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SUMMARY:In Bloom: How Plants Changed Our World
DESCRIPTION:About In Bloom: How Plants Changed Our World\n\n\n\nWhat do we really know about the plants and flowers in our gardens and window boxes? Beyond their beauty\, many hold hidden histories – tales of exploration\, obsession\, and knowledge. \n\n\n\nIn Bloom: How Plants Changed Our World is a major new exhibition that takes visitors on a journey from Oxford to the farthest corners of the globe\, uncovering the fascinating stories behind some of Britain’s most beloved blooms\, from roses and tulips to camellias and peonies. \n\n\n\nFeaturing over 100 artworks and objects – including drawings\, paintings\, rare prints\, and ceramics – the exhibition explores our changing relationship with the natural world. \n\n\n\nFrom the curiosity and ingenuity of early plant explorers to the global networks that shaped trade\, In Bloom reveals how the pursuit of exotic plants transformed landscapes\, economies\, and cultures\, leaving a legacy that continues to influence our world today. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nTickets for this major exhibition will be available to book later in the year. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets for In Bloom: How Plants Changed Our World will be available to book later in the year.  \n\n\n\nVisitors who are Ashmolean Members can enjoy unlimited free access to this major exhibition\, along with exclusive benefits including Members’ Exhibition Previews\, special events\, and discounts in the museum shop\, café\, and restaurant. \n\n\n\nAshmolean Members are invited to the Members’ Exhibition Preview on 18 March 2026\, offering an early opportunity to explore the exhibition before it opens to the public.  \n\n\n\nMembership also includes a twice-yearly magazine and helps support the museum’s work and programmes. For those considering joining\, becoming a Member ensures free access to all exhibitions and a range of exclusive experiences throughout the year. \n\n\n\n\n\n\n\n\n\nGallery\n\n\n\n\n\n			\n				\n			\n		A Vase of Flowers\, Simon Verelst\, c. 1669–1675\, oil on canvas\, © Ashmolean Museum \n\n\n\n\n			\n				\n			\n		John Tradescant the Younger as a Gardener\, attributed to Thomas de Critz\, 1648–1653\, oil on canvas © Ashmolean Museum \n\n\n\n\n			\n				\n			\n		Nelumbo lutea (yellow lotus)\, herbarium biological drawing\, Mark Catesby\, 1722\, ink on paper © Oxford University Herbaria\, Department of Biology \n\n\n\n\n			\n				\n			\n		Kew Wardian case\, c. 1870\, wood & glass. Courtesy Royal Botanic Gardens\, Kew\n\n\n\n\n			\n				\n			\n		Study of an Oriental poppy\, May Morris\, 1879\, watercolour & some bodycolour over indications in graphite © Ashmolean Museum\n\n\n\n\n			\n				\n			\n		Girl Smelling Orchids\, Sir Lawrence Alma Tadema\, 1879\, oil on panel. Courtesy the Richard Green Gallery\, London \n\n\n\n\n			\n				\n			\n		Pharmacy jar for mithridate\, Lambeth Pottery Factory\, c. 1738\, tin-glazed ceramic © Ashmolean Museum \n\n\n\n\n			\n				\n			\n		Plant model of Hypericum/St John’s Wort (detail)\, Robert Brendel\, c. 1860–1880\, papier mâché & wood © Oxford University Herbaria\, Department of Biology \n\n\n\n\n			\n				\n			\n		Duncan Grant\, Hollyhock\, Charleston\, Kate Friend\, 2019\, C-type print. Courtesy of the artist & Lyndsey Ingram \n\n\n\n\n			\n				\n			\n		‘What Is It In A Name’\, Anahita Norouzi\, 2022\, glass & brass. Courtesy of the artist & Galerie Nicolas Robert
URL:https://theoxfordmagazine.com/event/in-bloom-how-plants-changed-our-world/
LOCATION:Ashmolean Museum\, 35 Beaumont Street\, Oxford\, Oxfordshire\, OX1 2PH
CATEGORIES:Exhibitions
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SUMMARY:Anna Ridler: A Perfect Language of Images
DESCRIPTION:Anna Ridler: A Perfect Language of Images\n\n\n\n\n\n\n\n\nAbout Anna Ridler: A Perfect Language of Images\n\n\n\nAnna Ridler is an artist whose work explores the creative and societal possibilities of artificial intelligence\, often through self-built datasets that question how knowledge is constructed\, classified\, and shared. \n\n\n\nAn Oxford University alumna\, her work has been exhibited internationally at institutions including the V&A and the Centre Pompidou\, and she has been recognised by Ars Electronica and Artnet as one of nine pioneering artists working with AI. \n\n\n\nThe digital artwork\, created in collaboration with Dr William Poole from the Faculty of English at the University of Oxford\, brings together three pieces by Ridler under the title A Perfect Language of Images. \n\n\n\nIt is inspired by Oxford scholar John Wilkins’ 1668 attempt to classify the world through a universal philosophical language\, and Jorge Luis Borges’ later critique of such systems as inherently incomplete and unstable. \n\n\n\nDrawing these ideas into conversation with contemporary machine learning\, the work reflects on how generative systems inherit the same ambition towards totalising order\, while continually revealing its limits. \n\n\n\nIn doing so\, Ridler’s installation exposes the tension between classification and complexity\, highlighting what can be approximated\, what resists categorisation\, and what ultimately escapes representation. \n\n\n\n\n\nWork 1:+\n\n\n\n\nA Catalogue of Exceptions shows some of the things that strain or fail to fit within Wilkins’ taxonomy. Throughout the system there are acknowledged difficulties; organisms that are “imperfect”\, “strange originals” and things suspended in “betwixt” categories: coral that is neither mineral nor plant\, fungi that “seem to want” essential parts\, zoophytes suspended between kingdoms. \n\n\n\nCreated using roughly a decade of different generative systems (2016–2025)\, each with its own unique aesthetic\, and trained on imagery drawn from Wilkins’ own descriptions\, it becomes almost a cabinet of curiosities\, even as the logic that links each image remains unstable or not immediately legible. \n\n\n\n\n\n\nWork 2:+\n\n\n\n\nBetween Things displays Wilkins’ phrases as evidence of classification under pressure—instances where his system hesitates\, hedges\, and cannot decide. Handwritten text is rendered large and placed into the environment as a record of doubt\, but one that is only visible at 3am\, for an hour. \n\n\n\n\n\n\nWork 3:+\n\n\n\n\nAn Infinity of Lists assembles Wilkins’ language itself\, showing every word used in his system\, first mapped to the hierarchy he imposed\, then gradually reframed through the logic of word2vec. \n\n\n\nOver the duration of the work the mapping shifts from the symbolic architecture of Wilkins’ invented order toward statistical relations in learned embedding space. The piece flutters between word\, image\, and symbol\, making visible how translation across systems and across time changes what counts as related. \n\n\n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nDates & times: \n\n\n\nOpen daily. No booking needed. \n\n\n\nLocation: \n\n\n\nGreat Hall \n\n\n\n\n\n\n\n\n\nAbout Schwarzman Centre for the Humanities\n\n\n\n\n			\n				\n			\n		\n\n\n\nSchwarzman Centre for the Humanities is a major new cultural and academic landmark for the University of Oxford\, bringing together seven humanities faculties with performance\, exhibition\, and public engagement spaces under one roof. Located in the Radcliffe Observatory Quarter\, it is designed to foster interdisciplinary collaboration while opening the humanities to a wider public through events\, performances\, and year-round programming. \n\n\n\nAt its heart are world-class venues including a concert hall\, theatre\, cinema\, recital spaces\, and galleries\, supported by flexible teaching and meeting facilities. A central atrium acts as a social hub\, blending academic life with informal gathering spaces\, cafés\, and exhibitions. More than a university facility\, the Centre functions as a civic cultural destination\, connecting scholarship with creative practice and strengthening Oxford’s wider cultural life. \n\n\n\nView venue information
URL:https://theoxfordmagazine.com/event/anna-ridler-a-perfect-language-of-images/
LOCATION:Schwarzman Centre for the Humanities\, Radcliffe Observatory Quarter\, Woodstock Road\, Oxford\, OX2 6GG
CATEGORIES:Exhibitions
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SUMMARY:Wonder of Birds Exhibition
DESCRIPTION:Wonder of Birds Exhibition\n\n\n\n\n\n\n\n\nAbout Wonder of Birds Exhibition\n\n\n\nA major new exhibition at the Bodleian Libraries invites visitors to step into the remarkable world of birds\, exploring their beauty\, symbolism and fragility through art\, literature and science. \n\n\n\nWonder of Birds draws inspiration from The Book of Birds\, created by artist Jackie Morris and writer Robert Macfarlane. Both the exhibition and the book reflect on the decline of bird populations while celebrating their cultural and natural significance. \n\n\n\nCurated by Antonia Harrison\, the exhibition unfolds through seven themed sections – from nest and egg to feather\, flight and migration – combining original artwork and writing with treasures from the Bodleian’s extensive collections. \n\n\n\nVisitors can explore rare and historic material\, including previously unseen glass plate negatives by pioneering wildlife photographer Emma Louisa Turner\, alongside early nature photography from Richard Kearton and his brother Cherry. \n\n\n\nAlso on display are striking life-size illustrations from Birds of America by John James Audubon\, as well as a rare Great Auk egg on loan from Oxford University Museum of Natural History. \n\n\n\nThe exhibition also highlights birds’ enduring influence on culture\, featuring works such as Maya Angelou’s ‘Caged Bird’ and Percy Bysshe Shelley’s handwritten notes on ‘To a Skylark’. Global perspectives include imagery from The Book of the Fixed Stars and the poetic journey of The Conference of the Birds. \n\n\n\nEnhancing the experience\, a specially commissioned soundscape by sound artist Jason Singh immerses visitors in birdsong and natural environments\, while artist duo Daniel & Clara present an interactive ‘Rewilding Imagination field guide’. \n\n\n\n\n			\n				\n			\n		Wonder of Birds poster\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFree admission\, no ticket required \n\n\n\nDates & times: \n\n\n\nSaturday 02 May 2026 to Sunday 03 January 2027 \n\n\n\nMonday to Friday from 9.00am to 5.00pmSaturday from 10.00am to 5.00pmSunday from 11.00am to 4.00pm \n\n\n\nLocation: \n\n\n\nThe Treasury\, Weston Library
URL:https://theoxfordmagazine.com/event/wonder-of-birds/
LOCATION:Bodleian Library – Old Library\, Broad Street\, Oxford\, OX1 3BG\, United Kingdom
CATEGORIES:Exhibitions
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SUMMARY:Kira Freije: Unspeak the Chorus
DESCRIPTION:Kira Freije: Unspeak the Chorus. Photo: Installation image of Kira Freije: Unspeak the Chorus\, The Hepworth Wakefield\, November 2025. Photo credit: Lewis Ronald\n\n\n\n\n\n\n\n\nAbout Kira Freije: Unspeak the Chorus\n\n\n\nWalk amongst Kira Freije’s life-sized figures within an atmospheric and emotionally charged space\, where groupings suggest fragments of larger imagined narratives. \n\n\n\nModern Art Oxford presents Unspeak the Chorus\, the Turner Prize nominated solo exhibition by British artist Kira Freije (b.1985\, lives and works in London)\, featuring a new body of work co-commissioned by Modern Art Oxford and The Hepworth Wakefield. \n\n\n\nThe exhibition is Freije’s first major solo presentation in the UK\, bringing together around twenty hand-welded\, life-size metal figures\, with the artist expanding her practice through the inclusion of animals and textiles. The resulting work transforms the Upper Gallery into an immersive and emotionally charged environment in which human and animal worlds meet. \n\n\n\nFreije’s hand-welded metal figures\, arranged in intimate groupings\, suggest fragments of a story without ever resolving into a fixed narrative. United by a palpable sense of kinship\, the figures appear at once connected and self-contained – celebrating\, loving\, grieving\, guiding\, resting\, reaching and exhaling. While subtle interactions unfold between the sculptures\, Freije deliberately leaves the scene open\, inviting viewers to bring their own interpretations and emotional responses to the work. \n\n\n\nTo create her life-size sculptures\, Freije casts her own hands and feet in aluminium before constructing each figure from the ground up. Welding strips of steel together in a process akin to drawing an outline in space\, she builds skeletal forms that are at once delicate and robust. Faces\, or fragments of faces\, are cast from people close to her; fabric\, found materials and hand-blown glass elements are incorporated to complete materially layered scenes that combine strength and vulnerability. \n\n\n\nDeveloped in collaboration with lighting designer Matt Daw\, Unspeak the Chorus responds directly to the distinctive architecture of Modern Art Oxford’s Upper Gallery\, using atmospheric lighting and staging to heighten the emotional presence of the sculptures. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets for this exhibition can be purchased on the day of your visit at Modern Art Oxford’s Welcome Desk\, or pre-booked online via eventbrite \n\n\n\nBuy tickets \n\n\n\nLocation: \n\n\n\nUpper Gallery 1 \n\n\n\n\n\n\n\n\n\nAbout Modern Art Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\nModern Art Oxford  is one of the UK’s leading contemporary art spaces. At the heart of the gallery’s programme is a commitment to education\, internationalism and inclusion\, founded on the power of visual art and culture to enact positive social change. \n\n\n\nIt offers educational experiences for visitors of all ages\, using art and creativity to reach thousands of people from Oxfordshire and beyond every year. These participatory activities are designed to help visitors explore our exhibitions\, experiment with creative processes and celebrate the relevance of contemporary visual culture to society today. \n\n\n\nModern Art Oxford was founded in 1965\, and has a rich history of bold and progressive programming that promotes diversity and internationalism\, encourages public engagement with creativity and the arts\, and celebrates the importance of contemporary visual culture in today’s society. \n\n\n\nDiscover more about Modern Art Oxford
URL:https://theoxfordmagazine.com/event/kira-freije-unspeak-the-chorus/
LOCATION:Modern Art Oxford\, 30 Pembroke Street\, Oxford\, OX1 1BP\, United Kingdom
CATEGORIES:Exhibitions
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SUMMARY:Olivia Plender: Little Fennel's Complaint
DESCRIPTION:Olivia Plender: Little Fennel’s Complaint. Image: Olivia Plender\, title TBC\, 2026\, Embroidered textile © Olivia Plender\, courtesy Maureen Paley\, London\n\n\n\n\n\n\n\n\nAbout Olivia Plender: Little Fennel’s Complaint\n\n\n\nDiscover the hidden history of women’s bodies\, medicine and resistance through Olivia Plender’s major new solo exhibition. \n\n\n\nModern Art Oxford is delighted to present Little Fennel’s Complaint\, a major solo exhibition by Olivia Plender (b. 1977\, London)\, exploring historic and ongoing inequalities in women’s healthcare\, from early modern witchcraft to contemporary debates on reproductive rights and medical authority. \n\n\n\nPlender developed the exhibition through research with leading Oxford institutions\, including the Bodleian Library\, Oxford Botanic Garden and John Radcliffe Hospital. Across embroidered textiles\, watercolours\, drawings\, mobiles\, and sound works\, she examines how women’s healthcare has been recorded\, classified\, and practised over time. \n\n\n\nThe exhibition combines new commissions\, existing works\, and historic manuscripts to highlight Plender’s multidisciplinary\, research-led practice. Installations trace shifting approaches to medicine and diagnosis\, opening with a presentation inspired by contemporary hospital architectures and waiting rooms. This builds on Plender’s ongoing project Our Bodies are Not the Problem (2021–)\, developed with the Glasgow Women’s Library\, exploring the links between ill health\, disability and structural inequalities. \n\n\n\nHistorical perspectives include Plender’s series Bringing Down the Flowers (2023–)\, watercolours in the style of genteel 19th-century flower paintings of plants historically used to induce abortion\, referencing orally transmitted reproductive knowledge. Three 17th-century manuscripts by astrologer-physician Richard Napier\, on loan from the Bodleian Library\, document consultations with women about their reproductive health\, alongside other ‘women’s problems’ such as ‘green sickness’\, a diagnosis formerly given only to unmarried women. \n\n\n\nDisplayed alongside these is Plender’s hanging mobile (2024) reflecting on humoral medicine (based on the ancient theory of the humours) and other systems of classification from the Renaissance to today. The exhibition culminates in a large-scale embroidered textile loosely based on scenes from the Malleus Maleficarum\, a notorious treatise on witchcraft written by Heinrich Kramer (1486)\, which portrayed women – particularly midwives and healers – as susceptible to demonic influence. \n\n\n\nBy placing historic manuscripts alongside contemporary artworks\, the exhibition asks who has the authority to define what is rational\, legitimate\, and true\, and explores how systems of knowledge shape lived experience while opening possibilities for alternative understandings. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nTickets for this exhibition can be purchased on the day of your visit at Modern Art Oxford’s Welcome Desk\, or pre-booked online via eventbrite \n\n\n\nBuy tickets \n\n\n\nLocation: \n\n\n\nUpper Galleries 2 & 3 \n\n\n\n\n\n\n\n\n\nAbout Modern Art Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\nModern Art Oxford  is one of the UK’s leading contemporary art spaces. At the heart of the gallery’s programme is a commitment to education\, internationalism and inclusion\, founded on the power of visual art and culture to enact positive social change. \n\n\n\nIt offers educational experiences for visitors of all ages\, using art and creativity to reach thousands of people from Oxfordshire and beyond every year. These participatory activities are designed to help visitors explore our exhibitions\, experiment with creative processes and celebrate the relevance of contemporary visual culture to society today. \n\n\n\nModern Art Oxford was founded in 1965\, and has a rich history of bold and progressive programming that promotes diversity and internationalism\, encourages public engagement with creativity and the arts\, and celebrates the importance of contemporary visual culture in today’s society. \n\n\n\nDiscover more about Modern Art Oxford
URL:https://theoxfordmagazine.com/event/olivia-plender-little-fennels-complaint/
LOCATION:Modern Art Oxford\, 30 Pembroke Street\, Oxford\, OX1 1BP\, United Kingdom
CATEGORIES:Exhibitions
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DTSTART;TZID=Europe/London:20260617T000000
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SUMMARY:34: The critical raw materials shaping our future
DESCRIPTION:34: The critical raw materials shaping our future\n\n\n\n\n\n\n\n\nAbout Breaking Ground\n\n\n\n34: The Critical Raw Materials Shaping Our Future is a major new exhibition at Oxford University Museum of Natural History explores the hidden materials that power modern life — from smartphones and batteries to medical equipment and jet engines. \n\n\n\nThe exhibition examines the 34 raw materials considered essential to the UK’s future\, revealing the global supply chains\, ethical challenges and scientific innovations behind the minerals that underpin everyday technology. \n\n\n\nDeveloped in collaboration with researchers from the University of Oxford’s Oxford EARTH Programme and departments across the physical\, life and social sciences\, the exhibition explores how increasing demand for green energy and digital technology is transforming the global race for critical materials. \n\n\n\nVisitors can discover why substances such as lithium\, cobalt and rare earth elements are so important to modern society\, why supply chains are becoming increasingly fragile\, and how scientists and industry are searching for more sustainable and ethical ways to source\, use and recycle these materials. \n\n\n\nThrough interactive displays\, scientific research\, historic objects and contemporary technologies\, the exhibition examines the future of extraction\, sustainability and resource security\, while highlighting the environmental and geopolitical challenges linked to critical raw materials. \n\n\n\nDesigned for audiences of all ages\, the exhibition is accompanied by a programme of talks\, workshops\, tours and family activities exploring the science\, ethics and global impact of the materials shaping our future. \n\n\n\nWhat are critical raw materials?\n\n\n\nCritical raw materials are those essential to key technologies but their supply may be limited\, unsustainable or unethical. Critical raw materials tend to have unique chemical properties which make them difficult to replace in technology. The UK government includes 34 raw materials on its designated critical list\, but lists vary from country to country. \n\n\n\n\n\n\naluminium\n\n\n\nantimony\n\n\n\nbismuth\n\n\n\nborates\n\n\n\ncobalt\n\n\n\ngallium\n\n\n\ngermanium\n\n\n\nhafnium\n\n\n\nhelium\n\n\n\nindium\n\n\n\niridium\n\n\n\niron\n\n\n\n\n\n\n\nlithium\n\n\n\nmagnesite\n\n\n\nmagnesium\n\n\n\nmanganese\n\n\n\nnatural graphite\n\n\n\nnickel\n\n\n\nniobium\n\n\n\nphosphorus\n\n\n\nplatinum\n\n\n\nrare earth elements (REEs)\n\n\n\nrhenium\n\n\n\n\n\n\n\nrhodium\n\n\n\nruthenium\n\n\n\nsilicon\n\n\n\nsodium\n\n\n\ntantalum\n\n\n\ntellurium\n\n\n\ntin\n\n\n\ntitanium\n\n\n\ntungsten\n\n\n\nvanadium\n\n\n\nzinc\n\n\n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nPrices: \n\n\n\n\nEntry to the Museum is FREE and not ticketed.\n\n\n\nNo booking required.\n\n\n\nBooking is required for organisations/groups of more than ten people visiting on the same day.\n\n\n\n\nOpening hours: \n\n\n\n\nMonday to Sunday from 10.00am to 5.00pm\n\n\n\nLast entry at 4.45pm\n\n\n\nClosed on 24\, 25\, & 26 December\n\n\n\n\nAccessibility: \n\n\n\nPlease contact the friendly team at the museum by telephone (01865 272 950) or email (foh@oum.ox.ac.uk) \n\n\n\n\n\n\n\n\nGallery\n\n\n\nClick images to expand \n\n\n\n\nBattery Ores\n\n\n\nBismuth\n\n\n\nCobalt\n\n\n\nDysprosium\n\n\n\nHalite\n\n\n\nREEs\n\n\n\n\nImage credit: Sarah Bell
URL:https://theoxfordmagazine.com/event/34-the-critical-raw-materials-shaping-our-future/
LOCATION:Oxford University Museum of Natural History\, Parks Road\, Oxford\, Oxfordshire
CATEGORIES:Exhibitions
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DTSTART;TZID=Europe/London:20260619T000000
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SUMMARY:Appau Jnr Boakye-Yiadom: Modular Merger
DESCRIPTION:Appau Jnr Boakye-Yiadom: Modular Merger. Photograph: Bate Collection research\, 2025. Photo credit: Victor Frankowski.\n\n\n\n\n\n\n\n\nAbout Appau Jnr Boakye-Yiadom: Modular Merger\n\n\n\nSound\, performance and museum display come together in Modular Merger\, a new exhibition by Appau Jnr Boakye-Yiadom exploring how collections shape the way we experience objects\, instruments and sound. \n\n\n\nDeveloped through research into the Bate Collection of Musical Instruments at the University of Oxford\, the exhibition brings together sound\, video and photography to consider what is revealed and concealed through the collection\, preservation and display of musical instruments. \n\n\n\nAt its centre is a new sound work created using recordings of historic instruments from the collection. Individual sounds unfold and accumulate over time\, inviting visitors to experience the instruments both separately and collectively. Throughout the exhibition\, fragmented images\, repeated forms and acts of cataloguing reflect on the ways museums organise and interpret objects. \n\n\n\nModular Merger marks the culmination of the inaugural Donna Lynas Residency (2023–26)\, a partnership between Wysing Arts Centre\, Modern Art Oxford\, Somerset House and South London Gallery\, created in memory of the curator Donna Lynas\, who was known for her long-term support of artist development. \n\n\n\nThis exhibition is supported by TORCH | The Oxford Research Centre in the Humanities\, part of the University of Oxford’s Humanities Division. It was made possible through collaboration with the Bate Collection of Musical Instruments. \n\n\n\n\n\n\n\nRelated events\n\n\n\nAppau Jnr Boakye-Yiadom Artist In-Conversation \n\n\n\n18 June 2026 from 6.00pm to 6.30pm. Free. Booking essential. \n\n\n\nJoin artist Appau Jnr Boakye-Yiadom in conversation ahead of the opening of Modular Merger\, a new exhibition at Modern Art Oxford. Discover the ideas behind the work\, the artist’s research process\, and how historical instruments from the Bate Collection of Musical Instruments have been reimagined within the exhibition. \n\n\n\nAppau Jnr Boakye-Yiadom: Preview Party \n\n\n\n18 June 2026 from 6.30pm to 9.00pm. Free. \n\n\n\nCelebrate the opening of Appau Jnr Boakye-Yiadom’s exhibition Modular Merger with an evening of art and music. Featuring DJ sets from FLOW Sound System in the yard\, this celebration for the opening of Appau Jnr Boakye-Yiadom’s exhibition Modular Merger promises to be an inspiring evening of art and music. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\n\n\n\n\nBooking information\n\n\n\nThis exhibition is supported by TORCH | The Oxford Research Centre in the Humanities\, part of the University of Oxford’s Humanities Division. It was made possible through collaboration with the Bate Collection of Musical Instruments. \n\n\n\n\n\n\n\n\n\nAbout Modern Art Oxford\n\n\n\n\n			\n				\n			\n		\n\n\n\nModern Art Oxford  is one of the UK’s leading contemporary art spaces. At the heart of the gallery’s programme is a commitment to education\, internationalism and inclusion\, founded on the power of visual art and culture to enact positive social change. \n\n\n\nIt offers educational experiences for visitors of all ages\, using art and creativity to reach thousands of people from Oxfordshire and beyond every year. These participatory activities are designed to help visitors explore our exhibitions\, experiment with creative processes and celebrate the relevance of contemporary visual culture to society today. \n\n\n\nModern Art Oxford was founded in 1965\, and has a rich history of bold and progressive programming that promotes diversity and internationalism\, encourages public engagement with creativity and the arts\, and celebrates the importance of contemporary visual culture in today’s society. \n\n\n\nDiscover more about Modern Art Oxford
URL:https://theoxfordmagazine.com/event/appau-jnr-boakye-yiadom-modular-merger/
LOCATION:Modern Art Oxford\, 30 Pembroke Street\, Oxford\, OX1 1BP\, United Kingdom
CATEGORIES:Exhibitions
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DTSTART;TZID=Europe/London:20260622T000000
DTEND;TZID=Europe/London:20260822T235959
DTSTAMP:20260610T101753
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SUMMARY:The Oxford Shakespeare Festival 2026
DESCRIPTION:The Oxford Shakespeare Festival 2026\n\n\n\n\n\n\n\n\nAbout The Oxford Shakespeare Festival 2026\n\n\n\nOne summer\, three incredible live performances in the heart of Oxford The Oxford Shakespeare Festival is back for its 16th year with three outstanding productions\, live in the Castleyard throughout the summer. \n\n\n\nThe Oxford Shakespeare Festival is an outdoor theatre experience that takes place in the courtyard of Oxford Castle & Prison.  \n\n\n\n\n\n\n\n\nWhat’s on this year\n\n\n\n\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\nShakespeare’s Julius Caesar \n\n\n\nBy BMH Productions \n\n\n\n22 June  – 04 July \n\n\n\nJoin BMH in celebrating 20 years of theatre-making in Oxford and 11 years at Oxford Castle & Prison\, as they bring their trademark fast-paced\, accessible production to Shakespeare’s Julius Caesar. \n\n\n\nAs the Roman Republic falters and Julius Caesar consolidates power\, assassination sparks a struggle over Rome’s future: can ideals survive ambition\, or is dictatorship inevitable? \n\n\n\nFIND OUT MORE \n\n\n\n\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\nMacbeth at Oxford Castle \n\n\n\nBy Wild Goose Theatre \n\n\n\n06 July – 01 August \n\n\n\nWild Goose Theatre returns for its 15th successive year\, transforming Oxford Castle & Prison into a world of ambition\, prophecy\, and bloody consequence. Beneath summer skies and ancient stone\, Macbeth draws audiences into a gripping tale of power and guilt\, where fate is whispered by witches and crowns are won at a terrible cost\, placing you at the heart of the action in a truly unforgettable setting. \n\n\n\nFIND OUT MORE \n\n\n\n\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\nRomeo & Juliet 2026 \n\n\n\nBy Siege Theatre \n\n\n\n03 August – 15 August \n\n\n\nFor their landmark 10th season\, Siege Theatre return with a bold reimagining of the world’s greatest love story\, set during the American War of Independence. \n\n\n\nIn a time of explosive conflict and divided loyalties\, honour still matters\, and two star-crossed lovers are forced to choose between duty to family and country or their devotion to each other. \n\n\n\nFIND OUT MORE \n\n\n\n\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\nYorick or the Skull \n\n\n\nBy Greensleeved \n\n\n\n21 August – 22 August \n\n\n\nGreensleeved Productions joins Oxford Shakespeare Festival for the first time\, with Yorick or the Skull.   \n\n\n\nThe story begins on the night Hamlet is born. We meet court jester Yorick and his closest friend\, Hamlet\, who has just become king but remains unskilled in navigating state matters. At the same time\, a serious land dispute with King Fortinbras of Norway looms over the kingdom. \n\n\n\nFIND OUT MORE \n\n\n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nAdult – £20.00Concessions – £18.00 \n\n\n\nDates & times:  \n\n\n\nMonday 22 June to Saturday 22 August 2026 \n\n\n\nPlease note that performances do not run on Sundays \n\n\n\nRunning time:  \n\n\n\n2 hours\, including an interval \n\n\n\nDress code:  \n\n\n\nThis is an outdoor theatre performance\, in the courtyard of Oxford Castle\, so please be prepared for whatever the weather may bring! \n\n\n\nGood to know: \n\n\n\n\nConcession tickets are available for children\, students with valid ID and seniors.\n\n\n\nFree tickets for carers are available to book by emailing us at info@oxfordcastleandprison.co.uk. Please see our list of accepted carer IDs here.\n\n\n\nFor group rates we allocate one free adult ticket for every 15 students.
URL:https://theoxfordmagazine.com/event/the-oxford-shakespeare-festival/
LOCATION:Oxford Castle & Prison\, 44-46 Oxford Castle\, Oxford\, OX1 1AY
CATEGORIES:Plays
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DTSTART;TZID=Europe/London:20260717T000000
DTEND;TZID=Europe/London:20260815T235959
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SUMMARY:Party in the Paddock Music Racedays 2026
DESCRIPTION:Party in the Paddock Music Racedays 2026\n\n\n\n\n\n\n\n\nAbout Party in the Paddock Music Racedays 2026\n\n\n\nParty in the Paddock is back for 2026! \n\n\n\nThere are two big music and racing weekends to look forward to during July and August\, promising entertainment both on and off the track! \n\n\n\nAfter welcoming more than 45\,000 fans to its Party in the Paddock music raceday series in 2025\, Newbury Racecourse is thrilled to announce its return in 2026 with two huge weekends of racing and live music in partnership with Bauer Media’s leading brands\, including Hits Radio and Magic. \n\n\n\nThe first acts for July have been revealed: Fans can look forward to Gipsy Kings\, featuring Nicolas Reyes\, taking to the famous Party in the Paddock stage live after racing on IRE Incentive Raceday on Friday 17 July\, before Ronan Keating closes out the weekend in style as part of Weatherbys Super Sprint Day on Saturday 18 July. \n\n\n\nWith world-class racing\, unforgettable performances\, and an electric summer atmosphere\, this is a series you won’t want to miss. \n\n\n\nKeep your eyes peeled – headline acts for the Summer August Raceday on Friday 14 August and Visit Malta Hungerford Day on Saturday 15 August will be announced in January. \n\n\n\n\n			\n				\n			\n		Gipsy Kings and Ronan Keating announced as 2026 Party in the Paddock headliners\n\n\n\n\n\n\n\nWatch the 2025 highlights\n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nTBC \n\n\n\nDates & times: \n\n\n\nFriday 17 and Saturday 18 July\, Friday 14 and Saturday 15 August 2026 \n\n\n\nFor the afternoon fixtures racing will typically start between 12.00pm and 2.00pm. \n\n\n\nFor the evening fixtures\, racing will typically start between 4.00pm and 5.00pm. \n\n\n\nFor our music racedays (in July and August) the concert will typically start around 30 minutes after the last race.
URL:https://theoxfordmagazine.com/event/party-in-the-paddock-music-racedays-2026/
LOCATION:Newbury Racecourse\, The Racecourse\, Newbury\, Berkshire\, RG14 7PN
CATEGORIES:Concerts,Festivals & Fairs
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DTSTART;TZID=Europe/London:20260721T000000
DTEND;TZID=Europe/London:20260725T235959
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SUMMARY:ZOG
DESCRIPTION:ZOG\n\n\n\n\n\n\n\n\nAbout ZOG \n\n\n\nBased on the book by Julia Donaldson and Axel Scheffler \n\n\n\n‘I’m not braggin’ but I’m a dragon’ \n\n\n\nJulia Donaldson and Axel Scheffler’s classic\, feel-good story is brought to roaring\, soaring life in this delightful musical for children. \n\n\n\nZog is the keenest dragon in Madam Dragon’s school. He’s also the most accident-prone\, flying into trees\, and even setting his own wing alight. Thankfully\, a kind girl comes along to patch up his scratches and scrapes – but can she help him with his biggest challenge yet\, so that he can finally win a golden star? \n\n\n\nThis charming smash-hit show\, from the producers of Stick Man and Zog and the Flying Doctors and featuring joyful songs by Joe Stilgoe with beautiful puppets by Little Angel\, is a treat for children and adults alike. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\n£11.50 to £23.50 \n\n\n\nDates & times: \n\n\n\nTuesday 21 and Saturday 25 July 2026 \n\n\n\nTuesday at 4.30pm \n\n\n\nWednesday to Saturday at 10.30am and 1.30pm \n\n\n\nSaturday at 3.30pm \n\n\n\nRunning time: \n\n\n\n1 hour \n\n\n\nLocation: \n\n\n\nBurton Taylor Studio \n\n\n\nAge guidance: \n\n\n\n3+ \n\n\n\nGood to know: \n\n\n\nFree lap tickets are available for babies under 18 months. \n\n\n\nPlease book online or via the Box Office. \n\n\n\n\n\n\n\n\n\nAbout Oxford Playhouse\n\n\n\n\n			\n				\n			\n		\n\n\n\nOxford Playhouse and its Burton Taylor Studio present and produce several live performances and feature a rich array of British and international dramas\, family entertainment\, contemporary dance and music\, student and amateur shows\, comedy\, lectures and poetry. \n\n\n\nThe Playhouse not only produces and tours its own theatrical productions\, but it also fosters creativity through its Artists in Residence program and the Playhouse Plays Out series\, which brings unique events to various locations across the county. \n\n\n\nThe theatre’s Participation Team engages over 15\,000 individuals annually\, offering an extensive range of activities\, including post-show discussions\, workshops\, work experience opportunities\, holiday programs\, a youth theatre\, and a company for young performers. \n\n\n\nOxford Playhouse stands dedicated to its mission of being a Playhouse for all\, striving to ignite inspiration and bring about transformative experiences through its commitment to creativity on its stages\, within its community and online. \n\n\n\nDiscover more about Oxford Playhouse\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/zog/
LOCATION:Oxford Playhouse\, Beaumont Street\, Oxford\, Oxfordshire\, OX1 2LW\, United Kingdom
CATEGORIES:Variety
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260723T000000
DTEND;TZID=Europe/London:20260723T235959
DTSTAMP:20260610T101753
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SUMMARY:Didcot Railway Centre Discovery Days
DESCRIPTION:Didcot Railway Centre in Didcot\, Oxfordshire\n\n\n\n\n\n\n\n\nAbout Didcot Railway Centre Discovery Days\n\n\n\nWith no trains running\, explore the 21 acre living museum at leisure and get close to the exhibits \n\n\n\nTravel back to the golden age of the Great Western Railway and experience the sights\, sounds and atmosphere of steam across this 21-acre living museum\, showcasing trains from Victorian times through to the 1960s. \n\n\n\nVisitors can explore the site at leisure and uncover almost two centuries of railway history. With trains not running on Discovery Days\, there is a rare opportunity to see the locomotives up close. \n\n\n\nA colourful Centre Guide helps visitors navigate the site\, from the original 1932 Engine Shed to the impressive collection of preserved locomotives\, including 5900 Hinderton Hall. Guests can step onto the footplate and hear staff in character as they bring the engines to life\, capturing the rhythms of a working steam-era shed. \n\n\n\n\n			\n				\n			\n		\n\n\n\nAcross the site\, the Engine Shed atmosphere is carefully recreated\, with sounds and details that evoke daily railway life. The Carriage and Wagon section displays restored rolling stock from Victorian times to the 1940s\, including a VIP saloon believed to have been used by General Eisenhower during preparations for D-Day and later part of the GWR Royal Train\, alongside ongoing restoration work. Brunel’s Broad Gauge collection is also on display\, including locomotives\, coaches\, the transfer shed\, and remnants of the ambitious Atmospheric Railway. \n\n\n\nInteractive and interpretive experiences continue in the Signalling Centre\, where visitors can discover how rail traffic has been controlled over time\, with the Swindon Panel demonstrated on selected dates. A WWII air raid shelter offers a powerful glimpse into wartime history\, while the museum houses a vast and varied collection of smaller artefacts. The Road Transport Hangar adds further depth with examples of historic GWR road vehicles. \n\n\n\n\n			\n				\n			\n		\n\n\n\nDiscovery Days offer full access to the site\, with the restaurant\, shop\, museum\, Engine Shed displays\, carriage and wagon exhibits\, signalling centre\, and transfer shed all open to visitors. The quieter atmosphere allows more time to appreciate the locomotives and surroundings. At times\, visitors may also witness shunting movements\, workshop activity\, or even steam tests taking place outdoors. \n\n\n\nFamilies can enjoy the outdoor play area or dress up as station staff\, while the refreshment rooms provide space to relax over lunch or a snack. A visit to the gift shop offers souvenirs to complete the experience. The backdrop of modern railway traffic passing nearby adds contrast\, bringing over 180 years of railway evolution together in a single day. \n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nAdmission for 2 people with Tea & Cake – £32.00 (£35.50 with Gift Aid) \n\n\n\nAdult Admission – £12.00 (£14.00 with Gift Aid)Senior Admission (65+) – £9.00 (£10.00 with Gift Aid)Child Admission (3 to 15) – £7.50 (£8.50 with Gift Aid)                  Child Under 3 Admission – Free \n\n\n\nFamily of 4 Admission (2 Adults and 2 Children) – £35.00 (£38.50 with Gift Aid)Family of 5 Admission (2 Adults and 3 Children) – £44.00 (£48.50 with Gift Aid)                 Carer Admission – £0.00Visitors may be asked to provide reasonable proof of carer status on the day of arrival. \n\n\n\nAdmission prices are inclusive of all regular attractions including free train rides on running days. \n\n\n\nChild prices apply to children aged 3 to 15 \n\n\n\nOpening times:The Didcot Railway Centre is currently open only at Weekends and on 18 to 20 February for Half-Term\, with the last entries at 2.30pm. You are welcome to stay until closing at 4.00pm. \n\n\n\nPlease have your original e-ticket ready to show the staff. Please also bring your membership card if you’re a member or your carer‘s ID if you have booked a carer’s ticket. \n\n\n\nChildren under 16 must be accompanied by an adult. \n\n\n\nGood to know:Joining during half term week\, will be a visiting engine\, Prairie 5199 courtesy of the 5199 Project\, and together with our own 4144 and 6106 will be the first time these 3 Prairies will have been seen together in preservation. 5199 is due to come out of traffic shortly as its boiler certificate is running out\, so make the most of being able to see this operating while you can! \n\n\n\nSee the latest pre-arrival advice here.
URL:https://theoxfordmagazine.com/event/didcot-railway-centre-discovery-days/2026-07-23/
LOCATION:Didcot Railway Centre\, Didcot Parkway\, Didcot\, Oxfordshire\, OX11 7NJ
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260723T000000
DTEND;TZID=Europe/London:20260726T235959
DTSTAMP:20260610T101753
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SUMMARY:Truck Festival 2026
DESCRIPTION:About Truck Festival 2026\n\n\n\nTruck Festival 2026 will take place in the idyllic Oxfordshire countryside from 23 to 26 July 2025. \n\n\n\nTruck Festival is one of Oxfordshire’s most popular summer music festivals\, returning each July to Hill Farm in Steventon for a long weekend of live music\, culture and community spirit. \n\n\n\nFounded in 1998\, the independently run festival is known for its relaxed\, village-fête atmosphere combined with a strong contemporary music line-up. Across multiple stages\, Truck Festival showcases a mix of major UK headliners\, established artists and emerging talent spanning indie\, rock\, alternative and electronic genres. \n\n\n\nBeyond the music\, festival-goers can expect a wide range of food and drink traders\, family-friendly activities\, arts and entertainment\, and on-site camping\, all set in the Oxfordshire countryside. With its emphasis on independence\, creativity and community\, Truck Festival has earned a reputation as a standout event on the UK festival calendar. \n\n\n\nThe festival takes place at Hill Farm\, Steventon\, Oxfordshire\, OX13 6AB. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nOnly The Poets at Truck Festival in 2019\n\n\n\n\n\n\n\nTruck Festival 2026 lineup\n\n\n\nThe 2026 lineup promises another standout year\, led by The Maccabees\, Two Door Cinema Club\, CMAT\, The Libertines and The Wombats. They’re joined by an impressive supporting bill including Primal Scream\, Kaiser Chiefs\, The Vaccines\, Rizzle Kicks\, Everything Everything\, Friendly Fires\, Circa Waves\, The Cribs\, The Lottery Winners\, We Are Scientists\, Black Honey and many more\, with artists spanning indie\, alternative and pop. More acts are still to be announced. \n\n\n\n\n\n\n\nTruck Festival 2026 lineup poster\n\n\n\n\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nOpening times:For Weekend Camping Ticket holders\, the site opens at 10.00am on Thursday 23 July and then closes at midnight on Sunday 27 July. The main arena opens at noon on Friday and closes 2.00am each night. All customers must have vacated the site by midday on Monday 28 July. \n\n\n\nAdding ‘Thursday Entry’ entitles you to enter the festival on Thursday 24 July\, a day earlier than the Weekend Camping Ticket. \n\n\n\n\n\n\n\nFAQs\n\n\n\n\n\n\n\nTickets & booking:\n\n\n\n\n\nWhat ticket types are available?+\n\n\n\n\nTruck Festival offers Weekend Camping\, Weekend Family Camping\, Youth Weekend Tickets (ages 13–17) and Children’s Tickets (12 and under). Upgrades include Thursday Early Entry and Zodiac Fields (premium facilities and location). All upgrade tickets must be purchased alongside a valid Weekend ticket. \n\n\n\n\n\n\nWhat do ticket tiers mean?+\n\n\n\n\nTicket tiers are price-based only. Higher tiers do not offer additional access. Early buyers benefit from lower prices\, while all standard Weekend tickets provide the same entry. \n\n\n\n\n\n\nAre Day Tickets available?+\n\n\n\n\nNo. Truck Festival is a weekend-only event and Day Tickets are not available. However\, ticket holders may leave and re-enter the site freely throughout the weekend. \n\n\n\n\n\n\nDo children need a ticket?+\n\n\n\n\nYes. \n\n\n\n\nAges 12 and under require a children’s ticket and must be accompanied by a full-paying adult.\n\n\n\nAges 5 and under also require a ticket but at a reduced price.Children do not require Thursday or Zodiac upgrades when accompanying an adult with the relevant access.\n\n\n\n\n\n\n\nWhy is a Youth Ticket the same price as an adult ticket?+\n\n\n\n\nAll attendees aged 13 and over have historically paid full price. The Youth Ticket exists to support safeguarding\, allowing staff to easily identify and support attendees aged 13–17 via a dedicated wristband. \n\n\n\n\n\n\nCan tickets be resold?+\n\n\n\n\nYes. If plans change\, tickets can be resold safely via the official resale partner\, Tixel. Third-party resellers and social media sales are not recommended\, as tickets may not be valid. \n\n\n\n\n\n\nWill I receive a physical ticket?+\n\n\n\n\nNo. All tickets are e-tickets and will be emailed to the lead booker approximately one week before the event. Festival-goers are advised to download or screenshot their QR code before arrival. \n\n\n\n\n\n\n\n\n\n\nBefore you go:\n\n\n\n\n\nWhat should I bring?+\n\n\n\n\nEssentials include: \n\n\n\n\nE-ticket (printed or on phone)\n\n\n\nPhoto ID\n\n\n\nTent and sleeping bag\n\n\n\nRefillable water bottle\n\n\n\nWeather-appropriate clothing\n\n\n\nToiletries and medication\n\n\n\nTorch and phone charger\n\n\n\nCashless payments only – bring a debit/credit card\n\n\n\n\n\n\n\nWhat should I not bring?+\n\n\n\n\nA full prohibited items list is available on the festival website. Valuables are discouraged\, as personal belongings remain the responsibility of the attendee. \n\n\n\n\n\n\nCan I bring a camera?+\n\n\n\n\nCompact personal cameras are allowed. Professional cameras\, including those with interchangeable lenses or lenses longer than 6 inches\, are not permitted without press accreditation. \n\n\n\n\n\n\nCan I bring chairs or gazebos?+\n\n\n\n\nChairs are permitted in campsites only. No chairs\, tables or gazebos are allowed in the arena. \n\n\n\n\n\n\nAre animals allowed?+\n\n\n\n\nOnly registered assistance dogs are permitted on site. \n\n\n\n\n\n\n\n\n\n\nGetting there:\n\n\n\n\n\nHow do I get to Truck Festival by public transport?+\n\n\n\n\nTrain: Didcot Parkway (Great Western Railway) with shuttle buses to the site. \n\n\n\nShuttle Bus: Dedicated services run between Didcot Parkway and the festival. \n\n\n\nBus: Thames Travel services operate across Oxfordshire during the festival weekend. \n\n\n\nTaxi: Local taxi services are available. \n\n\n\n\n\n\nCan I drive?+\n\n\n\n\nYes. Parking passes must be purchased in advance (£30 + booking fee) or on arrival (£40). Parking is located adjacent to the campsites. Pick-up and drop-off facilities are available. \n\n\n\n\n\n\nAre campervans and caravans allowed?+\n\n\n\n\nYes\, with a valid Campervan/Caravan Pass. Vehicles must include fitted sleeping facilities and cooking or washing facilities. Electric hook-ups are available as an add-on. \n\n\n\n\n\n\n\n\n\n\nOn arrival:\n\n\n\n\n\nCan I leave and re-enter the site?+\n\n\n\n\nYes. Re-entry is permitted throughout the weekend\, but alcohol can only be brought into the campsite on first entry. \n\n\n\n\n\n\nIs alcohol allowed?+\n\n\n\n\nAlcohol is permitted in campsites only\, on first entry\, and in limited quantities: \n\n\n\n\nUp to 24 cans\, or\n\n\n\n1 x 70cl spirits bottle (decanted)\, or\n\n\n\n2 x wine bottles (decanted)\n\n\n\n\nNo alcohol is allowed in the arena. Festival bars operate a Challenge 25 policy. \n\n\n\n\n\n\nWhat ID is accepted?+\n\n\n\n\nAccepted ID includes: \n\n\n\n\nPassport\n\n\n\nUK driving licence (including provisional)\n\n\n\nCitizenCard or other PASS-approved cardsPhotocopies are accepted for entry but not for alcohol purchases.\n\n\n\n\n\n\n\n\n\n\n\nWhile on site:\n\n\n\n\n\nAre there accessible facilities?+\n\n\n\n\nYes. Truck Festival offers accessible viewing areas\, toilets\, parking and PA ticket schemes. Full details and applications are available on the festival’s Accessibility page. \n\n\n\n\n\n\nIs there lost property?+\n\n\n\n\nLost property should be reported to campsite management cabins. After the event\, enquiries can be made via info@truckfestival.com. \n\n\n\n\n\n\nIs volunteering available?+\n\n\n\n\nYes. Volunteer opportunities are run through Festaff. Further details for Truck 2026 will be announced closer to the event. \n\n\n\n\n\n\nWhat welfare support is available?+\n\n\n\n\nA 24/7 Welfare Tent is located in the arena and staffed by trained professionals from W.E.L.Safe CIC. Support is available for anyone feeling unwell\, overwhelmed or in need of assistance. \n\n\n\n\n\n\nWhat is the drugs policy?+\n\n\n\n\nTruck Festival operates a zero-tolerance drugs policy. Illegal substances\, including nitrous oxide and new psychoactive substances\, are prohibited and may result in ejection and police action. \n\n\n\n\n\n\nAre bag searches carried out?+\n\n\n\n\nYes. Bag searches are conducted on entry as a condition of attendance. \n\n\n\n\n\n\n\n\n\n\nAfter the event:\n\n\n\n\n\nWhat if I’ve lost something after the festival?+\n\n\n\n\nPost-event lost property enquiries should be emailed to info@truckfestival.com \n\n\n\n\n\n\nWatch highlights from Truck Festival 2019\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRead more about Truck Festival\n\n\n\n Arts & Culture\nTruck Festival announces electrifying lineup for 2025 edition\n\n Arts & Culture\, Community & Charity\nTruck Festival raises over £120K for local charities and organisations\n\n Arts & Culture\nOxfordshire’s Truck Festival 2019 announces line-up			\n			\n\n\n\nView All
URL:https://theoxfordmagazine.com/event/truck-festival/
LOCATION:Hill Farm\, Steventon\, Abingdon-on-Thames\, Oxfordshire\, OX13 6AB
CATEGORIES:Concerts,Festivals & Fairs
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DTSTART;TZID=Europe/London:20260723T080000
DTEND;TZID=Europe/London:20260723T130000
DTSTAMP:20260610T101753
CREATED:20240116T173505Z
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UID:10011302-1784793600-1784811600@theoxfordmagazine.com
SUMMARY:Henley-on-Thames Farmer’s Market on 4th Thursdays
DESCRIPTION:Henley Farmers Market\, Henly on Thames\, Oxfordshire\n\n\n\n\n\n\n\n\nAbout Henley-on-Thames Farmer’s Market\n\n\n\nThe Henley-on-Thames Farmer’s Market takes place in Henley Market Place on the 2nd Saturday and 4th Thursday of the month from 8.00am to 2.00pm. \n\n\n\nExpect stalls with delicious\, fresh\, locally produced\, seasonal food as well as crafts and non-food items from suppliers in and around the Henley-on-Thames area. \n\n\n\nTraders are producers of their own produce who are actively involved in the production process of the goods for sale. All produce is grown\, reared\, caught\, brewed\, pickled\, baked\, smoked or processed by the producer. \n\n\n\nAdditionally\, stalls are staffed by the producer\, family member or someone who is directly involved in growing\, raising or producing the goods on sale\, or those with a good working knowledge of the production process. \n\n\n\n\n\n\n\nGood to know\n\n\n\nThe Town Council organises several weekend / Continental-style Markets each year\, and the Charter Market is held in Market Place every Thursday (except on the 4th Thursday of the Month when it is replaced by the Farmers Market).
URL:https://theoxfordmagazine.com/event/henley-farmers-market-4th-thursdays/2026-07-23/
LOCATION:Henley-on-Thames Town Centre\, Market Place\, RG9 2AQ\, Henley-on-Thames\, Oxfordshire\, RG9 2AQ
CATEGORIES:Farmers Markets
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