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SUMMARY:Pat Suet-Bik Hui & the Three Perfections
DESCRIPTION:Pat Suet-Bik Hui & the Three Perfections\n\n\n\n\n\n\n\n\nAbout Pat Suet-Bik Hui & the Three Perfections\n\n\n\nThis exhibition celebrates the work of Pat Suet-Bik Hui 許雪碧 (b. 1943)\, a US-based Hong Kong artist\, shown alongside others who explore the tradition of the ‘three perfections’ 三絕 – the harmonious blending of poetry\, calligraphy\, and painting. \n\n\n\nFeaturing works by Hui\, her contemporaries\, her teacher Lui Shou-Kwan\, and artists of his generation\, as well as earlier examples from the 17th to 19th centuries\, the exhibition offers a rich context for understanding Hui as both an innovator and a guardian of tradition. \n\n\n\nIn this artistic lineage\, calligraphic brushstrokes carry as much compositional weight as painted forms\, while poetry and imagery combine to create expressions neither can achieve alone. \n\n\n\nHui’s contemporary approach merges abstract and semi-abstract ink and colour washes with understated calligraphy\, inscribing poems that reflect on themes including love\, loss\, and the quiet joys of drinking. \n\n\n\nVisitors will find translations of many inscribed poems and guidance on interpreting the interplay of painting\, calligraphy\, and poetry within individual works. \n\n\n\nHui gifted her paintings to art historian Michael Sullivan\, whose collection was bequeathed to the Ashmolean Museum in 2013. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrice: \n\n\n\nFree \n\n\n\nLocation: \n\n\n\nGallery 11 \n\n\n\n\n\n\n\n\n\n\n\n			\n				\n			\n		Painting with Poem by Xin Qiji\, Pat Suet-Bik Hui & Wucius Wong\, 1987\, ink & colour on paper © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Painting with poem by Paul Ka-Yin Kwok\, Pat Suet-Bik Hui & Paul Ka-Yin Kwok\, 1999\, ink colour on paper © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Painting with poem by Nara Singde\, Pat Suet-Bik Hui\, 1991\, ink & colour on paper © Ashmolean Museum
URL:https://theoxfordmagazine.com/event/pat-suet-bik-hui-the-three-perfections/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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SUMMARY:Pets & their People
DESCRIPTION:Pets & their People\n\n\n\n\n\n\n\n\nAbout Pets & their People\n\n\n\nWe have been domesticating animals for over ten thousand years. But why do we want tame wolves in our homes or wild cats on our laps? \n\n\n\nThis exhibition explores the relationship between humans and their pets – or pets and their humans. \n\n\n\nPets & their People draws on depictions of pets in stories\, imagery and poetry in the Bodleian’s collection – from one of the earliest recorded depictions of an assistance dog for the blind to a rare copy of Alice’s Adventures in Wonderland that has never been displayed in the UK before.  \n\n\n\nThe exhibition asks how the special bond between owners and their pets has evolved over time\, and what that evolution tells us about who we really are. \n\n\n\nAre we taming our pets\, or are they bringing us back to our wild roots? \n\n\n\nExhibition book \n\n\n\nPets & their People \n\n\n\nBy Charles Foster \n\n\n\n\n			\n				\n			\n		Exhibition book – Pets & their People\n\n\n\nBestselling author Charles Foster provides an extraordinary mix of psychology\, science and cultural history as he explores the fascinating relationship between humans and their pets. \n\n\n\n\n\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n\nThese wonderful images are actually postcards\, collected by the artist Tom Phillips (1937–2022) and part of the archive donated to the Bodleian Libraries. \n\n\n\nDating from the c1890s – 1960s\, they capture different relationships between people and the animals around them. \n\n\n\n\n\n\n\nCall for submissions \n\n\n\nAs part of the exhibition\, the Bodleian Libraries are inviting members of the public to contribute to a contemporary record of people and their pets. Participants are encouraged to submit photographs featuring themselves and their pets\, either by recreating images from the Tom Phillips postcard collection or by sharing original photographs inspired by the theme. \n\n\n\nSend them to socialmedia@bodleian.ox.ac.uk. When you submit\, please include:  \n\n\n\n\nYour name/handle\n\n\n\nYour pet’s name\n\n\n\nA rough geographic place and date\n\n\n\n\nTerms and conditions \n\n\n\nBy submitting an image to the Bodleian Libraries\, you confirm that: \n\n\n\n\nYou have taken the photograph or have permission from the copyright holder to share it.\n\n\n\nAll individuals featured in the image have given their consent for it to be used\, or if under the age of 18\, consent has been obtained by a parent or guardian.\n\n\n\nYou are happy for the Bodleian Libraries to share the image across its website\, social media channels and other digital channels.\n\n\n\n\nParticipants may withdraw their consent at any time by contacting socialmedia@bodleian.ox.ac.uk. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFree admission. No ticket required. \n\n\n\nDates & times: \n\n\n\nWednesday 11 March to Sunday 27 September 2026 \n\n\n\nMonday to Friday from 9.00am to 5.00pm \n\n\n\nSaturday from 9.00am to 4.30pm \n\n\n\nSunday from 11.00am to 5.00pm \n\n\n\nLocation: \n\n\n\nST Lee Gallery\, Weston Library
URL:https://theoxfordmagazine.com/event/pets-their-people/
LOCATION:Bodleian Library – Old Library\, Broad Street\, Oxford\, OX1 3BG\, United Kingdom
CATEGORIES:Exhibitions
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SUMMARY:In Bloom: How Plants Changed Our World
DESCRIPTION:About In Bloom: How Plants Changed Our World\n\n\n\nWhat do we really know about the plants and flowers in our gardens and window boxes? Beyond their beauty\, many hold hidden histories – tales of exploration\, obsession\, and knowledge. \n\n\n\nIn Bloom: How Plants Changed Our World is a major new exhibition that takes visitors on a journey from Oxford to the farthest corners of the globe\, uncovering the fascinating stories behind some of Britain’s most beloved blooms\, from roses and tulips to camellias and peonies. \n\n\n\nFeaturing over 100 artworks and objects – including drawings\, paintings\, rare prints\, and ceramics – the exhibition explores our changing relationship with the natural world. \n\n\n\nFrom the curiosity and ingenuity of early plant explorers to the global networks that shaped trade\, In Bloom reveals how the pursuit of exotic plants transformed landscapes\, economies\, and cultures\, leaving a legacy that continues to influence our world today. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nTickets for this major exhibition will be available to book later in the year. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets for In Bloom: How Plants Changed Our World will be available to book later in the year.  \n\n\n\nVisitors who are Ashmolean Members can enjoy unlimited free access to this major exhibition\, along with exclusive benefits including Members’ Exhibition Previews\, special events\, and discounts in the museum shop\, café\, and restaurant. \n\n\n\nAshmolean Members are invited to the Members’ Exhibition Preview on 18 March 2026\, offering an early opportunity to explore the exhibition before it opens to the public.  \n\n\n\nMembership also includes a twice-yearly magazine and helps support the museum’s work and programmes. For those considering joining\, becoming a Member ensures free access to all exhibitions and a range of exclusive experiences throughout the year. \n\n\n\n\n\n\n\n\n\nGallery\n\n\n\n\n\n			\n				\n			\n		A Vase of Flowers\, Simon Verelst\, c. 1669–1675\, oil on canvas\, © Ashmolean Museum \n\n\n\n\n			\n				\n			\n		John Tradescant the Younger as a Gardener\, attributed to Thomas de Critz\, 1648–1653\, oil on canvas © Ashmolean Museum \n\n\n\n\n			\n				\n			\n		Nelumbo lutea (yellow lotus)\, herbarium biological drawing\, Mark Catesby\, 1722\, ink on paper © Oxford University Herbaria\, Department of Biology \n\n\n\n\n			\n				\n			\n		Kew Wardian case\, c. 1870\, wood & glass. Courtesy Royal Botanic Gardens\, Kew\n\n\n\n\n			\n				\n			\n		Study of an Oriental poppy\, May Morris\, 1879\, watercolour & some bodycolour over indications in graphite © Ashmolean Museum\n\n\n\n\n			\n				\n			\n		Girl Smelling Orchids\, Sir Lawrence Alma Tadema\, 1879\, oil on panel. Courtesy the Richard Green Gallery\, London \n\n\n\n\n			\n				\n			\n		Pharmacy jar for mithridate\, Lambeth Pottery Factory\, c. 1738\, tin-glazed ceramic © Ashmolean Museum \n\n\n\n\n			\n				\n			\n		Plant model of Hypericum/St John’s Wort (detail)\, Robert Brendel\, c. 1860–1880\, papier mâché & wood © Oxford University Herbaria\, Department of Biology \n\n\n\n\n			\n				\n			\n		Duncan Grant\, Hollyhock\, Charleston\, Kate Friend\, 2019\, C-type print. Courtesy of the artist & Lyndsey Ingram \n\n\n\n\n			\n				\n			\n		‘What Is It In A Name’\, Anahita Norouzi\, 2022\, glass & brass. Courtesy of the artist & Galerie Nicolas Robert
URL:https://theoxfordmagazine.com/event/in-bloom-how-plants-changed-our-world/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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SUMMARY:Foraging Connections
DESCRIPTION:Foraging Connections\n\n\n\n\n\n\n\n\nAbout Foraging Connections\n\n\n\nForaging Connections is a collaborative exhibition blending art\, science\, nature and community. \n\n\n\nThe exhibition displays a collection of work created using foraged plants\, transformed through ancient techniques such as cordage and weaving\, to reflect the raw beauty and cyclical nature of the natural world\, that is both ephemeral and enduring. \n\n\n\nSince spring 2025\, artists Lilli Tranborg and Arbie Edward have been working with children from local charity\, Children Heard And Seen\, at both Modern Art Oxford and Wytham Woods.  \n\n\n\nExploring the theme of connectedness\, to both each other and nature\, the workshops have encouraged a tactile engagement with natural materials in the spirit of innovation\, inclusion and growth\, and with a focus on the importance of trees and forests.  \n\n\n\nDuring these workshops\, a sculpture in Wytham Woods has been repurposed\, to reflect on themes of refuge and repair\, and will forge a connection between the woods and the gallery space at Modern Art Oxford. \n\n\n\nThe workshops delivered in the run up to this exhibition were a partnership with IF Oxford and Oxford North\, and formed part of Oxford North’s Engage Programme. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Modern Art Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\nModern Art Oxford  is one of the UK’s leading contemporary art spaces. At the heart of the gallery’s programme is a commitment to education\, internationalism and inclusion\, founded on the power of visual art and culture to enact positive social change. \n\n\n\nIt offers educational experiences for visitors of all ages\, using art and creativity to reach thousands of people from Oxfordshire and beyond every year. These participatory activities are designed to help visitors explore our exhibitions\, experiment with creative processes and celebrate the relevance of contemporary visual culture to society today. \n\n\n\nModern Art Oxford was founded in 1965\, and has a rich history of bold and progressive programming that promotes diversity and internationalism\, encourages public engagement with creativity and the arts\, and celebrates the importance of contemporary visual culture in today’s society. \n\n\n\nDiscover more about Modern Art Oxford
URL:https://theoxfordmagazine.com/event/foraging-connections/
LOCATION:Modern Art Oxford\, 30 Pembroke Street\, Oxford\, OX1 1BP\, United Kingdom
CATEGORIES:Exhibitions
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SUMMARY:Refik Anadol: Archive Dreaming
DESCRIPTION:Refik Anadol: Archive Dreaming\n\n\n\n\n\n\n\n\nAbout Refik Anadol: Archive Dreaming\n\n\n\nArchive Dreaming is an immersive fusion of art and machine intelligence. \n\n\n\nThe installation transforms a vast digital archive into a dream-like\, ever-evolving environment\, using AI algorithms to reimagine millions of documents in real time.  \n\n\n\nAs viewers move through the space\, they are surrounded by shifting visuals\, patterns\, text\, and imagery that evoke the sensation of walking through a living\, thinking mind. \n\n\n\nCreated using Refik Anadol Studio’s Large Nature Model — a generative AI system dedicated to interpreting natural data — the work reframes archives not as static repositories\, but as dynamic\, responsive entities. \n\n\n\nThrough machine learning\, raw data becomes a poetic\, immersive experience that blurs the boundaries between human memory and artificial intelligence. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nDates & times: \n\n\n\n\nOpen daily from 10.00am to 5.00pm.\n\n\n\nClosed until 12.30 pm on Thursday 28 May.\n\n\n\nNo booking required.\n\n\n\n\nLocation: \n\n\n\nWhite Box \n\n\n\n\n\n\n\n\n\nAbout Schwarzman Centre for the Humanities\n\n\n\n\n			\n				\n			\n		\n\n\n\nSchwarzman Centre for the Humanities is a major new cultural and academic landmark for the University of Oxford\, bringing together seven humanities faculties with performance\, exhibition\, and public engagement spaces under one roof. Located in the Radcliffe Observatory Quarter\, it is designed to foster interdisciplinary collaboration while opening the humanities to a wider public through events\, performances\, and year-round programming. \n\n\n\nAt its heart are world-class venues including a concert hall\, theatre\, cinema\, recital spaces\, and galleries\, supported by flexible teaching and meeting facilities. A central atrium acts as a social hub\, blending academic life with informal gathering spaces\, cafés\, and exhibitions. More than a university facility\, the Centre functions as a civic cultural destination\, connecting scholarship with creative practice and strengthening Oxford’s wider cultural life. \n\n\n\nView venue information
URL:https://theoxfordmagazine.com/event/refik-anadol-archive-dreaming/
LOCATION:Schwarzman Centre for the Humanities\, Radcliffe Observatory Quarter\, Woodstock Road\, Oxford\, OX2 6GG
CATEGORIES:Exhibitions
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SUMMARY:Anna Ridler: A Perfect Language of Images
DESCRIPTION:Anna Ridler: A Perfect Language of Images\n\n\n\n\n\n\n\n\nAbout Anna Ridler: A Perfect Language of Images\n\n\n\nAnna Ridler is an artist whose work explores the creative and societal possibilities of artificial intelligence\, often through self-built datasets that question how knowledge is constructed\, classified\, and shared. \n\n\n\nAn Oxford University alumna\, her work has been exhibited internationally at institutions including the V&A and the Centre Pompidou\, and she has been recognised by Ars Electronica and Artnet as one of nine pioneering artists working with AI. \n\n\n\nThe digital artwork\, created in collaboration with Dr William Poole from the Faculty of English at the University of Oxford\, brings together three pieces by Ridler under the title A Perfect Language of Images. \n\n\n\nIt is inspired by Oxford scholar John Wilkins’ 1668 attempt to classify the world through a universal philosophical language\, and Jorge Luis Borges’ later critique of such systems as inherently incomplete and unstable. \n\n\n\nDrawing these ideas into conversation with contemporary machine learning\, the work reflects on how generative systems inherit the same ambition towards totalising order\, while continually revealing its limits. \n\n\n\nIn doing so\, Ridler’s installation exposes the tension between classification and complexity\, highlighting what can be approximated\, what resists categorisation\, and what ultimately escapes representation. \n\n\n\n\n\nWork 1:+\n\n\n\n\nA Catalogue of Exceptions shows some of the things that strain or fail to fit within Wilkins’ taxonomy. Throughout the system there are acknowledged difficulties; organisms that are “imperfect”\, “strange originals” and things suspended in “betwixt” categories: coral that is neither mineral nor plant\, fungi that “seem to want” essential parts\, zoophytes suspended between kingdoms. \n\n\n\nCreated using roughly a decade of different generative systems (2016–2025)\, each with its own unique aesthetic\, and trained on imagery drawn from Wilkins’ own descriptions\, it becomes almost a cabinet of curiosities\, even as the logic that links each image remains unstable or not immediately legible. \n\n\n\n\n\n\nWork 2:+\n\n\n\n\nBetween Things displays Wilkins’ phrases as evidence of classification under pressure—instances where his system hesitates\, hedges\, and cannot decide. Handwritten text is rendered large and placed into the environment as a record of doubt\, but one that is only visible at 3am\, for an hour. \n\n\n\n\n\n\nWork 3:+\n\n\n\n\nAn Infinity of Lists assembles Wilkins’ language itself\, showing every word used in his system\, first mapped to the hierarchy he imposed\, then gradually reframed through the logic of word2vec. \n\n\n\nOver the duration of the work the mapping shifts from the symbolic architecture of Wilkins’ invented order toward statistical relations in learned embedding space. The piece flutters between word\, image\, and symbol\, making visible how translation across systems and across time changes what counts as related. \n\n\n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nDates & times: \n\n\n\nOpen daily. No booking needed. \n\n\n\nLocation: \n\n\n\nGreat Hall \n\n\n\n\n\n\n\n\n\nAbout Schwarzman Centre for the Humanities\n\n\n\n\n			\n				\n			\n		\n\n\n\nSchwarzman Centre for the Humanities is a major new cultural and academic landmark for the University of Oxford\, bringing together seven humanities faculties with performance\, exhibition\, and public engagement spaces under one roof. Located in the Radcliffe Observatory Quarter\, it is designed to foster interdisciplinary collaboration while opening the humanities to a wider public through events\, performances\, and year-round programming. \n\n\n\nAt its heart are world-class venues including a concert hall\, theatre\, cinema\, recital spaces\, and galleries\, supported by flexible teaching and meeting facilities. A central atrium acts as a social hub\, blending academic life with informal gathering spaces\, cafés\, and exhibitions. More than a university facility\, the Centre functions as a civic cultural destination\, connecting scholarship with creative practice and strengthening Oxford’s wider cultural life. \n\n\n\nView venue information
URL:https://theoxfordmagazine.com/event/anna-ridler-a-perfect-language-of-images/
LOCATION:Schwarzman Centre for the Humanities\, Radcliffe Observatory Quarter\, Woodstock Road\, Oxford\, OX2 6GG
CATEGORIES:Exhibitions
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SUMMARY:Wonder of Birds Exhibition
DESCRIPTION:Wonder of Birds Exhibition\n\n\n\n\n\n\n\n\nAbout Wonder of Birds Exhibition\n\n\n\nA major new exhibition at the Bodleian Libraries invites visitors to step into the remarkable world of birds\, exploring their beauty\, symbolism and fragility through art\, literature and science. \n\n\n\nWonder of Birds draws inspiration from The Book of Birds\, created by artist Jackie Morris and writer Robert Macfarlane. Both the exhibition and the book reflect on the decline of bird populations while celebrating their cultural and natural significance. \n\n\n\nCurated by Antonia Harrison\, the exhibition unfolds through seven themed sections – from nest and egg to feather\, flight and migration – combining original artwork and writing with treasures from the Bodleian’s extensive collections. \n\n\n\nVisitors can explore rare and historic material\, including previously unseen glass plate negatives by pioneering wildlife photographer Emma Louisa Turner\, alongside early nature photography from Richard Kearton and his brother Cherry. \n\n\n\nAlso on display are striking life-size illustrations from Birds of America by John James Audubon\, as well as a rare Great Auk egg on loan from Oxford University Museum of Natural History. \n\n\n\nThe exhibition also highlights birds’ enduring influence on culture\, featuring works such as Maya Angelou’s ‘Caged Bird’ and Percy Bysshe Shelley’s handwritten notes on ‘To a Skylark’. Global perspectives include imagery from The Book of the Fixed Stars and the poetic journey of The Conference of the Birds. \n\n\n\nEnhancing the experience\, a specially commissioned soundscape by sound artist Jason Singh immerses visitors in birdsong and natural environments\, while artist duo Daniel & Clara present an interactive ‘Rewilding Imagination field guide’. \n\n\n\n\n			\n				\n			\n		Wonder of Birds poster\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFree admission\, no ticket required \n\n\n\nDates & times: \n\n\n\nSaturday 02 May 2026 to Sunday 03 January 2027 \n\n\n\nMonday to Friday from 9.00am to 5.00pmSaturday from 10.00am to 5.00pmSunday from 11.00am to 4.00pm \n\n\n\nLocation: \n\n\n\nThe Treasury\, Weston Library
URL:https://theoxfordmagazine.com/event/wonder-of-birds/
LOCATION:Bodleian Library – Old Library\, Broad Street\, Oxford\, OX1 3BG\, United Kingdom
CATEGORIES:Exhibitions
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SUMMARY:We're Going On A Bear Hunt
DESCRIPTION:We’re Going On A Bear Hunt\n\n\n\n\n\n\n\n\nAbout We’re Going On A Bear Hunt\n\n\n\nGet ready to swish\, splash and squelch your way through the new sensory trail to find the bear. \n\n\n\nThe much-loved picture book and award-winning animation will be brought to life through a series of interactive installations\, emulating the journey undertaken by the family at the heart of the story. \n\n\n\nPick up a trail booklet and follow in the characters’ footsteps to brave the elements. Roam through swishy swashy grass\, conquer thick oozy mud\, brave swirling whirling snowstorms\, and tiptoe through a cave in search of the bear. \n\n\n\nAs you follow the trail\, scan the QR codes to discover the AR filters. Don’t forget to snap photos along the way! You can’t go over it. You can’t go under it. You’ve got to go through it! \n\n\n\nFantastic fun for all ages\, round up your friends and family and see who will be the first one to spot the bear. \n\n\n\n\n\n\n\nWatch the trailer\n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nThe trail is free with normal admission to Cliveden \n\n\n\nDates & times: \n\n\n\nSaturday 09 May to Sunday 05 July 2026 2026  \n\n\n\nAge guidance: \n\n\n\nAll ages \n\n\n\n\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n\n\n\n\nAbout The Theatre Chipping Norton\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe Theatre Chipping Norton\, sometimes called The Theatre\, Chipping Norton or Chipping Norton Theatre\, is a theatre\, an arthouse cinema\, a gallery and a concert hall in Chipping Norton. \n\n\n\nThe theatre has has 217 seats\, including stalls and a balcony. It is a resource for the community\, and it is also a professional venue\, welcoming over 55\,000 customer visits every year. \n\n\n\nIt is something unique\, but it is also different things to different people. It is the cause and subject of many arguments and debates; and a fair amount of acclaim and affection. It is complicated and a little eccentric. \n\n\n\nIt is not a little theatre. It likes to make a big noise. \n\n\n\nDiscover more about The Theatre Chipping Norton\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/were-going-on-a-bear-hunt/
LOCATION:Cliveden House\, Berkshire\, Cliveden Road\, Taplow\, Berkshire\, SL6 0JF\, United Kingdom
CATEGORIES:Variety
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SUMMARY:Kira Freije: Unspeak the Chorus
DESCRIPTION:Kira Freije: Unspeak the Chorus. Photo: Installation image of Kira Freije: Unspeak the Chorus\, The Hepworth Wakefield\, November 2025. Photo credit: Lewis Ronald\n\n\n\n\n\n\n\n\nAbout Kira Freije: Unspeak the Chorus\n\n\n\nWalk amongst Kira Freije’s life-sized figures within an atmospheric and emotionally charged space\, where groupings suggest fragments of larger imagined narratives. \n\n\n\nModern Art Oxford presents Unspeak the Chorus\, the Turner Prize nominated solo exhibition by British artist Kira Freije (b.1985\, lives and works in London)\, featuring a new body of work co-commissioned by Modern Art Oxford and The Hepworth Wakefield. \n\n\n\nThe exhibition is Freije’s first major solo presentation in the UK\, bringing together around twenty hand-welded\, life-size metal figures\, with the artist expanding her practice through the inclusion of animals and textiles. The resulting work transforms the Upper Gallery into an immersive and emotionally charged environment in which human and animal worlds meet. \n\n\n\nFreije’s hand-welded metal figures\, arranged in intimate groupings\, suggest fragments of a story without ever resolving into a fixed narrative. United by a palpable sense of kinship\, the figures appear at once connected and self-contained – celebrating\, loving\, grieving\, guiding\, resting\, reaching and exhaling. While subtle interactions unfold between the sculptures\, Freije deliberately leaves the scene open\, inviting viewers to bring their own interpretations and emotional responses to the work. \n\n\n\nTo create her life-size sculptures\, Freije casts her own hands and feet in aluminium before constructing each figure from the ground up. Welding strips of steel together in a process akin to drawing an outline in space\, she builds skeletal forms that are at once delicate and robust. Faces\, or fragments of faces\, are cast from people close to her; fabric\, found materials and hand-blown glass elements are incorporated to complete materially layered scenes that combine strength and vulnerability. \n\n\n\nDeveloped in collaboration with lighting designer Matt Daw\, Unspeak the Chorus responds directly to the distinctive architecture of Modern Art Oxford’s Upper Gallery\, using atmospheric lighting and staging to heighten the emotional presence of the sculptures. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets for this exhibition can be purchased on the day of your visit at Modern Art Oxford’s Welcome Desk\, or pre-booked online via eventbrite \n\n\n\nBuy tickets \n\n\n\nLocation: \n\n\n\nUpper Gallery 1 \n\n\n\n\n\n\n\n\n\nAbout Modern Art Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\nModern Art Oxford  is one of the UK’s leading contemporary art spaces. At the heart of the gallery’s programme is a commitment to education\, internationalism and inclusion\, founded on the power of visual art and culture to enact positive social change. \n\n\n\nIt offers educational experiences for visitors of all ages\, using art and creativity to reach thousands of people from Oxfordshire and beyond every year. These participatory activities are designed to help visitors explore our exhibitions\, experiment with creative processes and celebrate the relevance of contemporary visual culture to society today. \n\n\n\nModern Art Oxford was founded in 1965\, and has a rich history of bold and progressive programming that promotes diversity and internationalism\, encourages public engagement with creativity and the arts\, and celebrates the importance of contemporary visual culture in today’s society. \n\n\n\nDiscover more about Modern Art Oxford
URL:https://theoxfordmagazine.com/event/kira-freije-unspeak-the-chorus/
LOCATION:Modern Art Oxford\, 30 Pembroke Street\, Oxford\, OX1 1BP\, United Kingdom
CATEGORIES:Exhibitions
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SUMMARY:Olivia Plender: Little Fennel's Complaint
DESCRIPTION:Olivia Plender: Little Fennel’s Complaint. Image: Olivia Plender\, title TBC\, 2026\, Embroidered textile © Olivia Plender\, courtesy Maureen Paley\, London\n\n\n\n\n\n\n\n\nAbout Olivia Plender: Little Fennel’s Complaint\n\n\n\nDiscover the hidden history of women’s bodies\, medicine and resistance through Olivia Plender’s major new solo exhibition. \n\n\n\nModern Art Oxford is delighted to present Little Fennel’s Complaint\, a major solo exhibition by Olivia Plender (b. 1977\, London)\, exploring historic and ongoing inequalities in women’s healthcare\, from early modern witchcraft to contemporary debates on reproductive rights and medical authority. \n\n\n\nPlender developed the exhibition through research with leading Oxford institutions\, including the Bodleian Library\, Oxford Botanic Garden and John Radcliffe Hospital. Across embroidered textiles\, watercolours\, drawings\, mobiles\, and sound works\, she examines how women’s healthcare has been recorded\, classified\, and practised over time. \n\n\n\nThe exhibition combines new commissions\, existing works\, and historic manuscripts to highlight Plender’s multidisciplinary\, research-led practice. Installations trace shifting approaches to medicine and diagnosis\, opening with a presentation inspired by contemporary hospital architectures and waiting rooms. This builds on Plender’s ongoing project Our Bodies are Not the Problem (2021–)\, developed with the Glasgow Women’s Library\, exploring the links between ill health\, disability and structural inequalities. \n\n\n\nHistorical perspectives include Plender’s series Bringing Down the Flowers (2023–)\, watercolours in the style of genteel 19th-century flower paintings of plants historically used to induce abortion\, referencing orally transmitted reproductive knowledge. Three 17th-century manuscripts by astrologer-physician Richard Napier\, on loan from the Bodleian Library\, document consultations with women about their reproductive health\, alongside other ‘women’s problems’ such as ‘green sickness’\, a diagnosis formerly given only to unmarried women. \n\n\n\nDisplayed alongside these is Plender’s hanging mobile (2024) reflecting on humoral medicine (based on the ancient theory of the humours) and other systems of classification from the Renaissance to today. The exhibition culminates in a large-scale embroidered textile loosely based on scenes from the Malleus Maleficarum\, a notorious treatise on witchcraft written by Heinrich Kramer (1486)\, which portrayed women – particularly midwives and healers – as susceptible to demonic influence. \n\n\n\nBy placing historic manuscripts alongside contemporary artworks\, the exhibition asks who has the authority to define what is rational\, legitimate\, and true\, and explores how systems of knowledge shape lived experience while opening possibilities for alternative understandings. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets for this exhibition can be purchased on the day of your visit at Modern Art Oxford’s Welcome Desk\, or pre-booked online via eventbrite \n\n\n\nBuy tickets \n\n\n\nLocation: \n\n\n\nUpper Galleries 2 & 3 \n\n\n\n\n\n\n\n\n\nAbout Modern Art Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\nModern Art Oxford  is one of the UK’s leading contemporary art spaces. At the heart of the gallery’s programme is a commitment to education\, internationalism and inclusion\, founded on the power of visual art and culture to enact positive social change. \n\n\n\nIt offers educational experiences for visitors of all ages\, using art and creativity to reach thousands of people from Oxfordshire and beyond every year. These participatory activities are designed to help visitors explore our exhibitions\, experiment with creative processes and celebrate the relevance of contemporary visual culture to society today. \n\n\n\nModern Art Oxford was founded in 1965\, and has a rich history of bold and progressive programming that promotes diversity and internationalism\, encourages public engagement with creativity and the arts\, and celebrates the importance of contemporary visual culture in today’s society. \n\n\n\nDiscover more about Modern Art Oxford
URL:https://theoxfordmagazine.com/event/olivia-plender-little-fennels-complaint/
LOCATION:Modern Art Oxford\, 30 Pembroke Street\, Oxford\, OX1 1BP\, United Kingdom
CATEGORIES:Exhibitions
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SUMMARY:The Muddle of the Muses
DESCRIPTION:The Muddle of the Muses\n\n\n\n\n\n\n\n\nAbout The Muddle of the Muses\n\n\n\nWhere have the iconic Muses from on top of the Clarendon Building gone? \n\n\n\nRemoved for conservation in 2023\, several of the Muses have been conserved or newly cast in lead.  \n\n\n\nAs part of The Muddle of the Muses\, three of the statues will be on display in Blackwell Hall: Clio representing History (original lead statue)\, Calliope representing Epic Poetry (lead reproduction) and Polyhymnia representing Rhetoric (original statue).  \n\n\n\nDon’t miss this rare chance to see these remarkable sculptures at eye level and discover the intriguing story behind their conservation. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFree event \n\n\n\nDates & times: \n\n\n\nSaturday 23 May to Friday 04 September 2026 \n\n\n\nMonday to Friday from 9.00am to 5.00pm \n\n\n\nSaturday and Sunday from 10.00am to 4.00pm \n\n\n\nLocation: \n\n\n\nBlackwell Hall
URL:https://theoxfordmagazine.com/event/the-muddle-of-the-muses/
LOCATION:Weston Library\, Oxford\, Broad Street\, Oxford\, Oxfordshire\, OX1 3BG
CATEGORIES:Exhibitions
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DTSTART;TZID=Europe/London:20260527T000000
DTEND;TZID=Europe/London:20260613T235959
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SUMMARY:Printmakers Council: Green and Pleasant Land
DESCRIPTION:Printmakers Council: Green and Pleasant Land\n\n\n\n\n\n\n\n\nAbout Printmakers Council: Green and Pleasant Land \n\n\n\nFounded in 1965\, the Printmakers Council aims to promote the art of printmaking and the work of contemporary printmakers nationally. \n\n\n\nGreen and Pleasant Land is a show featuring work from their members that thoroughly explores the versatility of mark making and the potential for exploring the artists ideas\, using all manner of printmaking techniques. \n\n\n\nWithin this comprehensive theme\, the artists will show their individual interpretations of the contemporary British environment and landscape. The exhibition will include all manner of subject matter including the figurative through to abstraction. This show is an exciting demonstration of the printmakers’ art. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFree entry \n\n\n\nDates & times: \n\n\n\nWednesday 27 May to Saturday 13 June 2026 \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n\n\n\n\nAbout The North Wall Arts Centre\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe North Wall Arts Centre is an an award-winning theatre\, gallery and performing arts centre located in Summertown\, North Oxford. The facility was opened in 2007\, and offers a fully flexible 200-seat theatre\, a public art gallery\, as well as studios for dance and drama. \n\n\n\nThe centre is owned by St Edward’s School and shared with the city\, and it was created for the benefit of emerging artists across a range of disciplines. The programme of events at The North Wall places emphasis on new and innovative work. \n\n\n\nDiscover more about The North Wall Arts Centre\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/printmakers-council-green-and-pleasant-land/
LOCATION:The North Wall Arts Centre\, South Parade\, Oxford\, OX2 7JN
CATEGORIES:Exhibitions
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DTEND;TZID=Europe/London:20260606T235959
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SUMMARY:Frankie Goes to Bollywood
DESCRIPTION:Frankie Goes to Bollywood\n\n\n\n\n\n\n\n\nAbout Frankie Goes to Bollywood\n\n\n\nPresented by Rifco Theatre Company and BEAM Hertford \n\n\n\nComposed by Harry Anand \n\n\n\nGet ready to be swept away into the dazzling world of Bollywood! \n\n\n\nFrom the makers of Britain’s Got Bhangra comes a new British musical that dives into the dazzling\, high-pressure world of Indian cinema\, where dreams are mass-produced and women are expected to play by the rules. \n\n\n\nAt the heart of the story is Frankie\, a young British woman with little interest in fame – until a chance encounter sweeps her from suburbia into the Bollywood spotlight. As the cameras roll and expectations rise\, Frankie must ask herself: Can she become a star without losing who she is? \n\n\n\nWith spectacular choreography\, lavish costumes\, and a cast of unforgettable characters\, Frankie Goes to Bollywood is a joyful\, moving tale of ambition\, identity\, and finding your voice. \n\n\n\nFeaturing original songs by Bollywood hitmaker Harry Anand\, this is Rifco Theatre Company’s most ambitious production yet – a feel-good celebration of love\, courage\, and self-discovery. \n\n\n\n\n\n\n\nWatch the trailer\n\n\n\n\n\n\n\n\n\n\n\n\n\nReviews\n\n\n\n\n“A powerful and colourful musical.” ★★★★★  \n\n\n\nMetro \n\n\n\n\n\n“From the first dhol thud to the final techno beat\, Frankie Goes to Bollywood is electric throughout.” ★★★★★  \n\n\n\nMusical Theatre Review \n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFrom £15.00 \n\n\n\nA £2.75 booking fee per transaction applies to this event across all channels – website\, phone and in-person bookings at the Box Office. The fee is waived for members\, schools\, groups and access bookers. \n\n\n\nDates & times: \n\n\n\nTuesday 02 to Saturday 06 June 2026 \n\n\n\nTuesday to Saturday at 7.30pm \n\n\n\nThursday and Saturday at 2.30pm \n\n\n\nRunning time: \n\n\n\n2 hours 35 minutes\, including an interval \n\n\n\nAge guidance: \n\n\n\n8+ \n\n\n\n\n\n\n\n\n\nAbout Oxford Playhouse\n\n\n\n\n			\n				\n			\n		\n\n\n\nOxford Playhouse and its Burton Taylor Studio present and produce several live performances and feature a rich array of British and international dramas\, family entertainment\, contemporary dance and music\, student and amateur shows\, comedy\, lectures and poetry. \n\n\n\nThe Playhouse not only produces and tours its own theatrical productions\, but it also fosters creativity through its Artists in Residence program and the Playhouse Plays Out series\, which brings unique events to various locations across the county. \n\n\n\nThe theatre’s Participation Team engages over 15\,000 individuals annually\, offering an extensive range of activities\, including post-show discussions\, workshops\, work experience opportunities\, holiday programs\, a youth theatre\, and a company for young performers. \n\n\n\nOxford Playhouse stands dedicated to its mission of being a Playhouse for all\, striving to ignite inspiration and bring about transformative experiences through its commitment to creativity on its stages\, within its community and online. \n\n\n\nDiscover more about Oxford Playhouse\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/frankie-goes-to-bollywood/
LOCATION:Oxford Playhouse\, Beaumont Street\, Oxford\, Oxfordshire\, OX1 2LW\, United Kingdom
CATEGORIES:Musicals
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DTSTART;TZID=Europe/London:20260602T000000
DTEND;TZID=Europe/London:20260606T235959
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SUMMARY:The Effect
DESCRIPTION:The Effect \n\n\n\n\n\n\n\n\nAbout The Effect \n\n\n\nUniversity of Oxford Student Season: Trinity Term 2026 \n\n\n\nBy Lucy Prebble \n\n\n\n‘There’s no such thing as side effects\, they’re just effects you can’t sell.’ \n\n\n\nIn a clinic in a London suburb\, Raushen Pharmaceuticals are trialling an experimental new drug. It might cure depression. It might make you fall in love. Or it might just be a placebo. \n\n\n\nLucy Prebble’s searching\, romantic play probes medical ethics\, whether we can ever trust our emotions\, and the messy human business of falling in love. \n\n\n\nFollowing this year’s acclaimed runs of Uncle Vanya\, Company and The Flick\, Fennec Fox Productions returns with a striking interpretation of a contemporary classic. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\n£6.00 to £8.00 \n\n\n\nDates & times: \n\n\n\nTuesday 02 to Saturday 06 June 2026 at 7.30pm \n\n\n\nFilm rating: \n\n\n\n1 hour 30 minutes \n\n\n\nLocation: \n\n\n\nBurton Taylor Studio \n\n\n\nAge guidance: \n\n\n\n14+ \n\n\n\nContent guidance: \n\n\n\nThis show contains themes of sex\, extended discussion of depression\, illness and suicide\, simulation of medical procedures\, including the use of needles. \n\n\n\n\n\n\n\n\n\nAbout Oxford Playhouse\n\n\n\n\n			\n				\n			\n		\n\n\n\nOxford Playhouse and its Burton Taylor Studio present and produce several live performances and feature a rich array of British and international dramas\, family entertainment\, contemporary dance and music\, student and amateur shows\, comedy\, lectures and poetry. \n\n\n\nThe Playhouse not only produces and tours its own theatrical productions\, but it also fosters creativity through its Artists in Residence program and the Playhouse Plays Out series\, which brings unique events to various locations across the county. \n\n\n\nThe theatre’s Participation Team engages over 15\,000 individuals annually\, offering an extensive range of activities\, including post-show discussions\, workshops\, work experience opportunities\, holiday programs\, a youth theatre\, and a company for young performers. \n\n\n\nOxford Playhouse stands dedicated to its mission of being a Playhouse for all\, striving to ignite inspiration and bring about transformative experiences through its commitment to creativity on its stages\, within its community and online. \n\n\n\nDiscover more about Oxford Playhouse\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/the-effect/
LOCATION:Oxford Playhouse\, Beaumont Street\, Oxford\, Oxfordshire\, OX1 2LW\, United Kingdom
CATEGORIES:Plays
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SUMMARY:The Harrowing of Hell.26
DESCRIPTION:The Harrowing of Hell.26 \n\n\n\n\n\n\n\n\nAbout The Harrowing of Hell.26 \n\n\n\nUniversity of Oxford Student Season: Trinity Term 2026 \n\n\n\nFrom the York Mystery Cycle \n\n\n\nA contemporary\, experimental rewriting inspired by medieval mystery cycles. \n\n\n\nAdam and Eve have awaited the coming of Christ for over four thousand years. After his crucifixion\, Christ descends into Hell to free the righteous. He whom Satan thought he had defeated comes to shatter the gates of Hell. \n\n\n\nA bold new production featuring an original text and newly composed music\, offering a reimagining of biblical figures and new perspectives on their embodied presence. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\n£6.00 to £8.00 \n\n\n\nDates & times: \n\n\n\nTuesday 02 to Saturday 06 June 2026 at 9.30pm \n\n\n\nRunning time: \n\n\n\n1 hour \n\n\n\nLocation: \n\n\n\nBurton Taylor Studio \n\n\n\nAge guidance: \n\n\n\n15+ \n\n\n\nContent guidance: \n\n\n\nThis show contains religious (Christian) themes\, elements of irreverence\, and depictions of psychological distress. \n\n\n\n\n\n\n\n\n\nAbout Oxford Playhouse\n\n\n\n\n			\n				\n			\n		\n\n\n\nOxford Playhouse and its Burton Taylor Studio present and produce several live performances and feature a rich array of British and international dramas\, family entertainment\, contemporary dance and music\, student and amateur shows\, comedy\, lectures and poetry. \n\n\n\nThe Playhouse not only produces and tours its own theatrical productions\, but it also fosters creativity through its Artists in Residence program and the Playhouse Plays Out series\, which brings unique events to various locations across the county. \n\n\n\nThe theatre’s Participation Team engages over 15\,000 individuals annually\, offering an extensive range of activities\, including post-show discussions\, workshops\, work experience opportunities\, holiday programs\, a youth theatre\, and a company for young performers. \n\n\n\nOxford Playhouse stands dedicated to its mission of being a Playhouse for all\, striving to ignite inspiration and bring about transformative experiences through its commitment to creativity on its stages\, within its community and online. \n\n\n\nDiscover more about Oxford Playhouse\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/the-harrowing-of-hell-26/
LOCATION:Oxford Playhouse\, Beaumont Street\, Oxford\, Oxfordshire\, OX1 2LW\, United Kingdom
CATEGORIES:Plays
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SUMMARY:Percival Everett: The 2026 Esmond Harmsworth Lecture
DESCRIPTION:Percival Everett: The 2026 Esmond Harmsworth Lecture in American Arts and Letters\n\n\n\n\n\n\n\n\nAbout Percival Everett: The 2026 Esmond Harmsworth Lecture in American Arts and Letters\n\n\n\nThe Myth of Propositional Content and the Possibility of Fiction \n\n\n\nWhere does meaning reside in fiction\, and how is it constructed when context itself is propositional? How does a culture read and understand when the driving push toward fiction is fueled by voyeurism? \n\n\n\nIn this lecture\, Percival Everett explores how readers generate meaning from narrative\, and how fiction’s interpretive demands are shaped by culture\, perception\, and curiosity. \n\n\n\nEverett argues that the ability to read fiction critically and extrapolate meaning beyond the text is essential to a culture’s capacity for reasoning and empathy. He considers how storytelling operates when driven by voyeurism\, and what this reveals about the ways audiences engage with narrative. \n\n\n\nPresented by the Rothermere American Institute as the 2026 Esmond Harmsworth Lecture in American Arts and Letters\, Everett is a Pulitzer Prize and National Book Award–winning author whose novel James reimagines Adventures of Huckleberry Finn from Jim’s perspective. \n\n\n\nThe lecture continues a distinguished series that has featured leading figures in American literature and criticism\, and forms part of Unfinished Revolutions\, a season tracing the living legacy of 1776. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets: \n\n\n\nThis event is currently sold out. To be added to the waiting list\, email tickets@schwarzmancentre.ox.ac.uk or call 01865 615500 (Monday to Friday\, 12.00pm to 6:00pm). \n\n\n\nRunning time: \n\n\n\nApproximately 1 hour and 15 minutes \n\n\n\nAge guidance: \n\n\n\nRecommended age 12+ \n\n\n\nLocation: \n\n\n\nTheatre \n\n\n\n\n\n\n\n\n\nAbout Schwarzman Centre for the Humanities\n\n\n\n\n			\n				\n			\n		\n\n\n\nSchwarzman Centre for the Humanities is a major new cultural and academic landmark for the University of Oxford\, bringing together seven humanities faculties with performance\, exhibition\, and public engagement spaces under one roof. Located in the Radcliffe Observatory Quarter\, it is designed to foster interdisciplinary collaboration while opening the humanities to a wider public through events\, performances\, and year-round programming. \n\n\n\nAt its heart are world-class venues including a concert hall\, theatre\, cinema\, recital spaces\, and galleries\, supported by flexible teaching and meeting facilities. A central atrium acts as a social hub\, blending academic life with informal gathering spaces\, cafés\, and exhibitions. More than a university facility\, the Centre functions as a civic cultural destination\, connecting scholarship with creative practice and strengthening Oxford’s wider cultural life. \n\n\n\nView venue information
URL:https://theoxfordmagazine.com/event/percival-everett-the-2026-esmond-harmsworth-lecture/
LOCATION:Schwarzman Centre for the Humanities\, Radcliffe Observatory Quarter\, Woodstock Road\, Oxford\, OX2 6GG
CATEGORIES:Talks
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SUMMARY:Met Opera: El Ultimo Sueno de Frida y Diego
DESCRIPTION:Met Opera: El Ultimo Sueno de Frida y Diego\n\n\n\n\n\n\n\n\nAbout Met Opera: El Ultimo Sueno de Frida y Diego\n\n\n\nAmerican composer Gabriela Lena Frank’s first opera\, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera\, with libretto by Pulitzer Prize–winning playwright Nilo Cruz.  \n\n\n\nFashioned as a reversal of the Orpheus and Euridice myth\, the story depicts Frida\, sung by leading mezzo-soprano Isabel Leonard\, leaving the underworld on the Day of the Dead and reuniting with Diego\, portrayed by baritone Carlos Álvarez.  \n\n\n\nThe famously feuding pair briefly relive their tumultuous love\, embracing both the passion and the pain before bidding the land of the living a final farewell.  \n\n\n\nMusic Director Yannick Nézet-Séguin conducts the Met-premiere staging of Frank’s opera\, a “confident\, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times). The vibrant new production\, taking enthusiastic inspiration from Frida and Diego’s paintings\, is directed and choreographed by Deborah Colker. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nStandard – £19.50 \n\n\n\nUnder 16s – £14.50 \n\n\n\nAll prices include any booking fees \n\n\n\nDates & times: \n\n\n\nTuesday 02 June 2026 at 6.30pm \n\n\n\nRunning time: \n\n\n\n2 hours 50 minutes \n\n\n\nLocation: \n\n\n\nThe Theatre \n\n\n\n\n\n\n\n\n\nAbout The Theatre Chipping Norton\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe Theatre Chipping Norton\, sometimes called The Theatre\, Chipping Norton or Chipping Norton Theatre\, is a theatre\, an arthouse cinema\, a gallery and a concert hall in Chipping Norton. \n\n\n\nThe theatre has has 217 seats\, including stalls and a balcony. It is a resource for the community\, and it is also a professional venue\, welcoming over 55\,000 customer visits every year. \n\n\n\nIt is something unique\, but it is also different things to different people. It is the cause and subject of many arguments and debates; and a fair amount of acclaim and affection. It is complicated and a little eccentric. \n\n\n\nIt is not a little theatre. It likes to make a big noise. \n\n\n\nDiscover more about The Theatre Chipping Norton\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/met-opera-el-ultimo-sueno-de-frida-y-diego/
LOCATION:The Theatre Chipping Norton\, 2 Spring Street\, Chipping Norton\, Oxfordshire\, OX7 5NL
CATEGORIES:Film & Screen
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