saxton’s Agnus Dei for the Requiem by Mozart\, written in 2017 for a projected TV drama. The writer/producer Peter Kosminsky (who had directed Wolf Hall) wanted a ‘darker’ Agnus Dei in the manner of late Mozart\, replacing the very beautiful movement by Mozart’s pupil\, Süssmayr. \n\n\n\nMozart: Requiem but still no peace \n\n\n\nLeft incomplete on his death\, Mozart’s setting of the Requiem Mass has been one of the most debated and argued-over works in the history of music. Nicholas Kenyon explores the turbulent background to the piece and the many versions of it that exist today. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFrom £18.00 \n\n\n\n(Students from £5.00) \n\n\n\nDates & times: \n\n\n\nThursday 30 April 2026 at 7.00pm \n\n\n\nGood to know: \n\n\n\nPre-concert talk given by Sir Nicholas Kenyon at 6.00pm
URL:https://theoxfordmagazine.com/event/oxford-philharmonic-orchestra-mozart-requiem/
LOCATION:The Olivier Hall\, Oxford\, St Edward’s School\, Woodstock Road\, Oxford\, OX2 7NN
CATEGORIES:Concerts
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DTSTART;TZID=Europe/London:20260430T193000
DTEND;TZID=Europe/London:20260430T193000
DTSTAMP:20260623T095524
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SUMMARY:Banff Mountain Film Festival World Tour
DESCRIPTION:Banff Mountain Film Festival World Tour\n\n\n\n\n\n\n\n\nAbout Banff Mountain Film Festival World Tour\n\n\n\nThe Banff Mountain Film Festival brings to life the spirit of extreme adventure and the world’s last great wild places – all through the big screen. The UK & Ireland Tour features extraordinary collections of inspiring short films from the world’s most prestigious mountain film festival! \n\n\n\nThe Banff Mountain Film Festival features a thrilling selection of films from the most captivating places on earth! \n\n\n\nThe Banff Mountain Film Festival is back with a brand-new line-up of captivating short films packed with extreme journeys\, intriguing characters and stunning cinematography. Join the world’s top outdoor filmmakers and adventurers as they climb\, ski\, paddle\, run and ride through the wildest corners of the planet! \n\n\n\nTwo entirely different film programmes will be featured in Abingdon on the 2026 Banff Tour – the RED and BLUE programmes. The Red Film Programme will be shown on 5 March\, and the Blue Film Programme will be shown on 30 April. \n\n\n\n\n\n\n\nWatch the trailer\n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFrom £15.48 \n\n\n\nTickets are subject to a transaction fee. \n\n\n\nDates & times: \n\n\n\nThursday 05 March and Thursday 30 April 2026 at 7.30pmDoors open 30 minutes before the show starts. \n\n\n\nDuration:2 hours 45 minutes\, including an interval \n\n\n\nFilm rating:  \n\n\n\n12A 
URL:https://theoxfordmagazine.com/event/banff-mountain-film-festival-world-tour/2026-04-30/
LOCATION:Amey Theatre\, Abingdon\, Abingdon School\, Park Road\,\, Abingdon-on-Thames\, OX14 1DE
CATEGORIES:Film & Screen
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DTSTART;TZID=Europe/London:20260430T193000
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SUMMARY:The (almost) Complete History of Britain
DESCRIPTION:The (almost) Complete History of Britain\n\n\n\n\n\n\n\n\nAbout The (almost) Complete History of Britain\n\n\n\nMud\, blood and stiff upper lips! Join the critically acclaimed Pantaloons Theatre Company on a breathless race through the centuries in this delightfully inventive show that tells the entire story of Britain in under 2 hours. \n\n\n\nHave you ever wanted to see the life of Henry VIII told as a romantic comedy or the tale of the Spanish Armada reimagined as a light operetta? Probably not.  \n\n\n\nBut that won’t stop The Pantaloons from retelling great moments from the country’s past in a variety of surprising genres! Featuring live music\, audience interaction and wild historical inaccuracy. \n\n\n\n\n\n\n\nReviews\n\n\n\n\n“Laugh out loud funny… endless verve and utterly infectious joy.”  \n\n\n\nNorthwich Guardian \n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nStandard – From £19.50 \n\n\n\nSilver & Gold Members – From £16.50 \n\n\n\nDates & times: \n\n\n\nThursday 30 April 2026 at 7.30pm \n\n\n\n\n\n\n\n\n\nAbout The Mill Arts Centre\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe Mill Arts Centre is the cultural hub for Banbury and the surrounding area. \n\n\n\nAs the only dedicated arts provision in the area\, it aims to inspire creativity and enrich the lives of the communities by providing a high-quality\, varied artistic\, educational and participatory programme. \n\n\n\nIt plays a significant role in the town’s cultural\, social and economic development by offering the community the chance to engage with and be entertained by several art forms. \n\n\n\nThe Mill Arts Centre offers an exciting live events programme\, including theatre\, dance\, music\, comedy\, film\, workshops and classes. Alongside this\, it runs several community projects and initiatives with partner organisations. \n\n\n\nYou can visit our Café Bar for delicious hot and cold drinks and light refreshments – and while you’re there\, the Gallery is home to a fantastic programme of exhibitions from local artists. \n\n\n\nAlternatively\, if you’re looking for meeting rooms or spaces for hire in Banbury\, our wide range of spaces – including our theatre\, art studio\, dance studio and meeting rooms – are available for hire. \n\n\n\nDiscover more about The Mill Arts Centre\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/the-almost-complete-history-of-britain/
LOCATION:The Mill Arts Centre\, Banbury\, Spiceball Park\, Banbury\, Oxfordshire\, OX16 5QE
CATEGORIES:Variety
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DTSTART;TZID=Europe/London:20260430T193000
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SUMMARY:Simon and Garfunkel: Through the Years
DESCRIPTION:Simon and Garfunkel: Through the Years\n\n\n\n\n\n\n\n\nAbout Simon and Garfunkel: Through the Years\n\n\n\nSimon & Garfunkel: Through the Years is the most authentic sounding concert of the unforgettable music of Simon & Garfunkel.  \n\n\n\nMade up of Dan Haynes & Pete Richards\, Bookends have toured the globe extensively with their concerts being described as ‘simply breath-taking’. \n\n\n\nPerforming the songs in a truly captivating way\, against a backdrop of iconic imagery\, their delicate recreation of the unmistakable sound of the American folk-rock duo is something of a masterpiece.  \n\n\n\nBookends have been performing their unique\, world-class concert to audiences in some of the finest theatres and concert halls across the UK\, Europe and the United States. \n\n\n\nHear many of the hits such as The Sound of Silence\, Mrs Robinson\, The Boxer and Bookends’ own beautiful rendition of the unforgettable Bridge Over Troubled Water. This is without doubt the closest thing to Simon & Garfunkel touring the world today. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFrom £31.24 \n\n\n\nDates & times: \n\n\n\nThursday 30 April 2026 at 7.30pm
URL:https://theoxfordmagazine.com/event/simon-and-garfunkel-through-the-years/
LOCATION:Oxford Town Hall\, Oxford Town Hall\, St Aldate's\,\, Oxford\, OX1 1BX\, United Kingdom
CATEGORIES:Concerts
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