BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//The Oxford Magazine - ECPv6.17.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:The Oxford Magazine
X-ORIGINAL-URL:https://theoxfordmagazine.com
X-WR-CALDESC:Events for The Oxford Magazine
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/London
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20250330T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20251026T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20260329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20261025T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20270328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20271031T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260516T193000
DTEND;TZID=Europe/London:20260516T193000
DTSTAMP:20260624T203324Z
CREATED:20260421T120309Z
LAST-MODIFIED:20260624T203324Z
UID:10011819-1778959800-1778959800@theoxfordmagazine.com
SUMMARY:Oxford Philharmonic Orchestra: Brahms and Tchaikovsky
DESCRIPTION:Oxford Philharmonic Orchestra: Brahms and Tchaikovsky\n\n\n\n\n\n\n\n\nAbout Oxford Philharmonic Orchestra: Brahms and Tchaikovsky\n\n\n\nTchaikovsky Souvenir de Florence\, Op. 70 \n\n\n\nBrahms String Sextet No. 1 in B flat major\, Op. 18 \n\n\n\nCarmine Lauri violin \n\n\n\nAnna-Liisa Bezrodny violin \n\n\n\nJon Thorne viola \n\n\n\nJonathan Barritt viola \n\n\n\nMats Lidström cello \n\n\n\nJane Salmon cello \n\n\n\nMembers of the Oxford Philharmonic Orchestra come together for an exhilarating evening of supersized chamber music\, guaranteed to set the pulse racing. \n\n\n\nTchaikovsky’s Souvenir de Florence is a work of turbulent anguish masquerading as one of utter joie de vivre\, in which a thick-set ensemble dances its way around a tune the composer noted down during an otherwise fruitless trip to the Tuscan capital.  \n\n\n\nBrahms’s own sextet for strings is an early work that combines Mozart’s charm\, Beethoven’s exuberance\, Mendelssohn’s momentum and Brahms’s own luxuriance – and to quite magnificent effect. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nStandard – £30.00 \n\n\n\nStudents – £5.00 \n\n\n\nDates & times: \n\n\n\nSaturday 16 May 2026 at 7.30pm \n\n\n\nRunning time: \n\n\n\n2 hours \n\n\n\n\n\n\n\n\n\nAbout Holywell Music Room\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe Holywell Music Room in Oxford is one of the oldest purpose-built concert halls in Europe and a treasured cultural landmark in the city. Situated on Holywell Street\, close to the heart of the University of Oxford\, it was constructed in 1748 and is celebrated for its remarkable acoustics and intimate atmosphere. \n\n\n\nOften considered the first dedicated music venue in England\, the Holywell Music Room has hosted performances for over two centuries. It has historical ties to esteemed composers like Haydn and has been a key location for classical music in the region. The building’s interior reflects the elegance of Georgian architecture\, with a design that prioritises sound quality. Seating around 200 people\, it provides an immersive and personal concert experience. \n\n\n\nThe venue remains an active hub for musical performances\, regularly showcasing chamber music\, solo recitals\, and other classical events. It is used extensively by the University of Oxford and local cultural organisations. Conveniently located in central Oxford\, the Holywell Music Room continues to attract music lovers and visitors who appreciate its historical and artistic significance. \n\n\n\nVisit the venue information page for further details.
URL:https://theoxfordmagazine.com/event/oxford-philharmonic-orchestra-brahms-and-tchaikovsky/
LOCATION:Holywell Music Room\, Holywell Road\, Oxford\, Oxfordshire\, OX1 3SD
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://theoxfordmagazine.com/wp-content/uploads/Oxford-Philharmonic-Orchestra-Brahms-and-Tchaikovsky.webp
GEO:51.7550656;-1.253053
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Holywell Music Room Holywell Road Oxford Oxfordshire OX1 3SD;X-APPLE-RADIUS=500;X-TITLE=Holywell Road:geo:-1.253053,51.7550656
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260516T193000
DTEND;TZID=Europe/London:20260516T193000
DTSTAMP:20260427T062713Z
CREATED:20260421T121805Z
LAST-MODIFIED:20260427T062713Z
UID:10011928-1778959800-1778959800@theoxfordmagazine.com
SUMMARY:The Unthanks
DESCRIPTION:The Unthanks\n\n\n\n\n\n\n\n\nAbout The Unthanks\n\n\n\nHow many artists have journeyed through as much musical ground as The Unthanks over the past two decades?  \n\n\n\nBBC 6 Music regulars\, but equally to be found on Radios 2\, 3 and 4\, the Tyneside band are like magpies\, picking up undiscovered jewels\, reframing history and drawing on the worlds of folk\, jazz\, orchestral\, electronica and art-rock to create their own unique truth and beauty.  \n\n\n\nThey have won Mojo Magazine Folk Album of the Year twice\, they were the only British folk representation in The Guardian’s and Uncut’s Best Albums of the Decade (worldwide\, all genres)\, and count amongst their admirers fellow storytellers including Elvis Costello\, Maxine Peake\, Michael Sheen\, Rosanne Cash\, Martin Freeman\, Robert Wyatt\, Martin Hayes\, Nick Hornby\, Ben Myers and Dawn French. \n\n\n\nUsing the traditional music of the North East of England as a starting point\, the influence of Miles Davis\, Steve Reich\, Sufjan Stevens\, Robert Wyatt\, Antony & The Johnsons\, King Crimson and Tom Waits can be heard in the band’s 16 records to date\, earning them a Mercury Music Prize nomination and international acclaim along the way. \n\n\n\nThe Unthanks are constantly evolving. They have scaled up for orchestral and brass band shows\, drawing on the arranging and composing skills of self-taught band leader Adrian McNally\, and paired right back for the unaccompanied live record Diversions Vol 5\, drawing on the traditional singing backgrounds of Rachel and Becky Unthank and Niopha Keegan.  \n\n\n\nThey’ve created song cycles from Emily Brontë’s poetry\, site-specific theatre with Maxine Peake\, soundtracks for Mackenzie Crook’s Worzel Gummidge\, had music used on HBO’s True Detective\, Peaky Blinders\, Vera\, and The Detectorists\, and a string of ‘Diversions’ interpreting the work of Molly Drake\, Anohni and Robert Wyatt. \n\n\n\n\n\n\n\nWatch the trailer\n\n\n\n\n\n\n\n\n\n\n\n\n\nReviews\n\n\n\n\n“Few of their contemporaries\, within both folk music and the wider artistic spectrum\, have such a keenly-honed ability to locate in a song the emotional essence that can\, in just a single phrase or vocal elision\, cut one to the quick.” \n\n\n\nThe Independent \n\n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\n£32.00 \n\n\n\nAll prices include any booking fees \n\n\n\nDates & times: \n\n\n\nSaturday 16 May 2026 at 7.30pm \n\n\n\nRunning time: \n\n\n\n1 hour 50 minutes \n\n\n\nLocation: \n\n\n\nThe Theatre \n\n\n\n\n\n\n\n\n\nAbout The Theatre Chipping Norton\n\n\n\n\n			\n				\n			\n		\n\n\n\nThe Theatre Chipping Norton\, sometimes called The Theatre\, Chipping Norton or Chipping Norton Theatre\, is a theatre\, an arthouse cinema\, a gallery and a concert hall in Chipping Norton. \n\n\n\nThe theatre has has 217 seats\, including stalls and a balcony. It is a resource for the community\, and it is also a professional venue\, welcoming over 55\,000 customer visits every year. \n\n\n\nIt is something unique\, but it is also different things to different people. It is the cause and subject of many arguments and debates; and a fair amount of acclaim and affection. It is complicated and a little eccentric. \n\n\n\nIt is not a little theatre. It likes to make a big noise. \n\n\n\nDiscover more about The Theatre Chipping Norton\, including travel\, access and venue information.
URL:https://theoxfordmagazine.com/event/the-unthanks/
LOCATION:The Theatre Chipping Norton\, 2 Spring Street\, Chipping Norton\, Oxfordshire\, OX7 5NL
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://theoxfordmagazine.com/wp-content/uploads/The-Unthanks.webp
GEO:51.9431406;-1.5450005
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Theatre Chipping Norton 2 Spring Street Chipping Norton Oxfordshire OX7 5NL;X-APPLE-RADIUS=500;X-TITLE=2 Spring Street:geo:-1.5450005,51.9431406
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260516T193000
DTEND;TZID=Europe/London:20260516T213000
DTSTAMP:20260520T000412Z
CREATED:20260415T184334Z
LAST-MODIFIED:20260520T000412Z
UID:10012330-1778959800-1778967000@theoxfordmagazine.com
SUMMARY:Summer Concert May 2026
DESCRIPTION:Summer Concert May 2026\n\n\n\n\n\n\n\n\nAbout Summer Concert May 2026\n\n\n\nGioachino Rossini\, world-famous at 21\, admired by Beethoven and Schubert\, and the greatest writer of comic opera\, more or less gave up composing at 37. (Health\, wealth\, several houses and a new mistress?)  \n\n\n\nHowever\, at the age of 71\, he composed the Petite Messe Solennelle\, one of the most intriguing works of the 19th century. \n\n\n\nNeither short nor solemn\, the title is either a joke or refers to the small forces he had in mind: 12 singers (including castrati)\, two pianos and a harmonium. Behind the shimmering tunefulness is music of great majesty\, rigour\, depth and hushed solemnity.  \n\n\n\nToo long for a church service\, it was first performed in a Parisian salon. Quirkily\, it quotes a composer friend writing in the style of Palestrina in the opening Kyrie and has an extended piano solo as the Offertorium.  \n\n\n\nAbove all\, Rossini’s mature genius for melody and musical architecture is dazzling throughout. \n\n\n\nWith four superb soloists\, a harmonium and the inclusion of a performance of Rossini’s ‘Première communion’ from ‘Péchés de vieillesse’ (‘Sins of Old Age’) by dazzling pianist Julian Littlewood\, you are guaranteed a wonderful and memorable spring evening. \n\n\n\n\n\n\n\nTickets\n\n\n\n\n\n\n\nPlease see important booking information below. \n\n\n\n\n\n\n\nBooking information\n\n\n\nTicket prices: \n\n\n\nFrom £20.00 \n\n\n\nA fee of £1.50 per transaction applies to bookings for this event across all channels – website\, phone and in-person bookings at the Box Office. The fee is waived for Oxford Playhouse members. \n\n\n\nDates & times: \n\n\n\nSaturday 16 May 2026 at 7.30pm \n\n\n\nDoors open at 7.00pm \n\n\n\nRunning time: \n\n\n\n2 hours 15 minutes\, including an interval \n\n\n\nGood to know: \n\n\n\nPlease note that photography\, recording or filming is not permitted during this event.
URL:https://theoxfordmagazine.com/event/summer-concert-may-2026/
LOCATION:St Andrew’s Church\, Oxford Summertown\, Linton Road\, Oxford\, OX2 6UG
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://theoxfordmagazine.com/wp-content/uploads/Summer-Concert-May-2026.webp
GEO:51.7698434;-1.2602993
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=St Andrew’s Church Oxford Summertown Linton Road Oxford OX2 6UG;X-APPLE-RADIUS=500;X-TITLE=Linton Road:geo:-1.2602993,51.7698434
END:VEVENT
END:VCALENDAR