Discover the legacy of Jean Jones – one of Oxford’s great twentieth-century painters


Jean Jones: Oxford’s Forgotten Painter - discover the legacy of one of Oxford’s great twentieth-century painters
Jean Jones: Oxford’s Forgotten Painter – discover the legacy of one of Oxford’s great twentieth-century painters

The Jean Jones Estate has announced an upcoming exhibition, Jean Jones: Oxford’s Forgotten Painter, which will open on Saturday, 25 February, at Zuleika Gallery in Woodstock, Oxfordshire.

The exhibition will feature several of Jones’s previously unseen paintings, offering the people of Oxfordshire an opportunity to discover the legacy of one of Oxford’s great twentieth-century painters – a woman once tipped by Iris Murdoch will ‘one day be as famous as Van Gogh’!

Jean Jones (1927-2012) was a figurative painter who exhibited regularly in Oxford and London in the 1970s and had a solo show at the Ashmolean Museum in 1980.

For several reasons – her rejection of artistic fashions, time-consuming duties as a wife and mother in a deeply patriarchal society, and struggle with severe bipolar disorder – she was unable to successfully develop her career and fell into obscurity.

Despite all this, she continued to paint until her final years, producing an impressive body of work. Inspired by her post-impressionist heroes, Cézanne and Van Gogh, she felt that through close observation, she could express her passion for the people and places around her.

One of these places was Oxford – the city to which she moved in 1949 to marry John Jones, an ambitious young academic who would become the university’s Professor of Poetry in 1978. The Jones couple immersed themselves in the city’s literary circles, becoming close friends with Iris Murdoch, William Golding, and JRR Tolkien.

Jones’s friendship with Murdoch was central to her artistic development. She particularly admired the philosopher’s book The Sovereignty of Good (1970), which argued that naturalistic representation is a moral process because it encourages attentiveness to the world beyond the self.

Driven by this enthusiasm, the Jean Jones Estate was established in 2019 to research and share Jones’s life and work. Since then, the Estate has organised numerous exhibitions in Devon, Oxford and London, and Jones’s status as an unknown artist has been changing. Her pictures have entered museum collections and been written about by art historians and journalists.

In 2022, a landmark exhibition at Pembroke College, Oxford, Jean Jones: In Dialogue with Modern British Painting, placed her work alongside many of the twentieth century’s great painters, including John Piper, Paul Nash, Duncan Grant, and Patrick Heron. Her work is finally being seen as a substantial and unique contribution to the history of British art.

This exhibition is the first collaboration between the Estate and Zuleika Gallery. As a prestigious setting for contemporary British art close to Oxford, where much of Jones’s work was painted, the gallery is the ideal place to continue to reclaim her legacy.

The display focuses, in particular, on her portrayal of Oxford and Dartmoor, where she had a small cottage, demonstrating the contrasting ways she responded to different places. Her Dartmoor landscapes encapsulate the wild, expansive character of the region’s terrain with their coarse brushwork and distorted compositions.

The Oxford pictures, meanwhile, evoke the dense fabric of the ancient city using unusual perspectives – looking up at trees and street lamps or across a river towards the opposite bank. In this way, Jones effectively includes multiple layers of the city in single images – rivers, walls, roads, trees, leaf-covered ground and low-hanging sky.

Transcending these subtle differences, however, is the effervescent use of colour, distinctive approach to evoking human vision on a flat, rectangular picture plane, and close attention to the changes in light across the seasons that have driven the revival of Jones’s reputation in the last few years.

Images: (left) Sheep in the Hedge, 1973. Oil on canvas, 76 x 81cm and (right) St Cross Church, 1972. Oil on canvas, 76 x 76cm

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