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SUMMARY:Pets & their People
DESCRIPTION:Pets & their People\n\n\n\n\n\n\n\n\nAbout Pets & their People\n\n\n\nWe have been domesticating animals for over ten thousand years. But why do we want tame wolves in our homes or wild cats on our laps? \n\n\n\nThis exhibition explores the relationship between humans and their pets – or pets and their humans. \n\n\n\nPets & their People draws on depictions of pets in stories\, imagery and poetry in the Bodleian’s collection – from one of the earliest recorded depictions of an assistance dog for the blind to a rare copy of Alice’s Adventures in Wonderland that has never been displayed in the UK before.  \n\n\n\nThe exhibition asks how the special bond between owners and their pets has evolved over time\, and what that evolution tells us about who we really are. \n\n\n\nAre we taming our pets\, or are they bringing us back to our wild roots? \n\n\n\nExhibition book \n\n\n\nPets & their People \n\n\n\nBy Charles Foster \n\n\n\n\n			\n				\n			\n		Exhibition book – Pets & their People\n\n\n\nBestselling author Charles Foster provides an extraordinary mix of psychology\, science and cultural history as he explores the fascinating relationship between humans and their pets. \n\n\n\n\n\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n\nThese wonderful images are actually postcards\, collected by the artist Tom Phillips (1937–2022) and part of the archive donated to the Bodleian Libraries. \n\n\n\nDating from the c1890s – 1960s\, they capture different relationships between people and the animals around them. \n\n\n\n\n\n\n\nCall for submissions \n\n\n\nAs part of the exhibition\, the Bodleian Libraries are inviting members of the public to contribute to a contemporary record of people and their pets. Participants are encouraged to submit photographs featuring themselves and their pets\, either by recreating images from the Tom Phillips postcard collection or by sharing original photographs inspired by the theme. \n\n\n\nSend them to socialmedia@bodleian.ox.ac.uk. When you submit\, please include:  \n\n\n\n\nYour name/handle\n\n\n\nYour pet’s name\n\n\n\nA rough geographic place and date\n\n\n\n\nTerms and conditions \n\n\n\nBy submitting an image to the Bodleian Libraries\, you confirm that: \n\n\n\n\nYou have taken the photograph or have permission from the copyright holder to share it.\n\n\n\nAll individuals featured in the image have given their consent for it to be used\, or if under the age of 18\, consent has been obtained by a parent or guardian.\n\n\n\nYou are happy for the Bodleian Libraries to share the image across its website\, social media channels and other digital channels.\n\n\n\n\nParticipants may withdraw their consent at any time by contacting socialmedia@bodleian.ox.ac.uk. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFree admission. No ticket required. \n\n\n\nDates & times: \n\n\n\nWednesday 11 March to Sunday 27 September 2026 \n\n\n\nMonday to Friday from 9.00am to 5.00pm \n\n\n\nSaturday from 9.00am to 4.30pm \n\n\n\nSunday from 11.00am to 5.00pm \n\n\n\nLocation: \n\n\n\nST Lee Gallery\, Weston Library
URL:https://theoxfordmagazine.com/event/pets-their-people/
LOCATION:Bodleian Library – Old Library\, Broad Street\, Oxford\, OX1 3BG\, United Kingdom
CATEGORIES:Exhibitions
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SUMMARY:In Bloom: How Plants Changed Our World
DESCRIPTION:About In Bloom: How Plants Changed Our World\n\n\n\nWhat do we really know about the plants and flowers in our gardens and window boxes? Beyond their beauty\, many hold hidden histories – tales of exploration\, obsession\, and knowledge. \n\n\n\nIn Bloom: How Plants Changed Our World is a major new exhibition that takes visitors on a journey from Oxford to the farthest corners of the globe\, uncovering the fascinating stories behind some of Britain’s most beloved blooms\, from roses and tulips to camellias and peonies. \n\n\n\nFeaturing over 100 artworks and objects – including drawings\, paintings\, rare prints\, and ceramics – the exhibition explores our changing relationship with the natural world. \n\n\n\nFrom the curiosity and ingenuity of early plant explorers to the global networks that shaped trade\, In Bloom reveals how the pursuit of exotic plants transformed landscapes\, economies\, and cultures\, leaving a legacy that continues to influence our world today. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nTickets for this major exhibition will be available to book later in the year. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets for In Bloom: How Plants Changed Our World will be available to book later in the year.  \n\n\n\nVisitors who are Ashmolean Members can enjoy unlimited free access to this major exhibition\, along with exclusive benefits including Members’ Exhibition Previews\, special events\, and discounts in the museum shop\, café\, and restaurant. \n\n\n\nAshmolean Members are invited to the Members’ Exhibition Preview on 18 March 2026\, offering an early opportunity to explore the exhibition before it opens to the public.  \n\n\n\nMembership also includes a twice-yearly magazine and helps support the museum’s work and programmes. For those considering joining\, becoming a Member ensures free access to all exhibitions and a range of exclusive experiences throughout the year. \n\n\n\n\n\n\n\n\n\nGallery\n\n\n\n\n\n			\n				\n			\n		A Vase of Flowers\, Simon Verelst\, c. 1669–1675\, oil on canvas\, © Ashmolean Museum \n\n\n\n\n			\n				\n			\n		John Tradescant the Younger as a Gardener\, attributed to Thomas de Critz\, 1648–1653\, oil on canvas © Ashmolean Museum \n\n\n\n\n			\n				\n			\n		Nelumbo lutea (yellow lotus)\, herbarium biological drawing\, Mark Catesby\, 1722\, ink on paper © Oxford University Herbaria\, Department of Biology \n\n\n\n\n			\n				\n			\n		Kew Wardian case\, c. 1870\, wood & glass. Courtesy Royal Botanic Gardens\, Kew\n\n\n\n\n			\n				\n			\n		Study of an Oriental poppy\, May Morris\, 1879\, watercolour & some bodycolour over indications in graphite © Ashmolean Museum\n\n\n\n\n			\n				\n			\n		Girl Smelling Orchids\, Sir Lawrence Alma Tadema\, 1879\, oil on panel. Courtesy the Richard Green Gallery\, London \n\n\n\n\n			\n				\n			\n		Pharmacy jar for mithridate\, Lambeth Pottery Factory\, c. 1738\, tin-glazed ceramic © Ashmolean Museum \n\n\n\n\n			\n				\n			\n		Plant model of Hypericum/St John’s Wort (detail)\, Robert Brendel\, c. 1860–1880\, papier mâché & wood © Oxford University Herbaria\, Department of Biology \n\n\n\n\n			\n				\n			\n		Duncan Grant\, Hollyhock\, Charleston\, Kate Friend\, 2019\, C-type print. Courtesy of the artist & Lyndsey Ingram \n\n\n\n\n			\n				\n			\n		‘What Is It In A Name’\, Anahita Norouzi\, 2022\, glass & brass. Courtesy of the artist & Galerie Nicolas Robert
URL:https://theoxfordmagazine.com/event/in-bloom-how-plants-changed-our-world/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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SUMMARY:Anna Ridler: A Perfect Language of Images
DESCRIPTION:Anna Ridler: A Perfect Language of Images\n\n\n\n\n\n\n\n\nAbout Anna Ridler: A Perfect Language of Images\n\n\n\nAnna Ridler is an artist whose work explores the creative and societal possibilities of artificial intelligence\, often through self-built datasets that question how knowledge is constructed\, classified\, and shared. \n\n\n\nAn Oxford University alumna\, her work has been exhibited internationally at institutions including the V&A and the Centre Pompidou\, and she has been recognised by Ars Electronica and Artnet as one of nine pioneering artists working with AI. \n\n\n\nThe digital artwork\, created in collaboration with Dr William Poole from the Faculty of English at the University of Oxford\, brings together three pieces by Ridler under the title A Perfect Language of Images. \n\n\n\nIt is inspired by Oxford scholar John Wilkins’ 1668 attempt to classify the world through a universal philosophical language\, and Jorge Luis Borges’ later critique of such systems as inherently incomplete and unstable. \n\n\n\nDrawing these ideas into conversation with contemporary machine learning\, the work reflects on how generative systems inherit the same ambition towards totalising order\, while continually revealing its limits. \n\n\n\nIn doing so\, Ridler’s installation exposes the tension between classification and complexity\, highlighting what can be approximated\, what resists categorisation\, and what ultimately escapes representation. \n\n\n\n\n\nWork 1:+\n\n\n\n\nA Catalogue of Exceptions shows some of the things that strain or fail to fit within Wilkins’ taxonomy. Throughout the system there are acknowledged difficulties; organisms that are “imperfect”\, “strange originals” and things suspended in “betwixt” categories: coral that is neither mineral nor plant\, fungi that “seem to want” essential parts\, zoophytes suspended between kingdoms. \n\n\n\nCreated using roughly a decade of different generative systems (2016–2025)\, each with its own unique aesthetic\, and trained on imagery drawn from Wilkins’ own descriptions\, it becomes almost a cabinet of curiosities\, even as the logic that links each image remains unstable or not immediately legible. \n\n\n\n\n\n\nWork 2:+\n\n\n\n\nBetween Things displays Wilkins’ phrases as evidence of classification under pressure—instances where his system hesitates\, hedges\, and cannot decide. Handwritten text is rendered large and placed into the environment as a record of doubt\, but one that is only visible at 3am\, for an hour. \n\n\n\n\n\n\nWork 3:+\n\n\n\n\nAn Infinity of Lists assembles Wilkins’ language itself\, showing every word used in his system\, first mapped to the hierarchy he imposed\, then gradually reframed through the logic of word2vec. \n\n\n\nOver the duration of the work the mapping shifts from the symbolic architecture of Wilkins’ invented order toward statistical relations in learned embedding space. The piece flutters between word\, image\, and symbol\, making visible how translation across systems and across time changes what counts as related. \n\n\n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nDates & times: \n\n\n\nOpen daily. No booking needed. \n\n\n\nLocation: \n\n\n\nGreat Hall \n\n\n\n\n\n\n\n\n\nAbout Schwarzman Centre for the Humanities\n\n\n\n\n			\n				\n			\n		\n\n\n\nSchwarzman Centre for the Humanities is a major new cultural and academic landmark for the University of Oxford\, bringing together seven humanities faculties with performance\, exhibition\, and public engagement spaces under one roof. Located in the Radcliffe Observatory Quarter\, it is designed to foster interdisciplinary collaboration while opening the humanities to a wider public through events\, performances\, and year-round programming. \n\n\n\nAt its heart are world-class venues including a concert hall\, theatre\, cinema\, recital spaces\, and galleries\, supported by flexible teaching and meeting facilities. A central atrium acts as a social hub\, blending academic life with informal gathering spaces\, cafés\, and exhibitions. More than a university facility\, the Centre functions as a civic cultural destination\, connecting scholarship with creative practice and strengthening Oxford’s wider cultural life. \n\n\n\nView venue information
URL:https://theoxfordmagazine.com/event/anna-ridler-a-perfect-language-of-images/
LOCATION:Schwarzman Centre for the Humanities\, Radcliffe Observatory Quarter\, Woodstock Road\, Oxford\, OX2 6GG
CATEGORIES:Exhibitions
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SUMMARY:Wonder of Birds Exhibition
DESCRIPTION:Wonder of Birds Exhibition\n\n\n\n\n\n\n\n\nAbout Wonder of Birds Exhibition\n\n\n\nA major new exhibition at the Bodleian Libraries invites visitors to step into the remarkable world of birds\, exploring their beauty\, symbolism and fragility through art\, literature and science. \n\n\n\nWonder of Birds draws inspiration from The Book of Birds\, created by artist Jackie Morris and writer Robert Macfarlane. Both the exhibition and the book reflect on the decline of bird populations while celebrating their cultural and natural significance. \n\n\n\nCurated by Antonia Harrison\, the exhibition unfolds through seven themed sections – from nest and egg to feather\, flight and migration – combining original artwork and writing with treasures from the Bodleian’s extensive collections. \n\n\n\nVisitors can explore rare and historic material\, including previously unseen glass plate negatives by pioneering wildlife photographer Emma Louisa Turner\, alongside early nature photography from Richard Kearton and his brother Cherry. \n\n\n\nAlso on display are striking life-size illustrations from Birds of America by John James Audubon\, as well as a rare Great Auk egg on loan from Oxford University Museum of Natural History. \n\n\n\nThe exhibition also highlights birds’ enduring influence on culture\, featuring works such as Maya Angelou’s ‘Caged Bird’ and Percy Bysshe Shelley’s handwritten notes on ‘To a Skylark’. Global perspectives include imagery from The Book of the Fixed Stars and the poetic journey of The Conference of the Birds. \n\n\n\nEnhancing the experience\, a specially commissioned soundscape by sound artist Jason Singh immerses visitors in birdsong and natural environments\, while artist duo Daniel & Clara present an interactive ‘Rewilding Imagination field guide’. \n\n\n\n\n			\n				\n			\n		Wonder of Birds poster\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFree admission\, no ticket required \n\n\n\nDates & times: \n\n\n\nSaturday 02 May 2026 to Sunday 03 January 2027 \n\n\n\nMonday to Friday from 9.00am to 5.00pmSaturday from 10.00am to 5.00pmSunday from 11.00am to 4.00pm \n\n\n\nLocation: \n\n\n\nThe Treasury\, Weston Library
URL:https://theoxfordmagazine.com/event/wonder-of-birds/
LOCATION:Bodleian Library – Old Library\, Broad Street\, Oxford\, OX1 3BG\, United Kingdom
CATEGORIES:Exhibitions
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SUMMARY:Kira Freije: Unspeak the Chorus
DESCRIPTION:Kira Freije: Unspeak the Chorus. Photo: Installation image of Kira Freije: Unspeak the Chorus\, The Hepworth Wakefield\, November 2025. Photo credit: Lewis Ronald\n\n\n\n\n\n\n\n\nAbout Kira Freije: Unspeak the Chorus\n\n\n\nWalk amongst Kira Freije’s life-sized figures within an atmospheric and emotionally charged space\, where groupings suggest fragments of larger imagined narratives. \n\n\n\nModern Art Oxford presents Unspeak the Chorus\, the Turner Prize nominated solo exhibition by British artist Kira Freije (b.1985\, lives and works in London)\, featuring a new body of work co-commissioned by Modern Art Oxford and The Hepworth Wakefield. \n\n\n\nThe exhibition is Freije’s first major solo presentation in the UK\, bringing together around twenty hand-welded\, life-size metal figures\, with the artist expanding her practice through the inclusion of animals and textiles. The resulting work transforms the Upper Gallery into an immersive and emotionally charged environment in which human and animal worlds meet. \n\n\n\nFreije’s hand-welded metal figures\, arranged in intimate groupings\, suggest fragments of a story without ever resolving into a fixed narrative. United by a palpable sense of kinship\, the figures appear at once connected and self-contained – celebrating\, loving\, grieving\, guiding\, resting\, reaching and exhaling. While subtle interactions unfold between the sculptures\, Freije deliberately leaves the scene open\, inviting viewers to bring their own interpretations and emotional responses to the work. \n\n\n\nTo create her life-size sculptures\, Freije casts her own hands and feet in aluminium before constructing each figure from the ground up. Welding strips of steel together in a process akin to drawing an outline in space\, she builds skeletal forms that are at once delicate and robust. Faces\, or fragments of faces\, are cast from people close to her; fabric\, found materials and hand-blown glass elements are incorporated to complete materially layered scenes that combine strength and vulnerability. \n\n\n\nDeveloped in collaboration with lighting designer Matt Daw\, Unspeak the Chorus responds directly to the distinctive architecture of Modern Art Oxford’s Upper Gallery\, using atmospheric lighting and staging to heighten the emotional presence of the sculptures. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets for this exhibition can be purchased on the day of your visit at Modern Art Oxford’s Welcome Desk\, or pre-booked online via eventbrite \n\n\n\nBuy tickets \n\n\n\nLocation: \n\n\n\nUpper Gallery 1 \n\n\n\n\n\n\n\n\n\nAbout Modern Art Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\nModern Art Oxford  is one of the UK’s leading contemporary art spaces. At the heart of the gallery’s programme is a commitment to education\, internationalism and inclusion\, founded on the power of visual art and culture to enact positive social change. \n\n\n\nIt offers educational experiences for visitors of all ages\, using art and creativity to reach thousands of people from Oxfordshire and beyond every year. These participatory activities are designed to help visitors explore our exhibitions\, experiment with creative processes and celebrate the relevance of contemporary visual culture to society today. \n\n\n\nModern Art Oxford was founded in 1965\, and has a rich history of bold and progressive programming that promotes diversity and internationalism\, encourages public engagement with creativity and the arts\, and celebrates the importance of contemporary visual culture in today’s society. \n\n\n\nDiscover more about Modern Art Oxford
URL:https://theoxfordmagazine.com/event/kira-freije-unspeak-the-chorus/
LOCATION:Modern Art Oxford\, 30 Pembroke Street\, Oxford\, OX1 1BP\, United Kingdom
CATEGORIES:Exhibitions
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SUMMARY:Olivia Plender: Little Fennel's Complaint
DESCRIPTION:Olivia Plender: Little Fennel’s Complaint. Image: Olivia Plender\, title TBC\, 2026\, Embroidered textile © Olivia Plender\, courtesy Maureen Paley\, London\n\n\n\n\n\n\n\n\nAbout Olivia Plender: Little Fennel’s Complaint\n\n\n\nDiscover the hidden history of women’s bodies\, medicine and resistance through Olivia Plender’s major new solo exhibition. \n\n\n\nModern Art Oxford is delighted to present Little Fennel’s Complaint\, a major solo exhibition by Olivia Plender (b. 1977\, London)\, exploring historic and ongoing inequalities in women’s healthcare\, from early modern witchcraft to contemporary debates on reproductive rights and medical authority. \n\n\n\nPlender developed the exhibition through research with leading Oxford institutions\, including the Bodleian Library\, Oxford Botanic Garden and John Radcliffe Hospital. Across embroidered textiles\, watercolours\, drawings\, mobiles\, and sound works\, she examines how women’s healthcare has been recorded\, classified\, and practised over time. \n\n\n\nThe exhibition combines new commissions\, existing works\, and historic manuscripts to highlight Plender’s multidisciplinary\, research-led practice. Installations trace shifting approaches to medicine and diagnosis\, opening with a presentation inspired by contemporary hospital architectures and waiting rooms. This builds on Plender’s ongoing project Our Bodies are Not the Problem (2021–)\, developed with the Glasgow Women’s Library\, exploring the links between ill health\, disability and structural inequalities. \n\n\n\nHistorical perspectives include Plender’s series Bringing Down the Flowers (2023–)\, watercolours in the style of genteel 19th-century flower paintings of plants historically used to induce abortion\, referencing orally transmitted reproductive knowledge. Three 17th-century manuscripts by astrologer-physician Richard Napier\, on loan from the Bodleian Library\, document consultations with women about their reproductive health\, alongside other ‘women’s problems’ such as ‘green sickness’\, a diagnosis formerly given only to unmarried women. \n\n\n\nDisplayed alongside these is Plender’s hanging mobile (2024) reflecting on humoral medicine (based on the ancient theory of the humours) and other systems of classification from the Renaissance to today. The exhibition culminates in a large-scale embroidered textile loosely based on scenes from the Malleus Maleficarum\, a notorious treatise on witchcraft written by Heinrich Kramer (1486)\, which portrayed women – particularly midwives and healers – as susceptible to demonic influence. \n\n\n\nBy placing historic manuscripts alongside contemporary artworks\, the exhibition asks who has the authority to define what is rational\, legitimate\, and true\, and explores how systems of knowledge shape lived experience while opening possibilities for alternative understandings. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets for this exhibition can be purchased on the day of your visit at Modern Art Oxford’s Welcome Desk\, or pre-booked online via eventbrite \n\n\n\nBuy tickets \n\n\n\nLocation: \n\n\n\nUpper Galleries 2 & 3 \n\n\n\n\n\n\n\n\n\nAbout Modern Art Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\nModern Art Oxford  is one of the UK’s leading contemporary art spaces. At the heart of the gallery’s programme is a commitment to education\, internationalism and inclusion\, founded on the power of visual art and culture to enact positive social change. \n\n\n\nIt offers educational experiences for visitors of all ages\, using art and creativity to reach thousands of people from Oxfordshire and beyond every year. These participatory activities are designed to help visitors explore our exhibitions\, experiment with creative processes and celebrate the relevance of contemporary visual culture to society today. \n\n\n\nModern Art Oxford was founded in 1965\, and has a rich history of bold and progressive programming that promotes diversity and internationalism\, encourages public engagement with creativity and the arts\, and celebrates the importance of contemporary visual culture in today’s society. \n\n\n\nDiscover more about Modern Art Oxford
URL:https://theoxfordmagazine.com/event/olivia-plender-little-fennels-complaint/
LOCATION:Modern Art Oxford\, 30 Pembroke Street\, Oxford\, OX1 1BP\, United Kingdom
CATEGORIES:Exhibitions
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SUMMARY:The Muddle of the Muses
DESCRIPTION:The Muddle of the Muses\n\n\n\n\n\n\n\n\nAbout The Muddle of the Muses\n\n\n\nWhere have the iconic Muses from on top of the Clarendon Building gone? \n\n\n\nRemoved for conservation in 2023\, several of the Muses have been conserved or newly cast in lead.  \n\n\n\nAs part of The Muddle of the Muses\, three of the statues will be on display in Blackwell Hall: Clio representing History (original lead statue)\, Calliope representing Epic Poetry (lead reproduction) and Polyhymnia representing Rhetoric (original statue).  \n\n\n\nDon’t miss this rare chance to see these remarkable sculptures at eye level and discover the intriguing story behind their conservation. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFree event \n\n\n\nDates & times: \n\n\n\nSaturday 23 May to Friday 04 September 2026 \n\n\n\nMonday to Friday from 9.00am to 5.00pm \n\n\n\nSaturday and Sunday from 10.00am to 4.00pm \n\n\n\nLocation: \n\n\n\nBlackwell Hall
URL:https://theoxfordmagazine.com/event/the-muddle-of-the-muses/
LOCATION:Weston Library\, Oxford\, Broad Street\, Oxford\, Oxfordshire\, OX1 3BG
CATEGORIES:Exhibitions
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SUMMARY:OxBright Creative Writers Group
DESCRIPTION:OxBright Creative Writers Group\n\n\n\n\n\n\n\n\nAbout OxBright Creative Writers Group \n\n\n\nAre you a young person with a story to tell\, an imagination that has an imagination of itself or would simply like to be part of a creative and welcoming group? Look no further! \n\n\n\nJoin Creative Writers Group to learn skills in Spoken Word\, Performance Poetry and Playwriting and create your own works to be presented as part of OxBright Festival in July.  \n\n\n\nParticipants should be available for all the dates of this project (08\, 15\, 22 and 29 June\, 06\, 13\, 20\, 21\, 22\, 23 and 24 July). \n\n\n\nThese workshops will be held at Wolvercote Hub (formerly Wolvercote Young People’s Club) and run for three hours each week. Participants should bring a packed lunch with them\, access to a kitchen is available. \n\n\n\nThe aim is to create a welcoming and inclusive space for all young people to flourish and work alongside industry professionals. \n\n\n\n\n\n\n\nFAQs\n\n\n\nWhat is it? \n\n\n\nCreative Writing workshops that lead to a performance/presentation at The North Wall. \n\n\n\nWho is it for? \n\n\n\nYoung People aged 12 to 17 (home educated\, not in education/employment/training\, reduced school timetables) \n\n\n\nWhat is it for?  \n\n\n\nConfidence building\, teamwork\, developing your writing skills and having fun! \n\n\n\nWho will run the workshop? \n\n\n\n2 North Wall facilitators (All holding enhanced DBS certificates and relevant qualifications) \n\n\n\nWhen is it?  \n\n\n\nMondays: 08 June to 13 July from 11.30am to 2.30pm and 20 to 24 July from 10.00am to 4.00pm \n\n\n\nWhere is it?  \n\n\n\nWolvercote Hub during term time and The North Wall during the summer holidays \n\n\n\nWhat is the cost?  \n\n\n\nThis is a free opportunity! It is a delight to confirm that this workshop programme is offered free of charge. The workshops will be delivered by The North Wall team in partnership with educational organisation UCEC. \n\n\n\nThe workshops will lead to a performance which will be part of OxBright Festival at The North Wall this summer (20 to 24 July). The Festival would involve workshops\, performances from other youth groups\, food and lots of fun. \n\n\n\nThe dates of OxBright Festival are 20 to 24 July\, 10.00am to 4.00pm every day and it is totally free for your children to be involved in. Ideally\, your child would need to be available for the full week but if there is an odd day that you are unavailable then we could still make it work. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFree event \n\n\n\nDates & times: \n\n\n\nMonday 08 June to Monday 13 July 2026 at 11.30am \n\n\n\nRunning time: \n\n\n\n3 hours \n\n\n\nLocation:  \n\n\n\nWolvercote Hub (formerly Wolvercote Young People’s Club) \n\n\n\nAge guidance: \n\n\n\n12 to 17 \n\n\n\n\n\n\n\n\n\nAbout The North Wall Arts Centre\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe North Wall Arts Centre is an an award-winning theatre\, gallery and performing arts centre located in Summertown\, North Oxford. The facility was opened in 2007\, and offers a fully flexible 200-seat theatre\, a public art gallery\, as well as studios for dance and drama. \n\n\n\nThe centre is owned by St Edward’s School and shared with the city\, and it was created for the benefit of emerging artists across a range of disciplines. The programme of events at The North Wall places emphasis on new and innovative work. \n\n\n\nDiscover more about The North Wall Arts Centre\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/oxbright-creative-writers-group/
LOCATION:The North Wall Arts Centre\, South Parade\, Oxford\, OX2 7JN
CATEGORIES:Workshops
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SUMMARY:34: The critical raw materials shaping our future
DESCRIPTION:34: The critical raw materials shaping our future\n\n\n\n\n\n\n\n\nAbout Breaking Ground\n\n\n\n34: The Critical Raw Materials Shaping Our Future is a major new exhibition at Oxford University Museum of Natural History explores the hidden materials that power modern life — from smartphones and batteries to medical equipment and jet engines. \n\n\n\nThe exhibition examines the 34 raw materials considered essential to the UK’s future\, revealing the global supply chains\, ethical challenges and scientific innovations behind the minerals that underpin everyday technology. \n\n\n\nDeveloped in collaboration with researchers from the University of Oxford’s Oxford EARTH Programme and departments across the physical\, life and social sciences\, the exhibition explores how increasing demand for green energy and digital technology is transforming the global race for critical materials. \n\n\n\nVisitors can discover why substances such as lithium\, cobalt and rare earth elements are so important to modern society\, why supply chains are becoming increasingly fragile\, and how scientists and industry are searching for more sustainable and ethical ways to source\, use and recycle these materials. \n\n\n\nThrough interactive displays\, scientific research\, historic objects and contemporary technologies\, the exhibition examines the future of extraction\, sustainability and resource security\, while highlighting the environmental and geopolitical challenges linked to critical raw materials. \n\n\n\nDesigned for audiences of all ages\, the exhibition is accompanied by a programme of talks\, workshops\, tours and family activities exploring the science\, ethics and global impact of the materials shaping our future. \n\n\n\nWhat are critical raw materials?\n\n\n\nCritical raw materials are those essential to key technologies but their supply may be limited\, unsustainable or unethical. Critical raw materials tend to have unique chemical properties which make them difficult to replace in technology. The UK government includes 34 raw materials on its designated critical list\, but lists vary from country to country. \n\n\n\n\n\n\naluminium\n\n\n\nantimony\n\n\n\nbismuth\n\n\n\nborates\n\n\n\ncobalt\n\n\n\ngallium\n\n\n\ngermanium\n\n\n\nhafnium\n\n\n\nhelium\n\n\n\nindium\n\n\n\niridium\n\n\n\niron\n\n\n\n\n\n\n\nlithium\n\n\n\nmagnesite\n\n\n\nmagnesium\n\n\n\nmanganese\n\n\n\nnatural graphite\n\n\n\nnickel\n\n\n\nniobium\n\n\n\nphosphorus\n\n\n\nplatinum\n\n\n\nrare earth elements (REEs)\n\n\n\nrhenium\n\n\n\n\n\n\n\nrhodium\n\n\n\nruthenium\n\n\n\nsilicon\n\n\n\nsodium\n\n\n\ntantalum\n\n\n\ntellurium\n\n\n\ntin\n\n\n\ntitanium\n\n\n\ntungsten\n\n\n\nvanadium\n\n\n\nzinc\n\n\n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices: \n\n\n\n\nEntry to the Museum is FREE and not ticketed.\n\n\n\nNo booking required.\n\n\n\nBooking is required for organisations/groups of more than ten people visiting on the same day.\n\n\n\n\nOpening hours: \n\n\n\n\nMonday to Sunday from 10.00am to 5.00pm\n\n\n\nLast entry at 4.45pm\n\n\n\nClosed on 24\, 25\, & 26 December\n\n\n\n\nAccessibility: \n\n\n\nPlease contact the friendly team at the museum by telephone (01865 272 950) or email (foh@oum.ox.ac.uk) \n\n\n\n\n\n\n\n\nGallery\n\n\n\nClick images to expand \n\n\n\n\nBattery Ores\n\n\n\nBismuth\n\n\n\nCobalt\n\n\n\nDysprosium\n\n\n\nHalite\n\n\n\nREEs\n\n\n\n\nImage credit: Sarah Bell
URL:https://theoxfordmagazine.com/event/34-the-critical-raw-materials-shaping-our-future/
LOCATION:Oxford University Museum of Natural History\, Parks Road\, Oxford\, Oxfordshire
CATEGORIES:Exhibitions
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SUMMARY:Appau Jnr Boakye-Yiadom: Modular Merger
DESCRIPTION:Appau Jnr Boakye-Yiadom: Modular Merger. Photograph: Bate Collection research\, 2025. Photo credit: Victor Frankowski.\n\n\n\n\n\n\n\n\nAbout Appau Jnr Boakye-Yiadom: Modular Merger\n\n\n\nSound\, performance and museum display come together in Modular Merger\, a new exhibition by Appau Jnr Boakye-Yiadom exploring how collections shape the way we experience objects\, instruments and sound. \n\n\n\nDeveloped through research into the Bate Collection of Musical Instruments at the University of Oxford\, the exhibition brings together sound\, video and photography to consider what is revealed and concealed through the collection\, preservation and display of musical instruments. \n\n\n\nAt its centre is a new sound work created using recordings of historic instruments from the collection. Individual sounds unfold and accumulate over time\, inviting visitors to experience the instruments both separately and collectively. Throughout the exhibition\, fragmented images\, repeated forms and acts of cataloguing reflect on the ways museums organise and interpret objects. \n\n\n\nModular Merger marks the culmination of the inaugural Donna Lynas Residency (2023–26)\, a partnership between Wysing Arts Centre\, Modern Art Oxford\, Somerset House and South London Gallery\, created in memory of the curator Donna Lynas\, who was known for her long-term support of artist development. \n\n\n\nThis exhibition is supported by TORCH | The Oxford Research Centre in the Humanities\, part of the University of Oxford’s Humanities Division. It was made possible through collaboration with the Bate Collection of Musical Instruments. \n\n\n\n\n\n\n\nRelated events\n\n\n\nAppau Jnr Boakye-Yiadom Artist In-Conversation \n\n\n\n18 June 2026 from 6.00pm to 6.30pm. Free. Booking essential. \n\n\n\nJoin artist Appau Jnr Boakye-Yiadom in conversation ahead of the opening of Modular Merger\, a new exhibition at Modern Art Oxford. Discover the ideas behind the work\, the artist’s research process\, and how historical instruments from the Bate Collection of Musical Instruments have been reimagined within the exhibition. \n\n\n\nAppau Jnr Boakye-Yiadom: Preview Party \n\n\n\n18 June 2026 from 6.30pm to 9.00pm. Free. \n\n\n\nCelebrate the opening of Appau Jnr Boakye-Yiadom’s exhibition Modular Merger with an evening of art and music. Featuring DJ sets from FLOW Sound System in the yard\, this celebration for the opening of Appau Jnr Boakye-Yiadom’s exhibition Modular Merger promises to be an inspiring evening of art and music. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nThis exhibition is supported by TORCH | The Oxford Research Centre in the Humanities\, part of the University of Oxford’s Humanities Division. It was made possible through collaboration with the Bate Collection of Musical Instruments. \n\n\n\n\n\n\n\n\n\nAbout Modern Art Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\nModern Art Oxford  is one of the UK’s leading contemporary art spaces. At the heart of the gallery’s programme is a commitment to education\, internationalism and inclusion\, founded on the power of visual art and culture to enact positive social change. \n\n\n\nIt offers educational experiences for visitors of all ages\, using art and creativity to reach thousands of people from Oxfordshire and beyond every year. These participatory activities are designed to help visitors explore our exhibitions\, experiment with creative processes and celebrate the relevance of contemporary visual culture to society today. \n\n\n\nModern Art Oxford was founded in 1965\, and has a rich history of bold and progressive programming that promotes diversity and internationalism\, encourages public engagement with creativity and the arts\, and celebrates the importance of contemporary visual culture in today’s society. \n\n\n\nDiscover more about Modern Art Oxford
URL:https://theoxfordmagazine.com/event/appau-jnr-boakye-yiadom-modular-merger/
LOCATION:Modern Art Oxford\, 30 Pembroke Street\, Oxford\, OX1 1BP\, United Kingdom
CATEGORIES:Exhibitions
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SUMMARY:The Oxford Shakespeare Festival 2026
DESCRIPTION:The Oxford Shakespeare Festival 2026\n\n\n\n\n\n\n\n\nAbout The Oxford Shakespeare Festival 2026\n\n\n\nOne summer\, three incredible live performances in the heart of Oxford The Oxford Shakespeare Festival is back for its 16th year with three outstanding productions\, live in the Castleyard throughout the summer. \n\n\n\nThe Oxford Shakespeare Festival is an outdoor theatre experience that takes place in the courtyard of Oxford Castle & Prison.  \n\n\n\n\n\n\n\n\nWhat’s on this year\n\n\n\n\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\nShakespeare’s Julius Caesar \n\n\n\nBy BMH Productions \n\n\n\n22 June  – 04 July \n\n\n\nJoin BMH in celebrating 20 years of theatre-making in Oxford and 11 years at Oxford Castle & Prison\, as they bring their trademark fast-paced\, accessible production to Shakespeare’s Julius Caesar. \n\n\n\nAs the Roman Republic falters and Julius Caesar consolidates power\, assassination sparks a struggle over Rome’s future: can ideals survive ambition\, or is dictatorship inevitable? \n\n\n\nFIND OUT MORE \n\n\n\n\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\nMacbeth at Oxford Castle \n\n\n\nBy Wild Goose Theatre \n\n\n\n06 July – 01 August \n\n\n\nWild Goose Theatre returns for its 15th successive year\, transforming Oxford Castle & Prison into a world of ambition\, prophecy\, and bloody consequence. Beneath summer skies and ancient stone\, Macbeth draws audiences into a gripping tale of power and guilt\, where fate is whispered by witches and crowns are won at a terrible cost\, placing you at the heart of the action in a truly unforgettable setting. \n\n\n\nFIND OUT MORE \n\n\n\n\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\nRomeo & Juliet 2026 \n\n\n\nBy Siege Theatre \n\n\n\n03 August – 15 August \n\n\n\nFor their landmark 10th season\, Siege Theatre return with a bold reimagining of the world’s greatest love story\, set during the American War of Independence. \n\n\n\nIn a time of explosive conflict and divided loyalties\, honour still matters\, and two star-crossed lovers are forced to choose between duty to family and country or their devotion to each other. \n\n\n\nFIND OUT MORE \n\n\n\n\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\nYorick or the Skull \n\n\n\nBy Greensleeved \n\n\n\n21 August – 22 August \n\n\n\nGreensleeved Productions joins Oxford Shakespeare Festival for the first time\, with Yorick or the Skull.   \n\n\n\nThe story begins on the night Hamlet is born. We meet court jester Yorick and his closest friend\, Hamlet\, who has just become king but remains unskilled in navigating state matters. At the same time\, a serious land dispute with King Fortinbras of Norway looms over the kingdom. \n\n\n\nFIND OUT MORE \n\n\n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nAdult – £20.00Concessions – £18.00 \n\n\n\nDates & times:  \n\n\n\nMonday 22 June to Saturday 22 August 2026 \n\n\n\nPlease note that performances do not run on Sundays \n\n\n\nRunning time:  \n\n\n\n2 hours\, including an interval \n\n\n\nDress code:  \n\n\n\nThis is an outdoor theatre performance\, in the courtyard of Oxford Castle\, so please be prepared for whatever the weather may bring! \n\n\n\nGood to know: \n\n\n\n\nConcession tickets are available for children\, students with valid ID and seniors.\n\n\n\nFree tickets for carers are available to book by emailing us at info@oxfordcastleandprison.co.uk. Please see our list of accepted carer IDs here.\n\n\n\nFor group rates we allocate one free adult ticket for every 15 students.
URL:https://theoxfordmagazine.com/event/the-oxford-shakespeare-festival/
LOCATION:Oxford Castle & Prison\, 44-46 Oxford Castle\, Oxford\, OX1 1AY
CATEGORIES:Plays
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SUMMARY:Cally Trench and Tineke Bruijnzeels: Day after day after day
DESCRIPTION:Day after day after day: an image combining Tineke Bruijnzeels\, ‘154 lines’\, oil pastel on paper (6 Jan 2024) and Cally Trench\, ‘Left Hand\, Right Hand 334’ (3 July 2024). \n\n\n\n\n\n\n\n\nAbout Cally Trench and Tineke Bruijnzeels: Day after day after day \n\n\n\nDaily drawings by the two artists lie at the heart of this exhibition: Tineke Bruijnzeels’ project ‘One more line a day’ using a wide variety of materials and Cally Trench’s ‘Left Hand\, Right Hand’ drawings in ink.  \n\n\n\nBoth projects reveal the passage of time\, and focus on the unit of the day – the most important measure of time in our lives\, the unit that governs our routines of waking\, sleeping\, eating and work. \n\n\n\nThe exhibition also includes Tineke’s new patterned abstract oil paintings; curiosity and play are the driving forces behind this project: within the rules that Tineke has set herself\, what will emerge? \n\n\n\nThis will also be the first chance to see Cally’s new series of drawings of flooded houses\, which continue her exploration of the fragility of everyday life\, as well as a new board game and animation films.  \n\n\n\nExhibition Opening: \n\n\n\nTuesday 30 June from 6.00pm to 8.00pm \n\n\n\nDrawing Workshop with the Artists: \n\n\n\nThursday 20 July from 2.00pm to 3.30pm \n\n\n\nFree event. Booking required \n\n\n\nMeet Cally Trench: \n\n\n\nWednesday 15 July from 11.00am to 12.30pm \n\n\n\nExhibition Tour and Discussion with the Artists: \n\n\n\nSaturday 08 August from 2.00pm to 4.00pm \n\n\n\nFree event. Booking required \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFree entry \n\n\n\nDates & times: \n\n\n\nTuesday 30 June to Saturday 08 August 2026 \n\n\n\n\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n\n\n\n\nAbout The North Wall Arts Centre\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe North Wall Arts Centre is an an award-winning theatre\, gallery and performing arts centre located in Summertown\, North Oxford. The facility was opened in 2007\, and offers a fully flexible 200-seat theatre\, a public art gallery\, as well as studios for dance and drama. \n\n\n\nThe centre is owned by St Edward’s School and shared with the city\, and it was created for the benefit of emerging artists across a range of disciplines. The programme of events at The North Wall places emphasis on new and innovative work. \n\n\n\nDiscover more about The North Wall Arts Centre\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/cally-trench-and-tineke-bruijnzeels-day-after-day-after-day/
LOCATION:The North Wall Arts Centre\, South Parade\, Oxford\, OX2 7JN
CATEGORIES:Exhibitions
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SUMMARY:Oxford Comedy Festival 2026
DESCRIPTION:Oxford Comedy Festival 2026\n\n\n\n\n\n\n\n\nAbout Oxford Comedy Festival 2026\n\n\n\nThe Oxford Festival Fringe Preview Comedy Festival (Oxford Comedy Festival) is a month-long comedy festival that takes place in Oxford throughout July and curated by QED Comedy Lab. \n\n\n\nThe festival brings the best comedians headed to Edinburgh and other large festivals to the Oxford community. \n\n\n\nThe festival has a particular interest in amplifying traditionally underrepresented voices\, such as women\, the global majority\, and LGBTQ+ comedians\, as well as giving a stage to more experimental shows. \n\n\n\nThe ultimate goal is to bring the talent that people love to Oxford to share with as many people as possible – and there were over 50 amazing shows planned at different venues around town\, including: \n\n\n\n\nTap Social Movement\n\n\n\nTrinity College Beer Cellar\n\n\n\nPegasus Theatre\n\n\n\nThe Ultimate Picture Place\n\n\n\n\n\n\n\n\nFestival line-up\n\n\n\nTap Social Movement \n\n\n\n\nWednesday 01 July at 8:00pm – Loremen Live!\n\n\n\nWednesday 01 July at 9:15pm – Kate Cheka: The Last Funny Woman\n\n\n\nTuesday 07 July at 7:30pm – Eddy Hare\n\n\n\nMonday 07 July at 9:00pm – Bec Hill Creates the Perfect Show\n\n\n\nMonday 13 July at 7:30pm – Matt Forde\n\n\n\nMonday 13 July at 9:00pm – Kate Smurthwaite writes a brand new show in 24 hours based on audience suggestions\n\n\n\nTuesday 14 July at 7:30pm – Esther Manito/Matt Richardson\n\n\n\nTuesday 14 July at 9:00pm – Sara Barron\n\n\n\nMonday 20 July at 6:00pm – Rachel Fairburn: Vexy Beasts\n\n\n\nMonday 20 July at 8:00pm – Pat Cahill: PatatOnatTheatBackatFootatFoward\n\n\n\nTuesday 21 July at 7:30pm – Jack Barry : Let’s Get Barried\n\n\n\nTuesday 21 July at 9:00pm – Glenn Moore\n\n\n\nMonday 27 July at 7:30pm – Bilal Zafar\n\n\n\nMonday 27 July at 9:00pm – Pierre Novellie\n\n\n\nTuesday 28 July at 7:30pm – Tom Ballard: Be Funny Challenge (Impossible)\n\n\n\nTuesday 28 July at 9:00pm – Rob Auton: Jupiter\n\n\n\nWednesday 29 July at 7:30pm – Maisie Adam\n\n\n\nWednesday 29 July at 9:00pm – Bella Hull\n\n\n\n\nTrinity College Beer Cellar \n\n\n\n\nThursday 02 July at 7:30pm – Andrew White: What a life\n\n\n\nThursday 02 July at 9:00pm – Marise Gaughan \n\n\n\nFriday 03 July at 7:30pm – Freya McGhee \n\n\n\nFriday 03 July at 9:00pm – Dee Alum \n\n\n\nThursday 09 July at 7:30pm – Catherine Bohart \n\n\n\nThursday 09 July at 9:00pm – Grace Jarvis: Getting Dragged Backwards Through a Hedge \n\n\n\nFriday 10 July at 7:30pm – Celya AB \n\n\n\nFriday 10 July at 9:00pm – Adam Flood: The Drop \n\n\n\nThursday 16 July at 7:30pm – Amy Matthews: Definitions Of Toast \n\n\n\nThursday 16 July at 9:00pm – Alex Franklin: Kiss Me x \n\n\n\nFriday 17 July at 7:00pm – Tadiwa Mahlunge \n\n\n\nFriday 17 July at 9:00pm – Adele Cliff \n\n\n\nSaturday 18 July at 7:00pm – Yuriko Kotani \n\n\n\nSaturday 18 July at 9:00pm – Hasan AlatHabib \n\n\n\nThursday 23 July at 7:30pm – Eric Rushton \n\n\n\nThursday 23 July at 9:00pm – Katie Norris \n\n\n\nFriday 24 July at 7:30pm – Ayo Adenekan: We’ve Hit the Second Hour\n\n\n\nFriday 24 July at 9:00pm – TBA\n\n\n\nFriday 31 July at 7:30pm – Dom McGovern: Prize Hog \n\n\n\nFriday 31 July at 9:00pm – Caitriona Dowden: Sesh Head\n\n\n\n\nPegasus Theatre \n\n\n\n\nSunday 05 July at 2:00pm – Bec Hill Treats You Like a Child for an Hour \n\n\n\nSunday 19 July at 2:00pm – Iszi Lawrence: Pirates\, Pharoahs and Pterosaurs \n\n\n\n\nThe Ultimate Picture Place \n\n\n\n\nSunday 28 June at 8:00pm – Legally Blonde\n\n\n\nSunday 12 July at 8:00pm – What We Do in the Shadows\n\n\n\nSunday 26 July at 8:00pm – Sherlock Jr. X R.E.M.\n\n\n\n\nVisit the festival website for a tickets and further details.
URL:https://theoxfordmagazine.com/event/oxford-comedy-festival/
LOCATION:Tap Social Movement\, 27 Curtis Industrial Estate\, North Hinksey Lane\, Oxford\, OX2 0LX
CATEGORIES:Comedy
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SUMMARY:Death Café
DESCRIPTION:Death Café\n\n\n\n\n\n\n\n\nAbout Death Café\n\n\n\nWe all share the knowledge that one day we shall die: \n\n\n\nDeath Cafes\, supported by experienced facilitators\, offer a safe place for people of all ages and beliefs (or none) to come together and share open\, relaxed conversations around death and dying over tea and cake. \n\n\n\nFar from being awkward or morbid\, these discussions are informative\, open\, friendly and supportive. There can even be humour\, as people begin to make connections\, ask questions and find relief in talking openly with others who share similar thoughts\, fears or experiences. \n\n\n\nIt’s FREE\, but please turn up a few minutes early so we can start promptly; these meetings can by their very nature be fairly intimate and we ask you not to arrive late or leave early if you possibly can.  \n\n\n\nCafe facilities are closed on Mondays\, so you’re welcome to bring your own drinks. Biscuits are provided and a small donation is gratefully accepted. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nRunning time: \n\n\n\n1 hour 30 minutes \n\n\n\n\n\n\n\n\n\nAbout The Old Fire Station\n\n\n\n\n\n\n\nThe Old Fire Station in Oxford is an arts centre with a unique social mission\, combining creativity with community impact. Located in the city centre\, it hosts a vibrant programme of theatre\, exhibitions\, music\, comedy\, and workshops.  \n\n\n\nIt shares its space with the homelessness charity Crisis Skylight Oxford\, supporting people experiencing homelessness through training and opportunities in the arts. By bringing artists\, audiences\, and vulnerable communities together\, The Old Fire Station aims to challenge inequality and inspire positive change. \n\n\n\nDiscover more about The Old Fire Station\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/death-cafe/
LOCATION:Old Fire Station\, Oxford\, 40 George Street\, Oxford\, Oxfordshire\, OX1 2AQ
CATEGORIES:Talks
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SUMMARY:Michelle Wolf: Best Job In The World
DESCRIPTION:Michelle Wolf: Best Job In The World\n\n\n\n\n\n\n\n\nAbout Michelle Wolf: Best Job In The World\n\n\n\nA brand new stand up show from the chaotic mind of a mother of two who is typing this with one hand because the other is always holding someone or something. \n\n\n\nMichelle Wolf delivers a hilarious deconstruction of society\, gender roles and testicles. Metaphorically. For the love of God\, metaphorically. You’ll learn\, you’ll laugh and you’ll find out what is actually the best job in the world. \n\n\n\nWolf has released four stand-up specials across Netflix and HBO to critical acclaim\, including a Primetime Emmy nomination for Outstanding Writing for a Variety Special.  \n\n\n\nShe is also known for her appearances on The Daily Show (Comedy Central)\, The Break with Michelle Wolf (Netflix)\, and making international headlines as the much-buzzed-about headliner of the 2018 White House Correspondents’ Dinner.  \n\n\n\nIn the UK she has guested on shows such as Have I Got News for You\, QI and Would I Lie to You? (BBC). \n\n\n\n\n\n\n\nReviews\n\n\n\n\n“Influential\, daring and brilliant.”  \n\n\n\nRolling Stone \n\n\n\n\n\n“Smart and sly.”  \n\n\n\nThe Guardian \n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\n£17.00 to £34.00 \n\n\n\nDates & times: \n\n\n\nMonday 06 July 2026 at 7.30pm \n\n\n\nRunning time: \n\n\n\nThis show does not include an interval \n\n\n\nAge guidance: \n\n\n\n14+ \n\n\n\nContent guidance: \n\n\n\nThis show contains strong language. \n\n\n\n\n\n\n\n\n\nAbout Oxford Playhouse\n\n\n\n\n			\n				\n			\n		\n\n\n\nOxford Playhouse and its Burton Taylor Studio present and produce several live performances and feature a rich array of British and international dramas\, family entertainment\, contemporary dance and music\, student and amateur shows\, comedy\, lectures and poetry. \n\n\n\nThe Playhouse not only produces and tours its own theatrical productions\, but it also fosters creativity through its Artists in Residence program and the Playhouse Plays Out series\, which brings unique events to various locations across the county. \n\n\n\nThe theatre’s Participation Team engages over 15\,000 individuals annually\, offering an extensive range of activities\, including post-show discussions\, workshops\, work experience opportunities\, holiday programs\, a youth theatre\, and a company for young performers. \n\n\n\nOxford Playhouse stands dedicated to its mission of being a Playhouse for all\, striving to ignite inspiration and bring about transformative experiences through its commitment to creativity on its stages\, within its community and online. \n\n\n\nDiscover more about Oxford Playhouse\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/michelle-wolf-best-job-in-the-world/
LOCATION:Oxford Playhouse\, Beaumont Street\, Oxford\, Oxfordshire\, OX1 2LW\, United Kingdom
CATEGORIES:Comedy
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