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SUMMARY:Pat Suet-Bik Hui & the Three Perfections
DESCRIPTION:Pat Suet-Bik Hui & the Three Perfections\n\n\n\n\n\n\n\n\nAbout Pat Suet-Bik Hui & the Three Perfections\n\n\n\nThis exhibition celebrates the work of Pat Suet-Bik Hui 許雪碧 (b. 1943)\, a US-based Hong Kong artist\, shown alongside others who explore the tradition of the ‘three perfections’ 三絕 – the harmonious blending of poetry\, calligraphy\, and painting. \n\n\n\nFeaturing works by Hui\, her contemporaries\, her teacher Lui Shou-Kwan\, and artists of his generation\, as well as earlier examples from the 17th to 19th centuries\, the exhibition offers a rich context for understanding Hui as both an innovator and a guardian of tradition. \n\n\n\nIn this artistic lineage\, calligraphic brushstrokes carry as much compositional weight as painted forms\, while poetry and imagery combine to create expressions neither can achieve alone. \n\n\n\nHui’s contemporary approach merges abstract and semi-abstract ink and colour washes with understated calligraphy\, inscribing poems that reflect on themes including love\, loss\, and the quiet joys of drinking. \n\n\n\nVisitors will find translations of many inscribed poems and guidance on interpreting the interplay of painting\, calligraphy\, and poetry within individual works. \n\n\n\nHui gifted her paintings to art historian Michael Sullivan\, whose collection was bequeathed to the Ashmolean Museum in 2013. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nPrice: \n\n\n\nFree \n\n\n\nLocation: \n\n\n\nGallery 11 \n\n\n\n\n\n\n\n\n\n\n\n			\n				\n			\n		Painting with Poem by Xin Qiji\, Pat Suet-Bik Hui & Wucius Wong\, 1987\, ink & colour on paper © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Painting with poem by Paul Ka-Yin Kwok\, Pat Suet-Bik Hui & Paul Ka-Yin Kwok\, 1999\, ink colour on paper © Ashmolean Museum\n\n\n\n\n\n\n			\n				\n			\n		Painting with poem by Nara Singde\, Pat Suet-Bik Hui\, 1991\, ink & colour on paper © Ashmolean Museum
URL:https://theoxfordmagazine.com/event/pat-suet-bik-hui-the-three-perfections/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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DTSTART;TZID=Europe/London:20260319T000000
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SUMMARY:In Bloom: How Plants Changed Our World
DESCRIPTION:About In Bloom: How Plants Changed Our World\n\n\n\nWhat do we really know about the plants and flowers in our gardens and window boxes? Beyond their beauty\, many hold hidden histories – tales of exploration\, obsession\, and knowledge. \n\n\n\nIn Bloom: How Plants Changed Our World is a major new exhibition that takes visitors on a journey from Oxford to the farthest corners of the globe\, uncovering the fascinating stories behind some of Britain’s most beloved blooms\, from roses and tulips to camellias and peonies. \n\n\n\nFeaturing over 100 artworks and objects – including drawings\, paintings\, rare prints\, and ceramics – the exhibition explores our changing relationship with the natural world. \n\n\n\nFrom the curiosity and ingenuity of early plant explorers to the global networks that shaped trade\, In Bloom reveals how the pursuit of exotic plants transformed landscapes\, economies\, and cultures\, leaving a legacy that continues to influence our world today. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nTickets for this major exhibition will be available to book later in the year. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets for In Bloom: How Plants Changed Our World will be available to book later in the year.  \n\n\n\nVisitors who are Ashmolean Members can enjoy unlimited free access to this major exhibition\, along with exclusive benefits including Members’ Exhibition Previews\, special events\, and discounts in the museum shop\, café\, and restaurant. \n\n\n\nAshmolean Members are invited to the Members’ Exhibition Preview on 18 March 2026\, offering an early opportunity to explore the exhibition before it opens to the public.  \n\n\n\nMembership also includes a twice-yearly magazine and helps support the museum’s work and programmes. For those considering joining\, becoming a Member ensures free access to all exhibitions and a range of exclusive experiences throughout the year. \n\n\n\n\n\n\n\n\n\nGallery\n\n\n\n\n\n			\n				\n			\n		A Vase of Flowers\, Simon Verelst\, c. 1669–1675\, oil on canvas\, © Ashmolean Museum \n\n\n\n\n			\n				\n			\n		John Tradescant the Younger as a Gardener\, attributed to Thomas de Critz\, 1648–1653\, oil on canvas © Ashmolean Museum \n\n\n\n\n			\n				\n			\n		Nelumbo lutea (yellow lotus)\, herbarium biological drawing\, Mark Catesby\, 1722\, ink on paper © Oxford University Herbaria\, Department of Biology \n\n\n\n\n			\n				\n			\n		Kew Wardian case\, c. 1870\, wood & glass. Courtesy Royal Botanic Gardens\, Kew\n\n\n\n\n			\n				\n			\n		Study of an Oriental poppy\, May Morris\, 1879\, watercolour & some bodycolour over indications in graphite © Ashmolean Museum\n\n\n\n\n			\n				\n			\n		Girl Smelling Orchids\, Sir Lawrence Alma Tadema\, 1879\, oil on panel. Courtesy the Richard Green Gallery\, London \n\n\n\n\n			\n				\n			\n		Pharmacy jar for mithridate\, Lambeth Pottery Factory\, c. 1738\, tin-glazed ceramic © Ashmolean Museum \n\n\n\n\n			\n				\n			\n		Plant model of Hypericum/St John’s Wort (detail)\, Robert Brendel\, c. 1860–1880\, papier mâché & wood © Oxford University Herbaria\, Department of Biology \n\n\n\n\n			\n				\n			\n		Duncan Grant\, Hollyhock\, Charleston\, Kate Friend\, 2019\, C-type print. Courtesy of the artist & Lyndsey Ingram \n\n\n\n\n			\n				\n			\n		‘What Is It In A Name’\, Anahita Norouzi\, 2022\, glass & brass. Courtesy of the artist & Galerie Nicolas Robert
URL:https://theoxfordmagazine.com/event/in-bloom-how-plants-changed-our-world/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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SUMMARY:Anna Ridler: A Perfect Language of Images
DESCRIPTION:Anna Ridler: A Perfect Language of Images\n\n\n\n\n\n\n\n\nAbout Anna Ridler: A Perfect Language of Images\n\n\n\nAnna Ridler is an artist whose work explores the creative and societal possibilities of artificial intelligence\, often through self-built datasets that question how knowledge is constructed\, classified\, and shared. \n\n\n\nAn Oxford University alumna\, her work has been exhibited internationally at institutions including the V&A and the Centre Pompidou\, and she has been recognised by Ars Electronica and Artnet as one of nine pioneering artists working with AI. \n\n\n\nThe digital artwork\, created in collaboration with Dr William Poole from the Faculty of English at the University of Oxford\, brings together three pieces by Ridler under the title A Perfect Language of Images. \n\n\n\nIt is inspired by Oxford scholar John Wilkins’ 1668 attempt to classify the world through a universal philosophical language\, and Jorge Luis Borges’ later critique of such systems as inherently incomplete and unstable. \n\n\n\nDrawing these ideas into conversation with contemporary machine learning\, the work reflects on how generative systems inherit the same ambition towards totalising order\, while continually revealing its limits. \n\n\n\nIn doing so\, Ridler’s installation exposes the tension between classification and complexity\, highlighting what can be approximated\, what resists categorisation\, and what ultimately escapes representation. \n\n\n\n\n\nWork 1:+\n\n\n\n\nA Catalogue of Exceptions shows some of the things that strain or fail to fit within Wilkins’ taxonomy. Throughout the system there are acknowledged difficulties; organisms that are “imperfect”\, “strange originals” and things suspended in “betwixt” categories: coral that is neither mineral nor plant\, fungi that “seem to want” essential parts\, zoophytes suspended between kingdoms. \n\n\n\nCreated using roughly a decade of different generative systems (2016–2025)\, each with its own unique aesthetic\, and trained on imagery drawn from Wilkins’ own descriptions\, it becomes almost a cabinet of curiosities\, even as the logic that links each image remains unstable or not immediately legible. \n\n\n\n\n\n\nWork 2:+\n\n\n\n\nBetween Things displays Wilkins’ phrases as evidence of classification under pressure—instances where his system hesitates\, hedges\, and cannot decide. Handwritten text is rendered large and placed into the environment as a record of doubt\, but one that is only visible at 3am\, for an hour. \n\n\n\n\n\n\nWork 3:+\n\n\n\n\nAn Infinity of Lists assembles Wilkins’ language itself\, showing every word used in his system\, first mapped to the hierarchy he imposed\, then gradually reframed through the logic of word2vec. \n\n\n\nOver the duration of the work the mapping shifts from the symbolic architecture of Wilkins’ invented order toward statistical relations in learned embedding space. The piece flutters between word\, image\, and symbol\, making visible how translation across systems and across time changes what counts as related. \n\n\n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nDates & times: \n\n\n\nOpen daily. No booking needed. \n\n\n\nLocation: \n\n\n\nGreat Hall \n\n\n\n\n\n\n\n\n\nAbout Schwarzman Centre for the Humanities\n\n\n\n\n			\n				\n			\n		\n\n\n\nSchwarzman Centre for the Humanities is a major new cultural and academic landmark for the University of Oxford\, bringing together seven humanities faculties with performance\, exhibition\, and public engagement spaces under one roof. Located in the Radcliffe Observatory Quarter\, it is designed to foster interdisciplinary collaboration while opening the humanities to a wider public through events\, performances\, and year-round programming. \n\n\n\nAt its heart are world-class venues including a concert hall\, theatre\, cinema\, recital spaces\, and galleries\, supported by flexible teaching and meeting facilities. A central atrium acts as a social hub\, blending academic life with informal gathering spaces\, cafés\, and exhibitions. More than a university facility\, the Centre functions as a civic cultural destination\, connecting scholarship with creative practice and strengthening Oxford’s wider cultural life. \n\n\n\nView venue information
URL:https://theoxfordmagazine.com/event/anna-ridler-a-perfect-language-of-images/
LOCATION:Schwarzman Centre for the Humanities\, Radcliffe Observatory Quarter\, Woodstock Road\, Oxford\, OX2 6GG
CATEGORIES:Exhibitions
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SUMMARY:Wonder of Birds Exhibition
DESCRIPTION:Wonder of Birds Exhibition\n\n\n\n\n\n\n\n\nAbout Wonder of Birds Exhibition\n\n\n\nA major new exhibition at the Bodleian Libraries invites visitors to step into the remarkable world of birds\, exploring their beauty\, symbolism and fragility through art\, literature and science. \n\n\n\nWonder of Birds draws inspiration from The Book of Birds\, created by artist Jackie Morris and writer Robert Macfarlane. Both the exhibition and the book reflect on the decline of bird populations while celebrating their cultural and natural significance. \n\n\n\nCurated by Antonia Harrison\, the exhibition unfolds through seven themed sections – from nest and egg to feather\, flight and migration – combining original artwork and writing with treasures from the Bodleian’s extensive collections. \n\n\n\nVisitors can explore rare and historic material\, including previously unseen glass plate negatives by pioneering wildlife photographer Emma Louisa Turner\, alongside early nature photography from Richard Kearton and his brother Cherry. \n\n\n\nAlso on display are striking life-size illustrations from Birds of America by John James Audubon\, as well as a rare Great Auk egg on loan from Oxford University Museum of Natural History. \n\n\n\nThe exhibition also highlights birds’ enduring influence on culture\, featuring works such as Maya Angelou’s ‘Caged Bird’ and Percy Bysshe Shelley’s handwritten notes on ‘To a Skylark’. Global perspectives include imagery from The Book of the Fixed Stars and the poetic journey of The Conference of the Birds. \n\n\n\nEnhancing the experience\, a specially commissioned soundscape by sound artist Jason Singh immerses visitors in birdsong and natural environments\, while artist duo Daniel & Clara present an interactive ‘Rewilding Imagination field guide’. \n\n\n\n\n			\n				\n			\n		Wonder of Birds poster\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFree admission\, no ticket required \n\n\n\nDates & times: \n\n\n\nSaturday 02 May 2026 to Sunday 03 January 2027 \n\n\n\nMonday to Friday from 9.00am to 5.00pmSaturday from 10.00am to 5.00pmSunday from 11.00am to 4.00pm \n\n\n\nLocation: \n\n\n\nThe Treasury\, Weston Library
URL:https://theoxfordmagazine.com/event/wonder-of-birds/
LOCATION:Bodleian Library – Old Library\, Broad Street\, Oxford\, OX1 3BG\, United Kingdom
CATEGORIES:Exhibitions
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DTSTART;TZID=Europe/London:20260509T000000
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SUMMARY:We're Going On A Bear Hunt
DESCRIPTION:We’re Going On A Bear Hunt\n\n\n\n\n\n\n\n\nAbout We’re Going On A Bear Hunt\n\n\n\nGet ready to swish\, splash and squelch your way through the new sensory trail to find the bear. \n\n\n\nThe much-loved picture book and award-winning animation will be brought to life through a series of interactive installations\, emulating the journey undertaken by the family at the heart of the story. \n\n\n\nPick up a trail booklet and follow in the characters’ footsteps to brave the elements. Roam through swishy swashy grass\, conquer thick oozy mud\, brave swirling whirling snowstorms\, and tiptoe through a cave in search of the bear. \n\n\n\nAs you follow the trail\, scan the QR codes to discover the AR filters. Don’t forget to snap photos along the way! You can’t go over it. You can’t go under it. You’ve got to go through it! \n\n\n\nFantastic fun for all ages\, round up your friends and family and see who will be the first one to spot the bear. \n\n\n\n\n\n\n\nWatch the trailer\n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nThe trail is free with normal admission to Cliveden \n\n\n\nDates & times: \n\n\n\nSaturday 09 May to Sunday 05 July 2026 2026  \n\n\n\nAge guidance: \n\n\n\nAll ages \n\n\n\n\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n\n\n\n\nAbout The Theatre Chipping Norton\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe Theatre Chipping Norton\, sometimes called The Theatre\, Chipping Norton or Chipping Norton Theatre\, is a theatre\, an arthouse cinema\, a gallery and a concert hall in Chipping Norton. \n\n\n\nThe theatre has has 217 seats\, including stalls and a balcony. It is a resource for the community\, and it is also a professional venue\, welcoming over 55\,000 customer visits every year. \n\n\n\nIt is something unique\, but it is also different things to different people. It is the cause and subject of many arguments and debates; and a fair amount of acclaim and affection. It is complicated and a little eccentric. \n\n\n\nIt is not a little theatre. It likes to make a big noise. \n\n\n\nDiscover more about The Theatre Chipping Norton\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/were-going-on-a-bear-hunt/
LOCATION:Cliveden House\, Berkshire\, Cliveden Road\, Taplow\, Berkshire\, SL6 0JF\, United Kingdom
CATEGORIES:Variety
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260523T000000
DTEND;TZID=Europe/London:20260816T235959
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SUMMARY:Kira Freije: Unspeak the Chorus
DESCRIPTION:Kira Freije: Unspeak the Chorus. Photo: Installation image of Kira Freije: Unspeak the Chorus\, The Hepworth Wakefield\, November 2025. Photo credit: Lewis Ronald\n\n\n\n\n\n\n\n\nAbout Kira Freije: Unspeak the Chorus\n\n\n\nWalk amongst Kira Freije’s life-sized figures within an atmospheric and emotionally charged space\, where groupings suggest fragments of larger imagined narratives. \n\n\n\nModern Art Oxford presents Unspeak the Chorus\, the Turner Prize nominated solo exhibition by British artist Kira Freije (b.1985\, lives and works in London)\, featuring a new body of work co-commissioned by Modern Art Oxford and The Hepworth Wakefield. \n\n\n\nThe exhibition is Freije’s first major solo presentation in the UK\, bringing together around twenty hand-welded\, life-size metal figures\, with the artist expanding her practice through the inclusion of animals and textiles. The resulting work transforms the Upper Gallery into an immersive and emotionally charged environment in which human and animal worlds meet. \n\n\n\nFreije’s hand-welded metal figures\, arranged in intimate groupings\, suggest fragments of a story without ever resolving into a fixed narrative. United by a palpable sense of kinship\, the figures appear at once connected and self-contained – celebrating\, loving\, grieving\, guiding\, resting\, reaching and exhaling. While subtle interactions unfold between the sculptures\, Freije deliberately leaves the scene open\, inviting viewers to bring their own interpretations and emotional responses to the work. \n\n\n\nTo create her life-size sculptures\, Freije casts her own hands and feet in aluminium before constructing each figure from the ground up. Welding strips of steel together in a process akin to drawing an outline in space\, she builds skeletal forms that are at once delicate and robust. Faces\, or fragments of faces\, are cast from people close to her; fabric\, found materials and hand-blown glass elements are incorporated to complete materially layered scenes that combine strength and vulnerability. \n\n\n\nDeveloped in collaboration with lighting designer Matt Daw\, Unspeak the Chorus responds directly to the distinctive architecture of Modern Art Oxford’s Upper Gallery\, using atmospheric lighting and staging to heighten the emotional presence of the sculptures. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets for this exhibition can be purchased on the day of your visit at Modern Art Oxford’s Welcome Desk\, or pre-booked online via eventbrite \n\n\n\nBuy tickets \n\n\n\nLocation: \n\n\n\nUpper Gallery 1 \n\n\n\n\n\n\n\n\n\nAbout Modern Art Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\nModern Art Oxford  is one of the UK’s leading contemporary art spaces. At the heart of the gallery’s programme is a commitment to education\, internationalism and inclusion\, founded on the power of visual art and culture to enact positive social change. \n\n\n\nIt offers educational experiences for visitors of all ages\, using art and creativity to reach thousands of people from Oxfordshire and beyond every year. These participatory activities are designed to help visitors explore our exhibitions\, experiment with creative processes and celebrate the relevance of contemporary visual culture to society today. \n\n\n\nModern Art Oxford was founded in 1965\, and has a rich history of bold and progressive programming that promotes diversity and internationalism\, encourages public engagement with creativity and the arts\, and celebrates the importance of contemporary visual culture in today’s society. \n\n\n\nDiscover more about Modern Art Oxford
URL:https://theoxfordmagazine.com/event/kira-freije-unspeak-the-chorus/
LOCATION:Modern Art Oxford\, 30 Pembroke Street\, Oxford\, OX1 1BP\, United Kingdom
CATEGORIES:Exhibitions
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SUMMARY:Olivia Plender: Little Fennel's Complaint
DESCRIPTION:Olivia Plender: Little Fennel’s Complaint. Image: Olivia Plender\, title TBC\, 2026\, Embroidered textile © Olivia Plender\, courtesy Maureen Paley\, London\n\n\n\n\n\n\n\n\nAbout Olivia Plender: Little Fennel’s Complaint\n\n\n\nDiscover the hidden history of women’s bodies\, medicine and resistance through Olivia Plender’s major new solo exhibition. \n\n\n\nModern Art Oxford is delighted to present Little Fennel’s Complaint\, a major solo exhibition by Olivia Plender (b. 1977\, London)\, exploring historic and ongoing inequalities in women’s healthcare\, from early modern witchcraft to contemporary debates on reproductive rights and medical authority. \n\n\n\nPlender developed the exhibition through research with leading Oxford institutions\, including the Bodleian Library\, Oxford Botanic Garden and John Radcliffe Hospital. Across embroidered textiles\, watercolours\, drawings\, mobiles\, and sound works\, she examines how women’s healthcare has been recorded\, classified\, and practised over time. \n\n\n\nThe exhibition combines new commissions\, existing works\, and historic manuscripts to highlight Plender’s multidisciplinary\, research-led practice. Installations trace shifting approaches to medicine and diagnosis\, opening with a presentation inspired by contemporary hospital architectures and waiting rooms. This builds on Plender’s ongoing project Our Bodies are Not the Problem (2021–)\, developed with the Glasgow Women’s Library\, exploring the links between ill health\, disability and structural inequalities. \n\n\n\nHistorical perspectives include Plender’s series Bringing Down the Flowers (2023–)\, watercolours in the style of genteel 19th-century flower paintings of plants historically used to induce abortion\, referencing orally transmitted reproductive knowledge. Three 17th-century manuscripts by astrologer-physician Richard Napier\, on loan from the Bodleian Library\, document consultations with women about their reproductive health\, alongside other ‘women’s problems’ such as ‘green sickness’\, a diagnosis formerly given only to unmarried women. \n\n\n\nDisplayed alongside these is Plender’s hanging mobile (2024) reflecting on humoral medicine (based on the ancient theory of the humours) and other systems of classification from the Renaissance to today. The exhibition culminates in a large-scale embroidered textile loosely based on scenes from the Malleus Maleficarum\, a notorious treatise on witchcraft written by Heinrich Kramer (1486)\, which portrayed women – particularly midwives and healers – as susceptible to demonic influence. \n\n\n\nBy placing historic manuscripts alongside contemporary artworks\, the exhibition asks who has the authority to define what is rational\, legitimate\, and true\, and explores how systems of knowledge shape lived experience while opening possibilities for alternative understandings. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets for this exhibition can be purchased on the day of your visit at Modern Art Oxford’s Welcome Desk\, or pre-booked online via eventbrite \n\n\n\nBuy tickets \n\n\n\nLocation: \n\n\n\nUpper Galleries 2 & 3 \n\n\n\n\n\n\n\n\n\nAbout Modern Art Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\nModern Art Oxford  is one of the UK’s leading contemporary art spaces. At the heart of the gallery’s programme is a commitment to education\, internationalism and inclusion\, founded on the power of visual art and culture to enact positive social change. \n\n\n\nIt offers educational experiences for visitors of all ages\, using art and creativity to reach thousands of people from Oxfordshire and beyond every year. These participatory activities are designed to help visitors explore our exhibitions\, experiment with creative processes and celebrate the relevance of contemporary visual culture to society today. \n\n\n\nModern Art Oxford was founded in 1965\, and has a rich history of bold and progressive programming that promotes diversity and internationalism\, encourages public engagement with creativity and the arts\, and celebrates the importance of contemporary visual culture in today’s society. \n\n\n\nDiscover more about Modern Art Oxford
URL:https://theoxfordmagazine.com/event/olivia-plender-little-fennels-complaint/
LOCATION:Modern Art Oxford\, 30 Pembroke Street\, Oxford\, OX1 1BP\, United Kingdom
CATEGORIES:Exhibitions
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SUMMARY:OxBright Creative Writers Group
DESCRIPTION:OxBright Creative Writers Group\n\n\n\n\n\n\n\n\nAbout OxBright Creative Writers Group \n\n\n\nAre you a young person with a story to tell\, an imagination that has an imagination of itself or would simply like to be part of a creative and welcoming group? Look no further! \n\n\n\nJoin Creative Writers Group to learn skills in Spoken Word\, Performance Poetry and Playwriting and create your own works to be presented as part of OxBright Festival in July.  \n\n\n\nParticipants should be available for all the dates of this project (08\, 15\, 22 and 29 June\, 06\, 13\, 20\, 21\, 22\, 23 and 24 July). \n\n\n\nThese workshops will be held at Wolvercote Hub (formerly Wolvercote Young People’s Club) and run for three hours each week. Participants should bring a packed lunch with them\, access to a kitchen is available. \n\n\n\nThe aim is to create a welcoming and inclusive space for all young people to flourish and work alongside industry professionals. \n\n\n\n\n\n\n\nFAQs\n\n\n\nWhat is it? \n\n\n\nCreative Writing workshops that lead to a performance/presentation at The North Wall. \n\n\n\nWho is it for? \n\n\n\nYoung People aged 12 to 17 (home educated\, not in education/employment/training\, reduced school timetables) \n\n\n\nWhat is it for?  \n\n\n\nConfidence building\, teamwork\, developing your writing skills and having fun! \n\n\n\nWho will run the workshop? \n\n\n\n2 North Wall facilitators (All holding enhanced DBS certificates and relevant qualifications) \n\n\n\nWhen is it?  \n\n\n\nMondays: 08 June to 13 July from 11.30am to 2.30pm and 20 to 24 July from 10.00am to 4.00pm \n\n\n\nWhere is it?  \n\n\n\nWolvercote Hub during term time and The North Wall during the summer holidays \n\n\n\nWhat is the cost?  \n\n\n\nThis is a free opportunity! It is a delight to confirm that this workshop programme is offered free of charge. The workshops will be delivered by The North Wall team in partnership with educational organisation UCEC. \n\n\n\nThe workshops will lead to a performance which will be part of OxBright Festival at The North Wall this summer (20 to 24 July). The Festival would involve workshops\, performances from other youth groups\, food and lots of fun. \n\n\n\nThe dates of OxBright Festival are 20 to 24 July\, 10.00am to 4.00pm every day and it is totally free for your children to be involved in. Ideally\, your child would need to be available for the full week but if there is an odd day that you are unavailable then we could still make it work. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFree event \n\n\n\nDates & times: \n\n\n\nMonday 08 June to Monday 13 July 2026 at 11.30am \n\n\n\nRunning time: \n\n\n\n3 hours \n\n\n\nLocation:  \n\n\n\nWolvercote Hub (formerly Wolvercote Young People’s Club) \n\n\n\nAge guidance: \n\n\n\n12 to 17 \n\n\n\n\n\n\n\n\n\nAbout The North Wall Arts Centre\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe North Wall Arts Centre is an an award-winning theatre\, gallery and performing arts centre located in Summertown\, North Oxford. The facility was opened in 2007\, and offers a fully flexible 200-seat theatre\, a public art gallery\, as well as studios for dance and drama. \n\n\n\nThe centre is owned by St Edward’s School and shared with the city\, and it was created for the benefit of emerging artists across a range of disciplines. The programme of events at The North Wall places emphasis on new and innovative work. \n\n\n\nDiscover more about The North Wall Arts Centre\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/oxbright-creative-writers-group/
LOCATION:The North Wall Arts Centre\, South Parade\, Oxford\, OX2 7JN
CATEGORIES:Workshops
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SUMMARY:Hampton Court Palace Festival
DESCRIPTION:Buy tickets \n\n\n\n\n\n\n\n\n\nHampton Court Palace Festival\n\n\n\n\n\n\n\n\nHampton Court Palace Festival\n\n\n\nHampton Court Palace Festival has been running nearly 30 years\, with a lineup of world-class artists taking to the stage in the intimate surrounds of the historic Base Court for an unforgettable evening like no other. \n\n\n\nArtists who have previously performed at the festival include Elton John\, Kylie\, Eric Clapton\, Tom Jones\, Lionel Richie\, Tears for Fears\, Van Morrison\, Bryan Adams\, Andrea Bocelli\, Tracy Chapman\, Grace Jones\, Simple Minds\, Bastille\, Elbow\, Keane and Crowded House to name a few. \n\n\n\nAccompanying each performance is an array of delicious food and drink\, from exclusive VIP dining packages in the historic State Apartments to luxury picnics by British Fine Foods and the hottest street food traders in the capital. Wash it all down with a glass of champagne\, a cocktail or a craft beer in the summer sunshine. \n\n\n\nJoin in for another sensational series of concerts in the breathtaking location of Hampton Court Palace in June 2026. With Nile Rodgers & CHIC now on sale\, six incredible nights are ready to book – including two shows from David Gray\, plus OMD\, Pete Tong Ibiza Classics and Sophie Ellis-Bextor. \n\n\n\nSecure your seats and start planning an unforgettable summer in the Palace \n\n\n\n\n\n\n\nWatch a highlight\n\n\n\n\n\n\n\n\n\n\n\n\n\nHeadliners\n\n\n\nDavid Gray / OMD / Pete Tong / Nile Rodgers & CHIC / Sophie Ellis-Bextor and more to be announced soon. \n\n\n\n\n\n\n\nTickets\n\n\n\nBuy tickets \n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nLine-up \n\n\n\nDate ArtistPrices FromWednesday 10 JuneDavid Gray£75.00Thursday 11 JuneDavid Gray£75.00Friday 12 JuneOMD£65.00Saturday 13 JunePete Tong Ibiza Classics £85.00Tuesday 16 JuneThe Stranglers£59.00Wednesday 17 JuneNile Rodgers & Chic£85.00Thursday 18 JuneElvis Costello & The Imposters with Charlie Sexton£75.00Friday 19 JuneSophie Ellis-Bextor£55.00Saturday 20 June80s Classical ft Special Guests£65.00\n\n\n\nTimes:Each headline performance begins at 9.00pm and lasts approximately 1.5 hours\, giving you exceptional facetime with your heroes in a uniquely intimate setting. \n\n\n\n\n\n\n\n\nHeadliners and lineup\n\n\n\n\n\n\n			\n				\n			\n		David Gray\n\n\n\n\n\n\n			\n				\n			\n		Sophie Ellis-Bextor \n\n\n\n\n\n\n\n\n			\n				\n			\n		Pete Tong\n\n\n\n\n\n\n			\n				\n			\n		OMD\n\n\n\n\n\n\n\n\n\nRead more about Hampton Court Palace Festival\n\n\n\n Arts & Culture\nHampton Court Palace Festival prepares to return with star-studded 2026 lineup\n\n Arts & Culture\nThe Stranglers\, Elvis Costello and 80s Classical join Hampton Court Palace Festival 2026 lineup\n\n Arts & Culture\nNile Rodgers & Chic announced for 2026 Hampton Court Palace Festival lineup\n\n Arts & Culture\nHampton Court Palace Festival 2025 ends with sold-out Elbow shows			\n			\n\n\n\nView more
URL:https://theoxfordmagazine.com/event/hampton-court-palace-festival/
LOCATION:Hampton Court Palace\, Surrey\, Hampton Court Palace\, East Molesey\, Surrey\, KT8 9AU\, United Kingdom
CATEGORIES:Concerts,Festivals & Fairs
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SUMMARY:The Great Big Dance Off - Grand Final
DESCRIPTION:The Great Big Dance Off – Grand Final \n\n\n\n\n\n\n\n\nAbout The Great Big Dance Off – Grand Final \n\n\n\nPrimary and Secondary schools from across Oxfordshire come together to perform in the annual festival celebrating all things dance. \n\n\n\nThe festival will include a mix of ages and genres. \n\n\n\n\n			\n				\n			\n		The Great Big Dance Off – Grand Final \n\n\n\nThe theme is “It’s a kind of magic” – come and see what the local schools have been working on. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFrom £20.28 \n\n\n\nTickets are subject to a transaction fee of £3.95 \n\n\n\nDates & times: \n\n\n\nMonday 15 June 2026 at 4.30pm \n\n\n\nRunning time: \n\n\n\nThis show has an interval \n\n\n\nAge guidance: \n\n\n\nNo under 3s allowed \n\n\n\n\n\n\n\n\n\nAbout New Theatre Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\nThere has been a theatre on George Street for almost 170 years. The first theatre was built in 1836\, and a second in 1886. In 1934\, the third New Theatre opened. \n\n\n\nThe theatre has been owned by several different companies and undergone several name changes. It is now owned by the Ambassador Theatre Group and hosts everything from ballet and opera to musicals. \n\n\n\nOn performance days\, the Box Office opens at noon and closes 15 minutes after the show starts. If there is a performance on a Sunday or Bank Holiday\, Box Office will open 2 hours before the show begins and close 15 minutes after the show starts. \n\n\n\nThere is a large air-conditioned bar with seating located below the Stalls Foyer\, two further bars in the Circle Foyer and an additional one at the back of the balcony. All stocked with an array of drinks and snacks. \n\n\n\nThere is a cloakroom located in the stalls bar. If this is closed\, please speak to a member of staff. £1 per item. It is free to ATG Theatre Card members. \n\n\n\nSee important information about Getting there and Access here \n\n\n\nSee other shows at this venue
URL:https://theoxfordmagazine.com/event/the-great-big-dance-off-grand-final/
LOCATION:New Theatre Oxford\, 24-26 George Street\, Oxford\, Oxfordshire\, OX1 2AG
CATEGORIES:Dance
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